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By Veronica_Milvus
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29 February 2008 |
Based on something I heard of third hand but is supposed to happen in a particular house in our village. An attempt at anapaest - or 3/4 time as you might say.
A CAVALIER
How old is the cottage? – We’re not really certain;
we think it dates back to the seventeenth century
based on some “happenings” we can report
up in the front bedroom. No – really, I’m serious!
Sometimes, at midnight, we’re rudely awakened;
a rattling latch, then the door swings wide open
and in comes a figure – it’s hard to distinguish...
I’d hazard a guess, he’s a Royalist soldier
with riding boots, breeches, a hat with a feather.
He ducks for the beams as he crosses the bedroom
does not make a sound on the squeakiest floorboard
kneels down at the window and aims with his musket
and fires it, apparently, into the street.
He then disappears, leaving us rather wakeful.
The worst thing for me, is that gunpowder odour
suffuses the room for the rest of the night.
Our guests all insist they enjoy apparitions
but mostly see nothing and leave disappointed.
We’ll never sell up, as we won’t find a buyer.
Who needs a ghost when you’re trying to sleep?
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Written by fellpony (1646 comments posted) 1st March 2008 | An amusing effort - I can see that you are trying to use anapaests in your lines, but I feel that the comic effect of the rhythm works against the content of the poem.
| Written by Phil (6828 comments posted) 1st March 2008 | Couldn't have told you what an anapaest was if you held a gun to my head. Quick Google and reading this. In simple terms - very simple - are we talking about the stress landing every third syllable? Enjoyed this - though (and I don't think this is the same point FP is making) the rhythm appeared a little regimented to me. Could be the every third syllable thing. Phil | Written by Veronica_Milvus (698 comments posted) 4th March 2008 | "Anapaest" sounded like some sort of sexual perversion to me, but yes, I understand it means three beats to the bar, as it were. Best example that was pointed out to me is the Destruction of Sennacherib by Byron: The Assyrian came down like the wolf on the fold, And his cohorts were gleaming in purple and gold; And the sheen of their spears was like stars on the sea, When the blue wave rolls nightly on deep Galilee. etc. proper epic poetry rhythm.
| Well, Written by audrie (454 comments posted) 5th March 2008 | I was as ignorant as Phil regarding an anapaest, but I am ignorant of iambic pentametres and trossachs, and all the other words that are tossed around on this site. So, I don't judge it on metre, but on craft and I think this is a great poem. Very well done. | Written by Veronica_Milvus (698 comments posted) 5th March 2008 | Thanks Audrie, glad you liked it! A few of us are getting together to learn a few of the technical or craft elements of poetry. Josie started us on reading "The Ode Less Travelled" by Stephen Fry. You would be very welcome to join in if you fancy a go. Iambic pentameter is just 5 pairs of syllables, where the second one is stressed, so you choose your words to fit. ti-TUM ti-TUM ti-TUM ti-TUM tiTUM "Shall I compare thee to a summer's day?" Trochees have their stresses the other way round TUM-ti TUM-ti TUM-ti TUM-ti TUM-ti etc! and this one is supposed to go: TUM ti ti TUM ti ti TUM ti ti TUM it's the Greek terminology that phases people. | a whole poem Written by patterjack (1314 comments posted) 30th June 2008 | entirely in anapaests ? Too much of an effort I think patterjack |
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