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Poetry
First Date
By dylangrrl
27 September 2005
I am trying to get back into writing after a post-college hiatus and am looking for any feedback. Thank you.

So finally when it is 5:30 in the morning and we had laid on my living room floor, talking and watching what passes for "quality late night programming" for the past six hours, it is time for you to leave.

We stand at the door of my apartment and I have the audacity to ask, "Are you going to kiss me?"  You reply with that leftover-awkward-adolescent attitude that makes you so charming, "is that OK?" To which I reply, "yes."

Then it becomes an issue, I have again taken a situation that should be easy and romantic, and turned it on its heel, making it my own. We spend about five minutes analyzing the pros and cons of the approach; your lack of a standard `move'; my willingness to make one if necessary. We decide on the hug-head-turn combination. The `tilt' I call it. We hug; I tilt my head to yours. The hug goes off marvelously.

Your thin, rail-y arms circle around to the small of my back.

I turn my head. "Now," you ask.
"Now," you ask again.

I press my lips to yours; I forgot how full they were. I forgot the conversation we had had. Your smoky breath fills my mouth. Your lips sealed with mine, tentative as a high school slow dance, then your tongue, then your tongue slips between my teeth and I feel sexy. I feel wanted. I reach

       up,
up,

over the collar of your leather jacket to the nape of your pale neck.

I hold your head in my hands. You grab my waist again. I sink into you, fall into you, slip into you - like water

sw

  irl

     ing

          down

a stainless steel kitchen sink. Powerless yet empowered. You stumble into me; I back you against the wall of the foyer closet.

You drink at my lips like my breath is a long tall glass of lemonade. You are over and around me at the same time. I slip my hands under your jacket, to your waist.

Your hips jut out, cocky. I rub them, counter-
                 O

 

             L      C

 

         C             K - wise                  

Your baggy pants slide, the brown belt that holds them useless. We are turned my back against the wall. I kiss like a baby bird, head tilted, lips open for more. You bury your head in my neck. I smell my own scent with you - cheap lotion, skin, my warmth. You are kissing my shoulders; kissing my neck. I am weak and you make me weaker.

This is

                  passion,

I am thinking,

this is           passionate.

I press against you and our jeans chafe; the fabrics niche and un-niche as we turn around and around circles
tighterandtighter into each other, against each other, translating from your chest to mine and back again like the current from a nine-volt battery.

"You need to go home," a whisper came up from somewhere that I am not aware of, somewhere deep in the recesses of my good-girl brain.

"OK," you pant in reply. We pull back and all I can see are your lips so full and red from kissing me, breathing me, being me;

your eyes, brown and deep and

I can't think

                  to think.

Reviews

Written by Missinginaction (37 comments posted) 9th October 2005
This hybrid proetry or prerse, take your choice. I'd dump the gimmicks which are done better in verse form and resubmit it as a short story. As such, I would try to 'show' more and 'tell' less. Leave the reader room to transact, to derive the pleasure of working out things rather than being spoonfed everything. It's the difference between just saying what happened via pure exposition, and making your characters act and react in such a way that it reveals who they are and what their motives are.Worth working on. Thanks for the read. 
 
- Missing

Written by Raindog (6 comments posted) 14th October 2005
I disagree with the comments above, the format is far from a gimmick and makes the piece-to me anyway- more visually appealing e.g. the cascading 'swirling down' and compressed 'tighterandtighter'. 
 
The need for the narrator to control situations, perhaps against her better judgement, is well expressed. A little too protracted in the middle perhaps but a good, strong ending.
hmm...
Written by no1butClo (341 comments posted) 3rd January 2008
disagree with all said about. Lose the visual effects [not gimmicks, but your style is so vivid that you really don't need them :) ] and repost as non-fiction [even if it isn't!] 
 
nice work, wish I could have a first date that lasted past 5 in the morning 
 
clo x

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