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Drama Scripts
A Slice of Life
By TomOBrien
08 February 2008
A short play. Three acts, two scenes.

This is my first attempt at this kind of writing. I've posted a few humorous articles to this category. None were scripts. I thought I'd try a script.

 

Scene I

Life Support Anyone?


Act One


Characters:


Deborah Nelson. A middle aged women. Intelligent, sensitive. Very independent and not prone
to raising her voice or irrational behavior. Tends to over complicate things just a bit. See’s her self as thorough and detailed. Often gets relief, or comes to the solution of a problem after talking it through in great length and quoting various people verbatim.

Married to Edward for 25 years.


Edward Nelson. Middle aged man. Intelligent and sensitive also. Not quite as independent as
Deborah. Likes to try and keep things as simple as possible.

He see’s himself as a big picture guy and prefers not to get to deep into the details of a problem or dilemma. Feels that most of life’s problems have simple solutions.


He is often seen gesturing with the first two fingers of his right hand in a twirling motion as if to say, "Get on with it."

Setting:

Dining room table. Dinner time. Edward and Deborah having a quite dinner.

Through the dining room window we glimpse a tidy, comfortable neighborhood in the dead of a New England winter. Deborah has recently returned from an emotionally trying trip to Florida where she and some of her siblings administered to their dying father.


Deborah: In a tired, resigned voice.


“It was difficult there for a while. It could have gone much worse.”


Edward: Short and to the point.


“Difficult? How so?"


Deborah: Pushing her food around her plate. Not really interested in eating.


“Pam and I looked over the CAT Scans and it was ugly. He was just riddled with cancer.
We knew he wasn’t going to last long.” (Older sister Pam is a registered nurse working in oncology. Deborah is also in the medical profession.)


Edward:


“That does sound bad. I’m sorry you had to deal with it.”


Deborah:


“The worst part was in agreeing on what should be done. He didn’t want to be resuscitated or left un-necessarily suffering on life support. I wasn’t sure that we all were going to be in agreement.”


Edward:


“What is there to agree or disagree about? Your father previously noted, when he was of sound mind and body, that in this type of situation he did not want to be kept on life support if there was no hope of recovery. And there clearly was no hope of recovery. Correct?”


Deborah: Sighing.


“There was no doubt about that, but still, it could have gotten sticky. We needed to all be in agreement about it and I wasn’t sure we were going to be.”


Edward: Faining confusion.


“You, you've lost me dear. I still don’t see what you all had to agree on. It really doesn’t matter if one or some of you wanted to do something different. He had a health care proxy, right? What did his heath care proxy say?”


Deborah: Siging.


“His health care proxy was my brother Mark. (Mark is out of the country.) We couldn’t contact
him but he was able to call us at nine o’clock each morning. It was quite stressful.”


Edward:


“That's too bad darling, but did he agree that your father did not want to be resuscitated or left on life support un
necessarily?”


Deborah: Voice beginning to trail away.


“Yes. There was no problem there. But, I don’t know. It’s complicated."


Edward: Iritation in his voice.


“I don’t understand how it can be complicated. He did not want to be on life support for an
indefinite time period. If there was truly no hope of recovery and his health care proxy agreed that these were his wishes, how does it get complicated? It seems pretty simple and straight forward to me."


Edward. Pressing the point further.

"Question: Is there any hope of recovery? Answer: None. Question: What did he want? Answer: He wanted to be able to go peacefully. No resuscitation. No un-necessary life support.
 

It seems fairly uncomplicated to me. I think in fact that it would be illegal to do anything other than what he asked for and as he directed his health care proxy. It comes back to, what did he want?”


Deborah:


“It’s just not that simple. There are other things, other people to consider. They might not agree.”


Edward: Voice tensing up and raising a little now.


“Might not agree to what? It doesn’t really matter if other people agree or disagree. What did
your father want? Did he want to be on life support? No. He did not. Rather anyone likes it or dislikes this decision, his decision, is in material.

You make things more complicated than they have to be Deb. What did he want? That’s the only question you have to answer. Plain and simple."

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

                                  
                                   Act II


Setting:

It’s an hour or so later. Deborah and Edward are sitting on a couch in their TV room. There is a break between TV programs. Deborah has an oversize, heavy quilt across her lap and covering her legs. Her great grandmother's quilt.


Deborah: More to herself than to Edward.


“I just hope there are no hard feelings or problems later. That’s all.”


Edward: A bit testily:


“Look. There can not be hard feelings. I don’t know why you keep picking at it Deborah. Each person has to ask themselves. What did he want? It’s that simple. Don’t complicate it. It's not difficult.
WHAT DID HE WANT?”


In one swift, fluid motion Deborah gathers up the quilt, pulls it over Edward’s head and wraps it
tightly around his neck.


Deborah. Shouting.


“WHAT DID HE WANT? DID HE WANT AIR?

NO! I DON’T THINK SO!


I BELIEVE HE SAID NO TO AIR!!”



Scene II


Housework


Act I

It’s a Saturday morning. The day just after the evening of the attempted suffocation episode. Deborah had no real intent of suffocating Edward of course. They have been married for over twenty-five years and there have been a number of times when Edward so frustrated Deborah with his simple way of addressing the world where she has offered to strangle him. Not enough to kill him, mind you, just enough to underscore a point. To get his attention, she would say.

Edward sometimes jokes that if someone really wanted to strangle him they would have to stand in line.


Deborah is upstairs “cleaning”. She has stripped the bed, sorted the hamper laundry for the wash, vacuumed the bedroom and hallway, dusted the furniture and is now cleaning the master bath.


She calls from the upstairs hallway to Edward who is currently in the home office downstairs and at the other end of the house. He is at the computer with a tall ceramic mug of good coffee and working on a script for his writers network portfolio.


Deborah:


“Ed? Eddie, can you hear me?"


Edward shouting from the office:


“Darling, I hear you loud and clear. What is it?”


Deborah. Deliberately lowering her voice so that Edward will have to get up from the computer and come to where she can see him and he can hear her better. She feells that he is more likely to get the point if they make eye contact.

They have agreed to split the house hold chores.

Edward walks down the hallway and turns to look up at her in the alcove overlooking the dining area.


Deborah:


“Have you begun in the living room yet?”


Edward. Flaps his arms at his side in frustration.


“No. I’m working on a comedy script for one of my writers sites portfolio.”

Fully aware now of the superior, subordinate positions they have assumed.


“Why do we have to clean these rooms anyway?"


He folds his arms across his chest as he looks up at her.


“There’s only the two of us living here. I was away on business for three days last week. A large part of the carpet in there hasn’t even been walked on since we vacuumed it last. Since I vaccumend it last. I think it will be fine un vacuumed for now.”


Deborah. Hands on hips, gazing sternly down at Edward.


“The downstairs rooms need to be vacuumed once a week a the least. Carpets and furniture as well. There is cat hair and dust accumulating everywhere down there. Please, come up, get the vacuum and go to work down there.”


Edward, resigned to the fact that he’ll end up doing the cleaning proceeds to stomp his way up the stairway pounding each foot down on the stair tred with resounding thuds. As he marches down the hallway past the master bathroom where Deborah is busily cleaning he grumbles.


“I’ll bet Steven King doesn’t do house work! I’d bet a years pay that Steven King’s wife doesn’t coerce him into vacuuming the living room carpet and dusting off the furniture.

I’m going to write a letter to Steven King and ask him how often his wife makes him do house work.”


Deborah, in a just audible voice.


“While your at it why don’t you ask him if he’s still married?"

Reviews

Written by Bottleblondesurfer (3141 comments posted) 11th February 2008
 
OK Tom, as no-one else has commented I thought I would say something. Firstly, congratulations on attempting a full blown script. They do require a bit of . formatting and yours was clear enough and easy to read. The asides like:- [Voice tensing up and raising a little now.] are usually put in parenthesis for clarity but apart from that you did a good job.  
You have a good ear for natural dialogue, though the lack of subtext would be a problem if it got to be acted on stage. I note you put this in comedy and I must admit that the humour didn’t jump out at me. I don’t think you got it across strongly enough. I couldn’t find any in the first scene. There was an amusing bit of business in the second act, but it didn’t quite compensate. Ironically the funniest bit was in the aside that only people who read the script would know:- 
 
“It’s a Saturday morning. The day just after the evening of the attempted suffocation episode. Deborah had no real intent of suffocating Edward of course. They have been married for over twenty-five years and there have been a number of times when Edward so frustrated Deborah with his simple way of addressing the world where she has offered to strangle him. Not enough to kill him, mind you, just enough to underscore a point. To get his attention, she would say. Edward sometimes jokes that if someone really wanted to strangle him they would have to stand in line” 
 
How would the audience watching the play know this unless you issued them all with a copy of the script? You need to work this into the dialogue and action somehow. It’s valuable information, and funny; don’t waste it. 
In fact, too often you have “told” rather than “shown” and the golden rule in scripting is- show don’t tell. All that information at the beginning needs to be worked into the script as dialogue and action, so the audience will know it. 
It was, as you say, a slice of life, or rather two unrelated slices of life and sliced a bit too thin for me. They didn’t tie together. I was hoping that you would pull the two together at the end with a funny twist, but perhaps that’s just me wanting things to be tidy- [just like Deborah, but that’s women for you!!] Having got our interest with that bit of human interest at the beginning. I would have liked to know a bit more. I did ask myself the question- why are you telling us this? There was more humour in the second scene and I liked the inter-change and conflict between them that had much more life to it. Anyway, a worthy effort and I think it was only lack of confidence that stopped you doing more. 
 
another view
Written by Bagheera (679 comments posted) 11th February 2008
Hi, Tom!  
Don't take my word as law, I like writing scripts but I'm entirely self-taught. On the other hand I've had a few things recognised, but I can't give up my day job [yet!! :grin
 
Formatting is a problem and as BBS has already said, there are conventions re. stage directions which are usually 'highlighted' by use of a different FONT. 
 
The problem wil always be that most word docs have 'invisible formatting' inbuilt, which conflicts with the GW site. The way around it is to use Notepad or Wordpad (which DON'T contain invisible formatting) and then "cut & paste" to GW 
 
Have to agree with BBS that this doesn't have the 'feel' of comedy for me, but as it's not finished yet there's still time .... I would have expected a 'comedy' to open up with more obvious humour in the first scenes, all the same ..... 
 
Don't want to sound negative, there's a good tale waiting to be told but you might want to make it a 'reality' drama rather than a comedy?

Written by TomOBrien (64 comments posted) 11th February 2008
Thank you so much for taking time to read and comment on my writing. I was just having a little fun with this. I thought the comedy, in the first part, albeit at the end, came with Deborah's blow up. She's a quite, mild mannered, easy going, sensative type not prone to rasing her voice or irrational behavior. And then she freaks out and, while shouting his own refrain back at him, tries to strangle Edward.  
You see, if she was questioned later she would have said to the investigators, "It all comes down to, 'What did he want?' And, he did not want air. No sir, he said no to air." 
(Said no to air by being such a bore about the whole thing.) 
 
cheers and thanks again.

Written by coosh (822 comments posted) 12th February 2008
The exchanges certainly read smoothly and the dialogue was easy to follow. I take the point about juxtaposing Deborah's character with that of Edward but wondered whether it might have been more entertaining had there been the hint of a more marked dilemma underlying their discussion (e.g. her father had married some 20-year old gold-digging floozy shortly before his terminal illness). I like the idea of Edward's character - people who radically simplify everything often end up being a good source of "amusing hypocrisy". Worth building on, but decide whether you're aiming more for drama or comedy.

Written by TomOBrien (64 comments posted) 12th February 2008
Thanks much for reading and commenting on my script. I had it in comedy for a while but reviewers said that the comedy was escaping them. It is suppose to be funny. Deborah turns the tables on Edward and indicates that she will use his very own words "What Did He Want?" to explain to the authorities that he did not want air.  
Did not want air, obviously, since he was so pressing her hot buttons.  
 
cheers. 
 
tom 

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