I hope this will speak for itself; there are some very long lines, which I'm not convinced will post correctly - if they roll forward, please bear with those. PTV
BATS
Nineteen-fifties France; despatched to the valley of the Loire;
to holiday; on my own; to stay with aristocratic hosts;
their château – nowhere near the Loire – loiters by a broad canal.
A canal pretending to be the river;
with barges; water-fowl; and anglers – black-berét'd –
relaxing between each cast with yet another reeking Gauloise.
The château four-storied; inverted L's form an open courtyard.
From its wings, shuttered windows overlook a farm and vineyards,
and quietly inhale the subtle, sad intoxicating savours of moulder and decay.
An entrance-hall with staircase, climbing right;
of stone; and on the wall: a sight to make you pause:
a burst of bullet holes, leading upward.
Preoccupied, a silent child, my place at meal-times was in the kitchen;
summoned by the cook to eat strange, nutritious fare: small dumplings,
to be dipped in onion soup; or jugged rabbit – bony, almost, as the cook.
Sharing, once, the family's meal; proffered wine with water; decanted equally.
Watching with surreptitious fascination as Monsieur le Comte, napkin always
in his hand, dabs with a discreet but frequent delicacy at his moustache; patrician.
Sleeping, like a servant in a Dickens novel, in the attics. Holding, atop the stair,
a twist of candle. Creeping. Creeping, with a twist of nerves; creeping through the
extra-dark. But then unhinged: unhinged by bats, which whirl and rustle in the air.
A long, long corridor to negotiate; the bats and I equally unsettled,
disturbing one another's equilibrium. But they had never read – nor
heard of – Edgar Allen Poe. The relief of latching, tight, my garrett door.
Sleep by then an unknown harbour; reading by the candle's light,
eyes narrowing to find the print; glimpsing, on the walls, fearful,
strange imaginings, ears straining to the vacuum of France's rural night.
Morning: snatching at a fresh bread roll;
spending hours in the château's library; books, accessibly
secure behind tall, heavy, unlocked doors of leaded glass.
On wheels: a library ladder. Finding English tomes
and lolling, reading. Titles / authors, long forgotten,
collected by some ancestor of this strange, dessicated family.
Exploring rural France; spending my few centimes on new, unanticipated flavours;
testing my smattered, stuttered phrases on patient, black-clothed shopkeepers,
while their sunlit, shadowed wares attract one more weightless layer of silent, country dust.
Watching a despairing horse plough a furrow in dry, dry earth;
the horse encouraged with no enthusiasm by the farmer; he skinny, stringy as his animal.
I, the blind bystander, unwittingly assimilating all this rural deprivation.
A group of Romanies appear from nowhere and settle in the courtyard.
That evening, the air is redolent with their inviting, succulent guitars,
the smoke of fires, the cries of dancing; and – perhaps – a moment's stolen love.
Thereafter, never did it seem as disconcerting – to share,
with bats, those last few steps of evening; to share a silent,
mental pirouette with whirling, rustling – dancing – bats.
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