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Poetry
An Evil Cradling
By petetheverse
02 January 2008
The postscript to this piece, which was written in 2003, says it all.

An Evil Cradling
A letter to Brian Keenan
   
Terrified,
I sat bolt upright;
terrified by your words,
the book dropping
from the numbness
of my hands
onto the coverlet.

Then fled from the
sudden presence
in the room;
washed my face and hands
as if to exorcise
an evil.  

Tried
to come to terms.
I slept no wink that night,
too terrified to lay me down,
the horrors of that
immobilised, inhuman,
suffocating, mobile
entombment
vivid,
its terrors
far, far beyond
the powerful imaginings
your images
set stalking in my mind.

Those awe-full
moments
which you laid on me,
which you described
with such a passion
that my blood was
curdled -
and yet which were
written with such
dispassion that they
were bloodless -
are with me still,
ten years after
your words,
your dreadful words,
fell, screaming,
from my hands.

And all man’s
movements,
so natural,
so instinctive,
were forcibly
denied you
for those
hours
spent in those
coffin-like environs

beyond cruelty.




Postscript:

 I first read An Evil Cradling shortly after its publication, and this dedication does not exclude Terry Waite and John McArthy, who underwent with Brian Keenan, time and time again, the truly unimaginable horrors that the part of the book to which this poem refers, in particular, describes.  Suffice it, here, to say that there is a description of being encased, naked, from head to toe (apart from the nostrils) in layer upon layer of brown sticky, parcel tape, and then being carried like a mummy to a waiting vehicle and being slid like so much timber into a hidden compartment beneath the floor and transported, in the daytime heat of Lebanon, for unknown hours.

 How these three noblemen endured such treatment, and were then able to return to a life of relative normality is totally beyond my understanding.

And the same phrase applies not only to those – many are described with love by Brian Keenan in this book – who shared with them the endless hours and horrors of incarceration, but to all of those uncounted, unknown prisoners who have suffered at the hands of other ‘men’, for whatever reasons, down the generations of the human race, in the dungeons, the oubliettes, the cages and in all the gulags where inhumanity exists in all its different guises.

 There are constant reminders of this inhumanity spread, like rancid butter, across our daily bread.

 It is only from the humane example of Brian Keenan and his fellows that I have been able to begin to comprehend how inextinguishable is the torch burning in the human soul.

For that reason, but not for that reason only, I commend to you Brian Keenan’s book.

Reviews

Written by Phil (6730 comments posted) 2nd January 2008
I read John McArthy's book a few years ago - eye opening to say the least. 
 
Your piece demonstrates not just the ability of humanity to treat others terribly - but also the opposite - humanity's ability to empathise. I guess different readers will take different things away, but for me there's hope purely because it does repulse. 
 
Probably, poetically not your best - like I'd know! - but power to spare. 
 
Phil

Written by Fledermaus (3307 comments posted) 3rd January 2008
Never read anything by him, and after reading this poem, don't intend to either. Visiting historical sites could have a similar effect:  
I remember that in one castle they had a dungeon called the 'forget pit', which was so small it was hard to imagine how exactly they would squeeze someone into it... And then they would just forget about him... 
And what to think of the ships going to the East-Indies in the 17th century? People were locked up in a hold to low to stand upright, without any daylight and once a day some food was lowered into it. And so they would wait for months until they reached South Africa for a short break. I'm not surprised so many of them stayed there rather than going on to the East Indies. And these were 'voluntary' passengers. So one can only try to imagine how slaves were treated. 
 
As for the poem. Your style seems a bit experimental or modern. It does work, but it seems to border on prose. Why not write a few prose pieces?
Reply to critiques
Written by petetheverse (164 comments posted) 3rd January 2008
Thank you both; I appreciate that this is prose, perhaps, in verse form - followed by a prose postscript, of course, but my style of writing has developed over the last twenty years or so. I'm not entirely certain that I agree that ALL verse must rhyme, or ALWAYS have a recognisible rhythm. Although it MUST always have a discernible rhythm, certainly in the ear. 
It came about precisely as it says, and I think that to try and create a 'false' sense of what happened to me in the reading of this part of the book would have been a mistake. 
By the way, Fledermaus, if you come across of a copy of this, anywhere, I think you would find it most extraordinary and very well worth the read, purely for the insights that it gives into people's ability to sustain themselves in these conditions. 
Your 'forget pit', of course, is the French 'oubliette', mentioned in the postscript. 
Despite William Wilberforce's efforts, slavery still continues around the world, and I think that people metaphorically shrug their shoulders - 'nothing to do with me'. How you bring this to the fore is beyond me; even though the world is aware of Guantanamo Bay, nothing is done; and that facility is only small seed in a huge barn of oppression worldwide. "Not in my name" is not enough. 
PTV
HI Pete
Written by jean.day (2283 comments posted) 3rd January 2008
I have read that book, as well as the ones by John Macarthy and Terry Waite - and I think you gave such a vivid impression of their trauma. I think the short lines added to the sense of suffication and hightened the tension. 
 
I agree with you that Fledermaus would find the book a very good read - despite the subject matter. 
 
I very much enjoyed reading this and will go back and read some of your other work now.

Written by hutmaster (134 comments posted) 3rd January 2008
Hi PTV. I admire what you are trying to get across here but feel that in this case you haven't quite managed it. It is stuffed with cliches; 
'bolt upright' 
'come to terms' 
'blood was curdled' 
are the obvious ones and there are others. 
This is a powerful subject and I feel that in striving to communicate you may have elbowed poetry aside in favour of enthusiasm.  
 
I also feel that the postscript is unnecessary and would fit as well in non fiction. 
 
There is a poem to be had from the passion you feel for the book but I fear this may not be it. 
 
hm

Written by Josie (2787 comments posted) 4th January 2008
Hi Pete. I know exactly what you are saying, but I, too, would have liked to have seen it in prose for I think your gift with words would have done a good job. I have written about slavery today in the prose and poetry section on this website. A woman wrote to me and told me that my poem about the young boy who, unwittingly by his parents, was sold into slavery made her cry - which is something strange for my poems which are mainly designed to make people laugh. Poetry relates especially to emotions, so I guess any stir-up shows you have done a good job. To torture anyone, you need to know what people want most of all and then remove it from them. This especially applies to love, and people who bring up children with care but without love, are doing real damage to them.

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