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Shorts
Time is Tight
By Loz
03 January 2008
This short piece about a road trip was inspired by one of my favourite instrumental tracks by Booker T and the MGs

We rent a cherry-red Torino convertible, Shannon and I, and head for Cape Hatteras, the string of brave little islands that cock a dog-leg into the Atlantic Ocean.  I drive with the top down and Shannon’s blue-black hair whips the hot summer air and tangles with her laughter.  My love for her is unspoken; the words have yet to slip from my lips.

 
Our fingers meet on the press-button of the radio.  The melodic bass of Donald ‘Duck’ Dunn rises above the drone of the Ford’s engine and we share a smug smile, an in-joke which aligns her Stars and Stripes with my Union Jack.
 
          Book a Table and the Maitre D's,” she says, impersonating my accent, her bare knees almost meeting her chin, her toes wriggling on the dashboard.

 
We bowl across the flat land, passing billboards advertising salt water taffy, shop-fronts that could be mistaken for cinemas and leggy water towers which fool me into believing that Martians have landed beside the North Carolina highway.  And the telegraph poles pace out the space between here and there, approaching and departing, bearing their parabolas of wire to somewhere beyond the horizon.

 
When the dusty sun looks exhausted we pull up at a motel where a clutch of cabins gather themselves around a small car park.  Our room is perfect; little more than a double bed.  Afterwards we lie like spoons in the night and I cup her left breast in my left hand; the hard nub of her nipple against my palm.  Time is Tight runs through my head on a continuous loop.

 
We stop at a diner and my black coffee goes cold while I watch Shannon’s stack of syrup pancakes disappear, a delicately sliced wedge at a time.  She feeds my hungry eyes and I know that her toes are curling with pleasure, unseen beneath the table.

 
By mid-day there’s sand invading the edges of the grey tarmac and black-headed gulls squabble above our heads.  I point across a field that is cluttered with convolvulus, towards the hump of Pasquotank Bridge and beyond to Kitty Hawk and the Outer Banks.  Shannon stands on the car seat, one hand on the rim of the windscreen; with the other she shields the sun from her eyes like a salute as she seeks out the glint of the ocean.

 
Later, climbing the black and white striped lighthouse that sits in the dunes beyond the hamlet of Whalebone, we arrive at the top, breathless.  The beach below us snakes away up the coast between the green of the scrub and the foam of the breakers.  The sea twinkles playfully and there’s the purifying scent of ozone on the breeze.

 Shannon presses herself against my back and I feel warm breath on my neck.

         
“I love you Beth,” she whispers.
And it’s now that I break my silence, here on the edge, on the cusp of everything.

         
“I love you too.”

Reviews

Written by Fledermaus (3301 comments posted) 3rd January 2008
Very American. Somehow I can't think of a less romantic place than an American wayside motel (only know them from films though, as I've never been in the US), yet somehow it seems Americans can turn that emptiness itself into something romantic. 
If it wasn't for the lighthouse in the end it seemed to have exactly that empty, somewhat sad feel of a typical American road movie... 
 
I liked it a lot. It provided a little insight into a culture which is more different from Europe than most Europeans would admit.

Written by Fledermaus (3301 comments posted) 3rd January 2008
LOL. Just checked your profile and saw you're from Cornwall. Well, that proves how well this was written. I was convinced you were American.

Written by blogbrush (33 comments posted) 3rd January 2008
Nicely written, I felt attracted to Shannon, only wished something significant had happened, or that there had been some unexpected dramatic twist. And yes, very American!

Written by hutmaster (134 comments posted) 3rd January 2008
Hard not to have the classic track buzzing through the brain as I read (and it is one of my alltime favourites too.) 
I like the passing landscape and the 'feel' of the trip in this - the sense of the lovers moving to a place in life, time and space where the words 'I love you' will mean more than cliche. I feel the story would have worked just as well as 'straight' and that maybe the revelatory nature of the other lover's name is unnecessary. 
That said, it still works very well. 
 
hm

Written by Phil (6730 comments posted) 4th January 2008
Lovely read, evocative of place and character. Liked it very much. 'Nub of nipple' seems a little over worn - saying that sounds like I read a certain type of literature a lot - I don't. Other than that, super. 
 
Phil.

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