Great Writing - Home > Comedy > It Happened In Burnley part 3.
READING ROOM
Great Writing - Home
Read and review others' work
Articles on writing
Advice from the community
COMMUNITY
Talk to others in the forums
Events and Competitions
GW News
ABOUT GREAT WRITING
All About Us
Contact Us
WORK AWAITING REVIEW
GW IS...
Great Writing creative writing community is designed to prompt ideas and provide inspiration and motivation within aspiring and amateur authors. Whatever your topic; from love poetry to Doctor Who or Harry Potter fan fiction, Great Writing's online writing group is where you can make new friends and improve your creative writing.
WHO'S ONLINE
We have 1143 guests online and 3 members online
Comedy
It Happened In Burnley part 3.
By martcoops
10 April 2008
I got told off for posting these in Comedy Scripts! Sorry, but there's no section for Comedy Stories, and the people that read the short stories bit may hang me if I post it there.

THIS IS NOT A SCRIPT... IT IS ALSO NOT FUNNY!

M xxx

It happened in Burnley - Part Free!

Jonathan was a tall man. The only other person I've seen as tall as him was Andre the Giant. And he was a giant. He reminded me of someone off the television but I can't think who. I remember looking into his big round brown and red eyes. They were deep, as if he was thinking really, really hard about something all the time. Maybe he was. Or maybe in his head he just had the theme from M*A*S*H spinning around eternally. Who was it he looked like. And what was his story?

I mean to say, why would a man of his age who obviously has plenty of moolah stacked up, be living on his own in a houseboat off the coast of Burnley? I understand that it's a beautiful place to be. Sometimes I sit out on my mum's roof eating peas with a tuning fork and watching the sun slowly set on the horizon. The mill chimneys alight with pink wash. The black clouds, heavy and pendulous, slowly moving and raining over Rochdale. The faint sound of rabied dogs howling and rats sniffing through bins fills the air, as the water from the seaside laps around your feet. My mums house is built very upside-downy. It's beautiful. The whole damned scene is beautiful.

But that doesn't explain the houseboat. Why not buy a house that you don't have to tie up in fear of it floating off? Why not buy a nice bungalow or semi-detached castle?

The other thing that strikes me as odd about Jonathan is the way he continually removes his wooden leg and fills it with crisps. Usually cheese and onion, but sometimes it's prawn cocktail. The limb, you understand, is hollow. The outer casing is made from a delicate balance of wood, plastic, gold and coconut matting. There is a very intricate design running down one side, like an Indian inscription. The other side has a picture of Betty Boo eating an orange painted on in Tip-ex. It's good too. He didn't do either of them himself. He says he's not very artistic, and that he got the children from the local synagogue to do it.

He lost his leg in the Great Fijian War of 1999. He put it down somewhere but can't remember where. He phoned the hotels lost property and filed a report, but it came to no avail. He lost his real leg in Doncaster city centres MacDonald's where he fell over an awkwardly positioned Fillet -O-Fish. He filed a report but it came to no avail. He often says that having a wooden leg is a bit like being an untalented chef. You can try and try but you'll never be able to pull off a decent Salsa. He does have another leg that he never wears. His mother sent it to him last christmas. It wasn't his main present, just a stocking filler.

So he lives alone, on a boat, on his own, in Burnley harbour, by himself, eating crisps from his leg and watching old re-runs of Blankety Blank. The Terry Wogan version. He says that all joking aside, Les Dawson just couldn't pull it off. I'm not sure if he means the presenting job or if he was banging on about his leg again. And don't even get him started on Lilly Savage. He thinks she dies her roots black.

I still can't think of who it is he reminds me of. As well as his deep browny coloured eyes, he has very pale hair, like a sandy coloured albino. His face is weary and tired, and his hair is wirey and layered. The scars of time are written all over his face. It's difficult to put an age on him. I would say he's between... 28 and 76. Roughly. His height makes him more attractive to people though and he's apparently had a string of glamourpuss women decorating his past. He used to date Nora from the corner shop and she'd discount his milk roll in return and before that he was having a secret affair with Hilary Swank's sister, Susie.
You're probably wondering how I know so much about him? Well....

TO BE CONTINUED. WHEN? WHEN YOUR BUM DROPS OFF.

Reviews

Written by mia_ms_kim (915 comments posted) 10th April 2008
I thought this was rather good, not as comedy, though it is written in a humourous tone, and is quite funny in places. Short Stories? Many pieces in that section are quite funny, some are outrageous. 
 
I think you are funniest (comedy style) when you directly address your readers, often in your intro or in your disclaimers at the end. I found your intro in the discussion forum quite funny as well. Perhaps your comedic talents lie in that area???  
 
Mia ;)

Written by Octavius (24 comments posted) 11th April 2008
I'm really not sure what to make of this, or the other two parts. This is the stronger one of the three, I feel, but seems to be a little out of kilter with them; I think there's a logical continuation that's missing somewhere along the line. 
 
I like surreal comedy, and there was enough of that in here to make it amusing and quite funny in parts. Just be a little careful with surrealism, though, particularly in the story form. Surreal humour can work in short doses in the right context, but writing a longer length surreal fictional piece can be very difficult to pull off. The simple reason for this, I feel, is simply that readers need to be grounded in some form of reality, with a consistency in the fictional world they're an observer in. You want to give your reader a sense of suspense, of not knowing what may happen next, but yet you also want them to have faith that whatever does happen is consistent with the ground rules you've set out. Have a read of someone like the excellent Jasper Fforde, or Robert Rankin or Tom Holt to get an idea of how this might work. 
 
I'm not sure I agree with mia_ms_kim: I find the intros and the disclaimers to be a little off-putting. The 'meat' of the work is interesting, though, and could turn into something quite good.

Written by coosh (822 comments posted) 12th April 2008
Still, a piece on Burnley without any reference to Ralph Coates, black puddings and racism... or the world-record consumption of Benedictine at the Miner's Club, is an achievement.  
 
I'm with Octavius on this. Surrealism still requires a (surreal) logic which must be sufficiently engaging to lead the reader/viewer down the garden path and over the cliff. This seemed to go round in circles - some nice odd moments but just when you thought it was going to take off, it changed tack.

   Only registered users can rate and write comments.
   Please login or register.

Powered by AkoComment 2.0!

 Previous item   Next item