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NOTE: (can't get Author's intro to work so I'll but it here for now)
**This is part of a much longer novella I've written. I think it stands so well on it's own I've edited it out. Hopefully you'll find in large part it doesn't need the backstory. Also it gives an example of a less dense work to balance out the other story I posted.**
One day the rain didn't stop. The old metal swings danced with the patter of water drops. They hid under a tree against its warm, coarse bark. Sitting close, interlocked, did little to keep out the cold but it didn't matter. Not then. Nothing mattered except those two. Laughing, holding; little mattered.
And then they kissed.
And his life became more, if just for a second.
This exchange would make all those damaged days ahead seem less detrimental. It was surely a soothing remembrance. He'd imagine later that every raindrop that drained off their bodies was all the sorrow he ever experienced. And that made him happy. That made him smile through the nightmares of his pillows. Because for that one night the drops drained so smooth off their skin, like nothing could touch them. Even though the hurt pounded from the heavens it would not soak in. Every tear, every anguish was destined for the dirt where it would drain away.
And she kissed him. God, her lips were sweet.
The crack of thunder became their passion. Though their hands wandered it was never more than a kiss. That was all that was required. That was all that was needed. That was every newscast he watched her in. That was every dream he ever chased her in. That was every moment he ever wished them together in.
It was just a kiss. It was more than a kiss. This is what men have lived and died for; to feel like this once. And he endured every repercussion for it. It was worth it. Every anxious fit, every worry, and every nervous jitter that followed he calmed with the remembrance of that one instance.
Even if they, as a union together, deteriorated into only a memory she was worth it. She was worth hollowing himself out. She was worth the fallout aftermath.
Because of this, lying in bed with the her who is not she left only abrasions not fractures. In this battered state, with conversations rapping in the silence of rest, he'd explore a discourse with his father. They'd be sitting on their old deck. His father would have a beer and they'd be sharing a cigarette.
"Boy, summarize your life, ya know, for your old man. They say we live through our children." Father.
There'd be a pause here before he slowly speaks. "One time I kissed a girl." Son.
His father would wait until he was sure the story had ended. "That it?" Father.
"If you were there you wouldn't say that. If you were me you'd think differently." Son.
His father would mull it over while sweet early falling leaves kick around the lawn. "If it's true, that we really live through our children and all I mean, then I guess I've led a pretty good life."
They'd go back to staring through the sun at the green, green apple tree and the fantasy that closely resembled memory would fall as a raindrop onto her lips.
And she kissed him.
She kissed him.
It was just a kiss.
It was more than a kiss.
It was everything. |
Brilliant Written by Karenhoffen (37 comments posted) 11th January 2008 | I loved this piece. It was so focussed on just one moment, but just right, not too long. I liked your use of short paragraphs. They created a stillness that made you feel like you could see the kiss. The impression was of infinity. There was one part that didn't make sense to me: "lying in bed with the her who is not she". Is this an error or are you referring to another woman? I'm not sure. The move to the father and son relationship took the pressure of the moment away, and then the pressure was placed again and intensified. I loved everything about this piece. The novella must be brilliant. Thanks for sharing it, Karenhoffen | Written by lastgh0st (2 comments posted) 11th January 2008 | "lying in bed with her who is not she" Yes, this is refering to another woman. Originally it was just the other woman's name but then I thought the reader might think it was the name of the woman he kissed. "Her who is not she" is what I came up with to fix that, I suppose it was a bit inadequate. Maybe I should say literatlly "another woman"? Still conflicted on how to present that sentence. | Written by Amelia (36 comments posted) 11th January 2008 | This was beautiful. It brought me back to moments of my own life, trespassing in the rain and holding hands, kissing on someone's private beach with thunder. Your imagery was fantastic but not overplayed. I could picture everything clearly. Just a few critiques: In the dialogue between the Father and Son, I didn't much like you stating the character after what they say. If you must state the character's name each time, it might be better to place it before the quote with a colon. However, this is just a stylistic thing, and your choice completely. I actually liked "her who is not she," but other readers might find it confusing. It took a second to re-read, but I like it. It's unusual. "Sweet early falling leaves" is a little long. There are other places where you use one too many adjectives. Try turning one into an adverb? Or maybe just omit a few. Luckily, this only happens in a few places. Overall, this was a superb piece of writing. It was different from "Smoke," and I'm glad to see you're a versatile writer. I'd love to see the rest of this novella; you've piqued my interest. Amelia | Written by Asferthecat (851 comments posted) 12th January 2008 | This made an excellent short story in its own right. Indeed, I would worry it would lose its magic as part of a novella where, presumably, everything would be enlarged and explained. I stumbled over the same sentence as the others - perhaps punctuation might make it clearer "Because of this, lying in bed with her-who-is-not-she, left only abrasions - not fractures." I didn't like the way you presented the dialogue, most of the time it was unecessary to put Father or son at the end of the sentence. When only two people are talking it is usually clear anyway.
| Beautiful Written by eudimonia (16 comments posted) 15th January 2008 | | Never written a review before. This piece has taken me into a dream-world, a small event can shape a life. Agree with others you don't need to put son or father after the dialogue | Oh, Wow ... Written by D-J-M (14 comments posted) 17th January 2008 | Such love is literally solidified in your story. Sometimes I feel the whole; "And she kissed him. She kissed him." Is a bit...it's not my thing, but otherwise the story really is a good "snack" for reading. it's a little short, but in being so, it leaves me wanting more, I feel that it wraps itself up however in a permanent happy ending, and we don't need to find out what happens next, making it satisfying in ways. Love it! | Lovely Written by Josie (2825 comments posted) 18th January 2008 | | Your story was lovely and I agree that it stands on its own as a short story. I also thought there was a mistake in the wording "lying in bed with the her who is not she left only abrasions" because there was no comma after not, and I had to read it several times to work it out. I also thought, as I read it, that it wasn't necessary to add at the end who had said it. I write poems with conversations in them (please look) - and I seldom put who said what for it is obvious many times, and in poetry it makes it jerky. I'm old fashioned, yes I know it - and I feel I come from another world sometimes, but, at one time in lhistory. a kiss seemingly had so very much more meaning than it seems to nowadays, because most girls didn't have sex before marriage. Nowadays when I hear about girls hopping in and out of bed with different people, it is hard to imagine, but you highlighted the kiss as having such a lot of meaning and for my generation we can understand it very well. Not having sex before marriage didn't affect us in any way, for I've been married happily for 40 years in 2 weeks' time. |
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