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Shorts
The Barman Has the Final Word
By Henry
21 November 2007
Presently, I am retrieving a number of stories from my 1992-1996 files. I thought that there is no point to leave them in the archive, since I had great fun writing them during that period.

Meanwhile, I have submitted four titles to the Forum, including „Time Out“, „Kaiserwalzer“ and  "Witchcraft".

Here is the third one of this series, approx. 3'000 words, again set in the Spanish town of Ronda, and the setting is the exterior bar of the Hotel Reina Victoria (guests apart from myself have been Mr. Rilke and Mr. Hemingway) – I always like stories set in bars.







There were four men at the bar of the Reina Victoria. The drunk one who leaned heavily against the counter was a tourist from Berlin. Next to him stood the driver of the bus and waited for the plate of cheese and olives he had ordered. The third one sat apart, at the end of the bar, with his back to the wall and there was a big glass of gin and tonic in front of him. The fourth one was the barman. The Berliner was doing the talking.
"Juan," he said with feeling, "Juan, you are my friend," and slapped the driver on the shoulder. The Gin Tonic Client observed the scene from his corner and it was obvious that the driver was not happy with this development: he did not wish to be that person's friend.
The Berliner was a sick looking man in his fifties, towering above everone else with slightly more than six feet in height, with a balding head and a red and puffy clean-shaven face. His bulging eyes were bloodshot and pale grey. He was dressed in a beige shirt with a pathetic green crocodile stitched on its pocket and light brown trousers ironed sharply. His feet stuck in expensive burgundy college slippers. Despite the heat he had a dark green seersucker jacket slung over his thin shoulders. There was a gold Rolex on his left wrist and a couple of gold Cross pens in his shirt pocket. Even at a distance he was reeking of booze.
"Two beers, please," he told the barman, "and give one to my friend Juan here." The driver told him politely that he was not supposed to drink as he had to operate the bus but the Berliner ignored him.
"Two beers," he repeated. The driver asked the barman for a Coke and looked for an escape route. Apart from the man behind the counter, he was the only Spaniard in the bar. The Gin Tonic Client was a regular at this place. The Mesón as it was called, was tucked away a few yards from the hotel. Seen from the entrance at the narrow side of the structure, the room reached nearly all the way along the right hand side of the building. During daytime, plenty of light was allowed to enter from the large windows. The bar counter with the stools occupied the greater part of the left hand side. There were groups of mahogany tables and chairs distributed throughout the room.
It was a quarter past nine in the evening. Other people, who occupied some of the tables were members of the travel group. Among them were three women who had arrived together with the Berliner. One of them was his wife, a grey lady also in her middle fifties, with a grey complexion, with a grey immaculate perm and with grey clothes, tone-in-tone. The second one was a young and fat person with mouse-like, brownish short hair who didn't enjoy the climate. She was dressed in a sail-like Laura Ashley gown with patterns of tiny green flowers all over the place. She never said a word, just sat there and waited for a cool breeze. The third woman was young too. She was tall and slim, with reddish-brown, long wavy hair falling to her shoulders. Her eyes were greenish, in an oval face, and her full mouth was painted red. She wore  white sandals and blue jeans, and an inspiring white canvas shirt. The Gin Tonic Client wondered why the Berliner wanted to talk to the bus driver at the bar rather than pay attention to that lovely angel at his table. He had reached the sentimental stage and was rambling on. The driver had no chance to make his getaway.
"Listen, Juan, old friend, you've got all this responsibility. You are our pilot," the Berliner declared and upset his glass when he put his hand on the driver's shoulder. The barman didn't say a word, wiped the counter and produced a new beer. "Our lives are in your hands. Responsibility! That's it, that's what it is!" He had found his track and drove the point home, in case anyone didn't get it.
The Pilot tried to shake the Berliner's hand off but did not succeed. He was fed up but maybe he didn't want to start an argument as he was dealing with a customer. Maybe he was just being polite.
"Egbert, please don't drink any more." With a tinny voice, the Lady in Grey tried to take the initiative now. Her husband ignored her.
The Gin Tonic Client felt sorry for her to have ended up with the old drunkard, but maybe it was her own fault. She got up and went to the bar and positioned herself between her husband and the Pilot.
"Please, Egbert, come back to our table. You shouldn't drink with those capsules you've got to take. Come back to the table, please!"
The Gin Tonic Client was temporarily distracted from the proceedings as the Tall Angel commenced to transmit certain signals. She had noticed, of course, that he kept watching her and without looking at him, casually she opened another button of her shirt, an action that inspired the Gin Tonic Client thinking of things which had nothing to do with the products of Mr. Gordon's.
"Leave me alone," the Berliner told his wife. "I'm talking to my friend Juan, don't you see?"
She became very nervous, blinked her eyes rapidly, wrung her hands once or twice, but miserably retreated to the table when he showed his back to her.
At last, the Pilot managed to extract himself from the Berliner's attentions and turned to the barman, talked rapidly in Spanish and told him about the trip. Yesterday Sevilla, today at the hotel here, tomorrow Granada. The usual donkey tour. Next week the return trip with another group.
In the corner the video set played bullfighting clips from the Ronda arena, with the sound switched off. The Gin Tonic Client watched the recordings when the Berliner decided to speak to him.
"Where are you from?" he demanded and pointed the chin into his direction.
"That any of your business?"
The Gin Tonic Client didn't care for this approach. He continued to watch the telly.
"Come on, don't give me this rubbish. Are you Spanish? Anyway, I don't like bullfighting. It should be banned."
The Lady in Grey came back to her betrothed. She was angry. Perhaps she had summoned a few grains of courage. "Look, Egbert, you've had enough to drink now. Please!"
"This guy doesn't talk to me. Probably English, just look at him, huffy, what? Why doesn't he talk to me? Ask him! Maybe he's a lord or something. I just want to be friendly. You can tell his lordship that I'm trying to be friendly, you hear, dammit? Tell him!" Belligerently, the chin came up again.
The Tall Angel smiled at the Gin Tonic Client now. He had already resolved to leave the bar but reconsidered instantly. He placed another order with the barman. Maybe she was a mind reader.
"Are you English? Hey, you!" The Berliner was a damned nuisance now.
"What do you want? Are you from the police? My passport is none of your business!" The Gin Tonic Client was very irritated.
The Pilot finished talking to the barman by asking for grilled gambas and tomato salad and sat down with some other people in the far corner, while the Lady in Grey was determined to bring old Egbert back to the fold. She took his beer and with the other hand she seized his elbow and steered him to the table where he collapsed into the chair next to the fat girl who took no notice and continued to wait for fresh air.
The Gin Tonic Client was disappointed with the evening. An hour ago, he had been the only customer. He had enjoyed that very much as it was one of those moments bars have been created for: a very quiet hour, without phone, without discussions, without the need to talk. He even didn't want to read and that was unusual as he always carried one or two books with him wherever he went. From the tape came music by Paco de Lucia. There was a feeling of laziness, the Gin Tonic Client was content to be there, grateful for the cold glass of his favourite drink in front of him. After the heat of the day, this was the place to be. However, then came the invasion of the tourist gang and his tranquillity had been shot to pieces.
The barman picked up a plate from the kitchen, with a heap of sizzling „gambas a la plancha“ on it, and the good smell hit the Gin Tonic Client's nostrils. What kept him from leaving for dinner was that mysterious tall girl but he couldn't figure out what the position was. Her one and only smile mustn't mean anything, right? He couldn't stop himself: he kept darting glances at her. She was like a magnet, and naturally, she noticed that.
With her hands she drove under her long hair, lifted the mane two or three times and let it fall down again, her generous bust cocked for everybody to admire. It was Hollywood all the way. Then one of her hands touched her neck, went down to her shirt, into it, and only for the Gin Tonic Client to see, she pulled the cloth away to reveal one of her breasts with a dark and firm tip, for a few seconds only. He was extremely inspired now. She had never looked at him.
What was her relationship to that drunken bastard? She began to talk to him. The Lady in Grey didn't like that at all. She shot hostile glances at the girl, furtively though, but the Gin Tonic Client could feel the tension. Was she jealous of the girl's youth, of her beauty? Had she been pretty and attractive herself in her young years? Of course, now she appeared to be a nagging old witch but that would only be natural. One does not remain nice and easygoing with that egomaniac at one's side. Even the immaculate perm didn't help.
The Tall Angel spoke seriously to the Berliner, judging from his sullen expression. Apparently, he didn't appreciate her comments because rudely he got up in mid sentence and returned to the bar.
"One beer, please," he said. It came immediately, foaming nicely in an ice-cold glass with rivulets of water on it.
"Very good beer, very good cerveza." The barman grinned, slightly embarrassed.
"Egbert, please," the Lady in Grey pleaded once more.
"Listen, old girl," Egbert told her, turned around and faced her, "I'm gonna finish this beer and perhaps have another one, and then, if you're up to it, we can go up to the room and have some fun together." He glared at her. "You hear me?"
The Lady in Grey changed the colour of her face, rose and walked towards the "Señoras" door. The Berliner took a substantial swig from his glass, on second thought emptied it and put it down with a bang.
"One beer, please," he said. It came and he downed it in one go. "I like this beer. I'll have another one." And then, a little later: "Where is the old cow?"
He looked at the two women at his table. The fat one grabbed her purse and put some money on the table. The cool breeze had never come.
The Tall Angel smiled contemptuously and extracted her purse from the handbag, too. The fat girl left without a word, like an Ashley spinnaker sailing towards the door.
"A good woman that is, my wife," the Berliner professed to no one in general, his words slurred now, "a very good wife, perhaps a bit stupid, but in bed she's still first class." He gesticulated with his free hand and wanted to continue but only managed to belch something. He swayed. Everybody had stopped talking. The "Señoras" door had been opened a few seconds earlier but was closed again. The Gin Tonic Client was the only one to have noticed that. The Pilot left the bar. The Tall Angel put some coins down and got up. The next thing she did was to look the Gin Tonic Client straight into the eyes and flashed him a naughty smile. She walked to the exit, moving her curvy body ever so slightly. On the video a bull was killed artfully and the Gin Tonic Client asked for the bill. Apparently, he would not have dinner alone that night. Perhaps the nice restaurant in the Calle Tenorio would be all right?
The "Señoras" door opened again and the Lady in Grey reappeared. She was like a statue but that was probably due to her upright and stiff composure. She marched directly to the bar.
"You can continue to drink your mind to pieces, if you want to, just do as you like," she exclaimed without stopping. She didn't look left nor right when she passed by the tables on her way out. She had changed: from a non-descript grey wife trotting obediently behind her neurotic husband, and who had taken this crap from him all of her married life, she had pulled her remaining strength together and decided to call it a day. At least for the time being, so it seemed. Would it last?
"One beer, please," the Berliner kept the business running. It was quite an exodus now and the Gin Tonic Client would be the next to depart. He paid the bill and left.
Outside, it was still warm with a touch of humidity. Actually, he'd expected to find the Tall Angel somewhere near, waiting for him. He sweated. Where was she? She couldn't have gone far. Had she walked to the hotel? He peered along the path which connects the Mesón with the main building. Or was she in the parking lot? And why? He stepped to the other corner of the Mesón when he noticed something white in the shrubs behind the building. He went forward.
The Pilot held the Tall Angel in a tight embrace, one hand already inside the white blouse. She didn't resist. On the contrary.
The Gin Tonic Client turned on his heels and headed towards the exit gate, away from the desaster zone. He shook all over. He looked as intelligent as a frozen monkey. He went through the gate and found himself walking on the pavement. Cars were moving and there was commotion everywhere. He moved on. The Calle Dr. Fleming leads to the bull ring and to the town centre. Loads of people were all over the place and forced him to walk slowly. It was Feria time, of course, and nobody would go to bed before six in the morning. There were loud gusts of music everywhere, the rhythmic sevillanas came from the wide open doors and windows and from the bars. One place played something by Thin Lizzy. There were smells of good food in the air, fried meat and fish with garlic on open coal fires, adding a lush and spicy element to the late summer atmosphere. Most of the girls were dressed in the traditional Andalusian fashion, with their wide swinging colourful skirts, all of them carefully made up and hairstyled, even the little ones, and they had the proud appearance of walking dolls.
Next to the hotel area was a pensioners' home with an illuminated square in front of it and there were some benches placed among small trees and shrubs. On one of the benches sat the Lady in Grey with a granite face, and stared into space, lost in thought, with knitted brows which created two deep furrows between her eyes. One of her clenched fists held a small leaflet, one of those which come with medicine packs. There was an atmosphere of deep hatred around her.
At the bull arena, the sales counter next to the baroque entrance was still open and the Gin Tonic Client queued up to get a seat for next Saturday's corrida. A toothless old man with a black walking stick sold posters of the event.
The Gin Tonic Client was still shattered and required instant refreshment. He put his bull fight ticket into the wallet and let his eyes roam in search of a suitable establishment, preferably without tall female customers. The Jerez Bar was just across the square from the bull ring and he took one of the few empty chairs outside and sat down to watch the masses of people passing by or coming from the Espinel. A group of Americans, identifyable by their chequered pants and "Death in the Afternoon" clamped under the arms, came from the Pedro Romero Restaurant, filed across the street and noisily conquered the Jerez Bar to exchange views on The Real Spain.
The Gin Tonic Client lifted his glass and examined the lemon slice, the melting ice cubes, and the sparkling tonic water. Why had she done that to him? Was it her idea of having fun? Was it her way of telling him to stop leering at attractive girls in public places? Who the hell did she think she was? He was physically sick but he got himself another drink. Dinner was cancelled.
Three days later, the Gin Tonic Client was back at the Reina Victoria. The barman started to perform his duties. For a while they discussed the corrida, the Feria and something or the other when somehow, he couldn't say why as he thought that he had banned that evening from his memory, the Gin Tonic Client mentioned the Berliner.
"Oh, el loco? Muerto, dead" the barman said, reluctantly. It turned out that next morning, charming Egbert had been found dead in his bed. "Infarto, cardiac arrest" the barman said, as he had learned from the doctor. Not very good for the hotel, this sort of thing.
Pensively, the Gin Tonic Client looked across the bar, through the large windows, but failed to notice the rose bushes and the trees, and consumed a small quantity of his drink, biting gingerly on an ice cube. Again, he saw the Lady in Grey on that bench, deeply in thought. Something was there, he didn't quite know what it was, but something had struck him. He realized that during the past few days that woman had been on his mind, subconsciously to be sure. But why?
And suddenly, comprehending everything, he found the answer. It was so easy! He laughed out loud. The barman inserted the Ronda video cassette, and the Gin Tonic Client startled him when he ordered a bottle of Cava and two glasses.
"First time I see you change your drink. Are you celebrating something?" the barman enquired.
"In a way..." the Gin Tonic Client said, "in a way..."
Both of them took a drink and watched Fernando Cepeda perform a series of very nice and accurate passes. The barman was impressed.
"Olé," he said.

Reviews

Written by rui (150 comments posted) 21st November 2007
Wonderful! Absorbing! A flowing, naturally written and very perceptive story that I really enjoyed. Please post more - I can't offer much to review, just to say I enjoy. 
 
There are a couple of phrases that I think are written in Engleutsch rather than English, but I don't want to draw attention to them as they add to the story. 
 
Can't wait for the next from your archive.

Written by tomhonnor (14 comments posted) 22nd November 2007
Good story. I too love all stories set in bars, a real coming together of so many different types of human character. 
 
One negative point, that may just be about my own personal tastes, there may be too much description in places. You tend to go into extreme depth about all the characters and the setting when somtimes a breief description will do. Let the reader make their own mental picture. I find going into too much description can sometimes detract from the flow of the story. 
 
The grammar and syntax needs a little bit of work though, but on the whole loved the feel and spirit of the piece.

Written by Bottleblondesurfer (3433 comments posted) 26th November 2007
A very entertaining and absorbing read. I was happy to follow the characters wherever they went. I did, though. feel a bit detached from it, partly because they were so anonymous to the point where they didn't have names or any history. 
I was a bit confused by the detailed description. You went into great detail about what they looked like and what they were wearing but not much about how they were feeling and what their motivations were. I have to admit that this added to the charm of the story but it also kept me at distance from it. It would have been nice to get into their minds a bit more.  
You do paint a vivid picture of the setting and atmosphere. In fact it felt as though the place was in vivid technicolour and the characters in black and white. Just my reaction don't take it as a criticism. 
Jane
Defence of Detailed Descriptions
Written by Henry (57 comments posted) 26th November 2007
 
Thank you so much for your helpful comments and suggestions.  
 
The main concern and critical points obviously are the „detailed descriptions“, „extreme depth“, „confused by description“ – about the same observations as deposited in the two previous stories. I appreciate that criticism, since we are living in an age where everything is fast: fast food, fast travel, fast reading, fast writing, fast driving, fast talking, fast bowling, you name it, there are some other fast ones too. People want to get to the point, without delay. Many readers find descriptions boring, I am aware of that.  
That takes me to a fundamental checkpoint: do I write for myself, just for the fun and pleasure of it – or, do I want to get published? In the first instance, I am at liberty to write what I want, and if that style does not appeal to anyone, no harm is done, and readers will stop reviewing soon, as they will know what's waiting for them. In the second instance, though, I'll have to keep the market in mind, observe trends, and generally listen to those who are far more experienced in the art of review and analysis than I am. And this is, where I'm concerned, where this Forum comes into play, I should think, as I am clearly aiming to have a book published in 2008. 
On the other hand, above reviews mention positively „the feel and spirit of the place“, and „a vivid picture of the setting and atmosphere“: but these also results from detailed descriptions. Now, where is the balance? Let me select an example from the story above: „...a beige shirt with a pathetic green crocodile ... there was a gold Rolex on his left wrist and a couple of gold Cross pens in his shirt pocket“. 
Why did I write that? This bloke's on holiday, after all – so why the ostentatious gold stuff? Why displaying certain brands, just to show off his very important personality? Does this not tell us something about Egbert's mentality? Is he really that anonymous, does he really need a name, a history? Is he not one of those many dreadful German tourists you can find all over the Mediterranean? Loud, offensive, panzering a path to the bar? Do we have to know about his feelings and motivations, apart from the ugly performance he delivered in this provincial hotel bar? And do we need names and histories of the other persons? What are the feelings and motivations of the Lady in Grey? Quote: „... on that bench, deeply in thought, with knitted brows ... one of her clenched fists held a small leaflet which come with medicine packs. There was an atmosphere of deep hatred around her.“ She wants to murder this fool, and apparently she has found the way, and she did. It is that easy, ain't it? 
Writing a story, it helps me enormously to prepare the ground – in other words, to describe the place, the setting, to define the point of view. In this case, the point of view is the one of the Gin Tonic Client: he is the only one to observe and to tell. He is not in the position to know about the histories of the persons in the bar, and he does not need to and he does not care. If the persons do not come to life („black and white actors on a technicolour set“ – I like that!), then it is my fault alone, and I'll have to work on that. Cut down on some of the descriptions and give the persons some colour! That's good advice!  
 
As an exercise, right now I am working on a story with definitely no descriptions, no atmosphere, no stream-of-consciousness parodies, e.g. no long sentences. Unfortunately, I have to do some other work as well (paid work, surprisingly, yes, there is such a thing), so, won't be able to come up with this thing before next Monday. 
 
Thanks to everyone, will learn to review better and more frequently than I did before, cheers – Henry. 

Written by Bottleblondesurfer (3433 comments posted) 26th November 2007
You are of course free to ignore criticism if you don’t think it relevant. It’s your work, that is your right; but it is the reaction of the reading punter.  
You give a very spirited and rational defence and, to a point, I agree with you, but you can’t tap everyone who buys your book on the shoulder and say “What I really meant was….. “  
It doesn’t matter what you meant it’s how it came across that is important. There is only one reason to write and that is to be read as widely as possible [unless you are a serial killer or teenage girl, with a diary]  
Perhaps you have been a little too subtle for us unsophisticated Brits, Henry. I take your point about the detailed description. It was enjoyable I liked all the stuff about Spain, Ronda and the Bar but the stuff about the people didn’t register with me.  
I would happily have read more detailed description of the peoples’ character and motivations. It wasn’t the length of description but what was described. With regard to ostentatious clothing you say :_ 
 
“Does this not tell us something about Egbert's mentality? 
 
Well yes and no. There is an old saying in writing “show don’t tell” You’re hoping this will tell us about him but how much more believable will it be if you show us. He will really leap off the page and we will really engage emotionally with him. I confess that I relate to stories through character but I don’t think I’m alone. 
Jane 

Written by Henry (57 comments posted) 26th November 2007
Jane, don't tell me „You are of course free to ignore criticism if you don’t think it relevant“, please.  
If you look at my response to your earlier comment, I wrote  
1) „I appreciate that criticism“,  
2) „I'll have to ... listen to those who are far more experienced...“,  
3) „it is my fault alone, and I'll have to work on that“, 
4) „That's good advice! “ 
I did not ignore your criticism. On the contrary, I quite welcomed it. And there is no need to unfold the Union Jack, by the way. At least not on this occasion. Regards – Henry.

Written by Bottleblondesurfer (3433 comments posted) 26th November 2007
I left it folded and placed on the sun-bed, I believe that is the custom. 
My earlier point was an attempt at humour. I realise the english sense of humour is notoriously unsubtle to the Germanic ear. 
It wasn't an accusation but a reflection on your thoughts about who you were writing for. I got the feeling you were wary of writing the eqivalent of fast food, and wanted to point out mine was only a reaction and, as the author, you have the final say. 
I think my comments would be less open to misinterpretation if I could operate those bloody emoticons 

Written by Josie (2823 comments posted) 22nd January 2008
I enjoyed your story Henry which wound along really well. I like people studying when I'm staying in hotels, and when I speak of them to my husband, I give them titles such as yours (wondering whatever they call me). Sometimes, though, when you speak to them, they don't match the description you give them, but I think yours do. I'm just coming up to my 40th wedding anniversary, but I won't be doing what she did! for I know a good man when I see one, and I have one. I really do agree with Jane that the English sense of humour and the German are quite different. I think it is also important that you know your target audience and aim your work at them. Mine are children, and I do read my work regularly to them and get good feedback. Well done. Very entertaining.

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