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By patterjack
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05 November 2007 |
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Listening to Bix
The cornet set aside, his fingers flow across the keys.
The power is there, but underlies the soft caress
of the notes that top and tail in syncopated joy
while I wait to hear the ivory resolution
of a melody that defies a discrete ending
and leaves me in a mist of unresolved pleasure.
Then the cornet is retrieved, its power soars ,
taking first solo as its pride of place.
It sets its mark, almost solid, on the air
and the room trembles with its evocation
of a lust for life in the midst of blues despair
restated passionately in a last reprise.
One side of an old recording; then the other.
I am transported back to the carefree days
of studenthood's common room relaxation
with its leisurely enjoyment of music and magazines,
and the quiet companionship of fellow listeners.
The present music ends and sixty years have passed
in not much more than six swift minutes.
Youth fades, departs, and the regrets of age descend.
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Written by Bottleblondesurfer (5077 comments posted) 5th November 2007 | It is always enjoyable when writing is inspired by deep love and it is obvious that Bix Beiderbecke’s music meant a lot to you. That love and admiration almost enabled you to do the impossible, to describe music in terms of words. Music should ideally be listened to and describing it to another is the wrong medium for it, but there was such a lyrical power in your words that the music came across. It was such a vivid description. I’m sure anyone who read that would come away wanting to hear some of his music. I particularly liked the apparent contradiction of “blues despair” and “lust for life”. The blues does somehow seem to have a foot in both camps. I’ve never thought of that before but it’s true. Music does seem to reach the parts that words often cannot which is why I thought this, such a valiant effort. I think we can all empathise with “one side” We all have our own special music which can transport us back, some stands the test of time and some doesn’t but I don’t suppose that matters. The thing is while the music is playing we can’t grow old, so put the record back on again, the louder you play it the younger you get.
| Written by Phil (8763 comments posted) 5th November 2007 | One side of an old recording; then the other. I have a Bix Beiderbecke LP that was given to me by a friend who died about ten years ago. He introduced me to the music as well as reading. (There are three pieces about him over on non-fiction.) The crackles of the stylus as it travels over the aging grooves just adds to the whole listening experience. I guess that for me, there are all sorts of emotion tied into this music. Jane has said so much I agree with - and so much better than I could. Just to add. I had this mental image at the beginning of the last three lines. The record ends and the needle keeps rubbing in those scratchy bits at the end of a record. Your last line dropped right into that. Enjoyed very much - and anything that brings back old friends, if only for a moment, is worth its weight in gold. Phil | My gratitude... Written by patterjack (1927 comments posted) 5th November 2007 | ... to you both, Jane and Phil . I have a fair collecton of vinyls -- ranging from Shostakovich to The New Orleans Jazz Orchestra , with a few quirky ones like selections from steam carousels and ondes martineau --though the two referred to in the poem were on this occasion heard from a CD in a radio broadcast. There are two or three songs/music that were recorded on old 78 s in the records that were part of the collection in my old university's common room-- and i still cannot hear them without a giant dose of nostalgia. These were two of them . Thank you again for the reviews patterjack
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