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Drama Scripts
SECRETS
By woody44
20 April 2008
I've had a bit of a tidy up as well as renaming this. (Was called `GOING HOME). It has been done for a six-minute theatre competition.  

SECRETS

A ONE-ACT PLAY

 

The scene is set in a side room of a hospital ward. In the bed is an elderly, grey-haired  man and sitting on a chair beside the bed is a dark-haired man in his mid-forties, the old man`s son. On the bedside table there is a jug of water and a glass.

    

  Father: Is your Ma with you son?

  Son:  Mammy`s dead dad..don`t you remember.

 

 Father:  Was it the bombs.

 

Son:  No dad it was her heart.

 

Father:  Scared stiff a` the bombs she is.

 

Son: (Handing his father some magazines)  I`ve brought you some of your favourite railway  magazines to read dad.

 

Father:  Railway you say?

 

Son: That`s right dad.

 

Father: What do I want with railway magazines?

 

Son: You were a fireman on the GNER for forty years dad..remember all that coal you had to shovel.

 

Father:   Shovel you say.

 

Son: Yes. I came with you once..you sneaked me onto the footplate and we went to Newcastle.

 

Father:  Will your mother be coming to see me.

 

Son: Not today  dad.

 

Father:  Newcastle you say.

 

Son: That`s right. I helped you shovel the coal until I got a bit of clinker in my eye.

 

Father: You always was a clumsy little sod.

 

Son: No that was Brian dad.

 

Father: Brian?

 

Son:  My brother…went to live in New Zealand

 

Father (Shifting uneasily in his bed)  I could murder a pint.

 

Son: Best I can do is a glass of water.(Pours his father a glass from the bedside jug)

 

Father: Will ya` mother be comin` to see me?.

 

Son: No dad, mum`s dead, remember.

 

Father: Dead you say.

 

Son: Two years ago..you went to the funeral with me and Brian and then we went to the Legion for a cup of tea and a sandwich with family and all your old friends.

  

Father:  I remember the trains now. Bloody hard work that was, but we had some good times. Was I there long.

 

Son:  Until the diesels took over. Nearly forty years.

 

Father:  Your mother loves going on trains. Took her to Brighton last week you know. Lovely day it was. We had a photo took on the prom. Red jacket the bloke had got on, with white stripes. Said we could collect the photo from the end of the pier in an hour. She hates havin` her photo took, says she never smiles proper. Have I shown it you son.

  

Son: Yes it`s a nice one dad, `specially of mum.

  

Father:  Bet she says it`s `orrible doesn`t she

  

Son: ( smiling)  She once told me it was the best photo she`d got of the pair of you.

  

Father:  We had an ice cream in the pleasure gardens and listened to the band playin` on the bandstand. Ya` mother loves a good brass band.

  

Son:  Look dad, I`ve got some papers I need you to sign.

  

Father:  I`m tired lad, can`t ya` mother do it?

  

Son: Not at the moment dad..Look, It`s just to say you agree to me dealing with the sale of the house and everything.

 

Father:  Are me and ya` mother movin` then?

  

Son:  No dad..it`s just that you`re not well enough to go back home.

  

Father:   1938 we bought that house. Ya` mother fell in love with it the moment she clapped eyes on it. Said the kitchen was just what she`d dreamed of and how we could grow plenty of veg round the back. I don`t think she`d like ta` move now son, not after all these years.

 

Son:  But I keep telling you dad, mum`s gone and you`re going to be living in this nice new Home just round the corner from me and Julie.

 

Father:   I bet the roses will soon need pruning. She doesn`t like doing that much, says the thorns keep pricking her fingers. Can you remember where I put my secateurs?

  

Son:  I`ll look for them in a minute dad. Now if you`ll just sign these forms.    

  

Father: (Laboriously signs the papers)  Can we go home now son?

  

Son:   Not yet dad. You`ve got to stay here a bit longer and then they`re moving you to that nice new place I was telling you about.

  

Father:  They don`t like me in here ya` know

  

Son: Who doesn`t like you dad.

  

Father:  The bosses. Reckon I`m a trouble maker.

 

Son: Which bosses is that then.

 

Father: I`ve told ya`! Railway bosses.( beckons his son nearer to him) They say I stir things up amongst the men..ya` know..askin` fa` more wages an` better hours.

  

Son:  I`ll have a word with them.

 

Father:  They`ll not listen ta` you lad! Profit. That`s all they`re interested in. Ya` mam says I should leave it alone else I`ll get me` cards.

 

Son: Perhaps she`s right. You don`t want to be out of work do you.

  

Father:  Where`s the other one?

 

Son: Other one what dad

 

Father:  Int there two of ya`

  

Son: Oh you mean Brian

 

Father: If you say so.

 

Son:   He`s emigrated..to New Zealand.

  

Father: Why did he want ta` go an` do that

  

Son:   Better life dad. He`s working on a thousand acre sheep farm.

  

Father:  Does ya` mother know he`s gone?

  

Son:  I`m sure she does.

  

Father: (After slight pause)  What day is it?

  

Son:  Wednesday.

  

Father: (Lifts himself up in bed) Best go and get the shoppin` done then.

  

Son:  (Restraining his father)  Don`t worry about that dad, I`ll see to it.

  

Father:  Don`t bring any of  them foreign spuds..we `ad some last week an` they was `orrible, all black eyes an` scabs.

  

Son: I`ll make sure I only bring English ones.

  

Father:  They kept us alive ya` know, when we was escaping`

  

Son: What did.

 

Father:  Carrots. Pinched `em out the fields when Jerry was after us. Captain Barker-Mead, `e was in charge. `Barkin` Mad` we use ta` call `im. Not to `is face a` course. Been on a fizzer if we`d done that. Twenty two us there was, escaped from the prison camp. Bloke in charge was Captain Barker-Mead  did I tell ya`. Big red-headed bloke `e was, with a temper ta` match. Me an` `shorty` `arris got about ten mile from the border when we was caught. Slung us in the back of this truck with ten other blokes what `ad been unlucky enough to get caught an` all.  Proper rag tag an` bobtail lot we looked an` no mistake..

 

Son: Then what happened to you?

 

Father:  Where?

  

Son: When the Germans  recaptured you?

  

Father:  (Tight lipped) Don`t remember.

  

Son:  Oh come on dad. I know it`s a bit late in the day but you`ve never once said what happened to you in the war.

  

Father (quite agitated)  They was shot! Everyone last one of `em. In the back.

  

Son: (After a long pause)  I`m sorry dad….How did you get away.

  

Father: (Taking a sip of water from the bedside table and then sinking back onto his pillow)  I seen it weren`t right as soon as she opened the door. She were allus slim as a rake ya` see. She cried all over me demob suit, said `ow sorry she was.

 

Son: Sorry for what dad?

  

Father: (His eyes filling up)  It were the war ya` see...Women got lonely. I should `ave understood.  

  

Son: Understood what dad! 

     

Father:  There is a heavy silence for a few seconds as the old man stares straight ahead)   I remember now.  I ran away. That`s why I didn`t get shot.  Slipped out through a broken board in the side of the truck and legged it.  I couldn`t `elp `em could I. I mean, what could I do. Dozens of `em there were, with rifles an` machine guns. I couldn`t do nothing` could I?

  

Son: (Squeezing his father`s arm)  No dad, you couldn`t do anything. You`ve nothing to feel ashamed about

  

Father: I get`s that tired ya` know.

  

Son:  I know (Beat) Look dad, what did you mean…Women got lonely and you should have understood. .

  

Father: ( Closing his eyes) It`s bin nice ta` see ya` son, but make sure ya` bring ya` mother next time aye.

  

Son : (Looks for a few moments at the prone figure before getting up from his chair) I won`t forget…Bye dad.

 

(He walks slowly from the room, the only sound coming from his father`s  gentle snoring)

CURTAIN

Reviews

Written by Bottleblondesurfer (3136 comments posted) 20th April 2008
I think your writing has been good enough for long enough, Woody, and this is one of your best pieces and might well be the one to turn you professional. 
I always like your dialogue, but what I like best here is what you haven’t said. That is what marks this out as an assured, professional bit of work. Not every thing is explained and it leaves the reader/viewer to work things out, and that is what makes the reader bond with the piece. Your writing seems to carry some authority here. It demands attention 
The temptation is to pay off every hint, but in holding back you have created an emotionally powerful engagement with the audience. 
I liked the jumbled responses to the son and the way the old man kept remembering and forgetting things. It made for a surprisingly pacy [and subtly humorous] read. 
I liked the way the information and exposition was revealed rather than explained. Their relationship was totally believable and established very quickly; you could sense the man’s quiet sufferance and love for his dad. 
And the way he didn’t follow up the secret the father revealed was also very telling. 
I can’t think of much to criticise, except that I felt the father would have needed more encouragement to tell the story of the shooting; that seemed to come a little too easily, and could have been an emotional high-point with a bit more provocation from the son [and a moment of painful lucidity for the father] 
I really enjoyed it and it has stayed with me and affected me, which is what writing is all about 
Jane 

Written by Bandera (4 comments posted) 21st April 2008
After reading your script I felt like I'd been in the hospital room or just outside. I'm not qualified to critique any one's work but for me - this script flowed - the father and son real people with believable lives both past and present. I found myself 'second guessing', the father's hinted secrets and wondering what the future might hold for them all.  
Thank you for an inspiring read' 
 
Bandera

Written by coosh (822 comments posted) 21st April 2008
Very impressive, Woody. The idea is set up quickly and efficiently, and the information filters through subtly to build up a broader background picture (and the type of life the old man lived) - plus the device of the medical condition/absent-mindedness, allowing you to convey it through humour. Nice the way you enhanced the self-effacing character and unnecessarily self-imposed guilt of the man through the "I should have known" line - great touch.  
 
For me, the ending reinforced the father/"son" bond - but the "unsaid" in this offers some flexibility in terms of interpretation. On top of which, certain bits struck home as I've gone through some similar experiences recently. Without the revelation (well, not so far, anyway!!) Comparing this with the (prizewinning) Man Nextdoor, it shows just how much you've progressed. Looks very accomplished. My congratulations.

Written by woody44 (760 comments posted) 22nd April 2008
Jane- Thanks as always for your thoughtful and considered crit. I take your point about the shooting. I was mindful of the time constraints put on me by the six-minute length, but given more time I`m sure your idea of `drawing` out the incident would work very well. 
 
Bandera- Nice to see you on the site for the first time. I hope you enjoy your stay! Judging by the comments the piece seems to have worked on most levels. Like any piece of writing one can see always see flaws, especially after submitting a piece! 
 
Thanks again. 
 
 
David- Thanks. After twenty plus years of writing I think probably this form is now my firm favourite. I suppose `The Man Next Door` was more a `twist in the tail` story rather than a study of our relationship with our fellow human beings. That`s the beauty of any writing I suppose..the world is your oyster (sorry about the cliche) 
 
Roger.  
 

Written by Livinginanattic (454 comments posted) 22nd April 2008
This is excellent. Your portrait of an old man was very convincing, with his forgetfulness, not remembering where he lived or who was still left alive, but being able to recall events from all those years previously. Conversations with the elderly can get very confusing but you kept him lucid enough for it to make sense, and convey just the right message to the audience.

Written by woody44 (760 comments posted) 23rd April 2008
Thanks Ben. I just hope the judges like it! 
 
Roger.

Written by beatricelouise (202 comments posted) 23rd April 2008
Really enjoyed this scene, Woody. A true to life tale engaging the audience with hopes of getting more info than was revealed. I thought it just wonderful. Congrats! :)

Written by mia_ms_kim (891 comments posted) 23rd April 2008
Gut-wrenching in what is portrayed and what is implied. The father's weakened body and mind seems to be a window into glimpses of living history, both of the personal and of the world in which he lived, meshed together. It seems tragedy, small and big, marks the lives of the father's generation because of the times in which they lived, although glimpses of happiness are there, too, mostly to do with his family. Poignant. Beautiful. Honours the ordinary man, father and husband and the life he lived. Writers should do more stories of this kind in my opinion. 
 
Mia :)

Written by woody44 (760 comments posted) 25th April 2008
Many thanks Beatrice and Mia. I must say I derived a lot of inspiration from a book I am reading at the moment by Alan Ayckbourn, one of our leading playwrites. The crits help a great deal of course! 
 
All the best 
Roger

Written by wltshr (300 comments posted) 25th April 2008
So well crafted, beautifully paced, and so very English. 
 
A wonderful poignant and powerful tale. 
 
Thank you.
Me too
Written by edjones (14 comments posted) 25th April 2008
Cannot think of anything original say that has not already been said 
so: great work, enjoyed it very much.

Written by woody44 (760 comments posted) 26th April 2008
Thanks Wltshr and Ed.

Written by Phil (6387 comments posted) 27th April 2008
Hi Woody. I read and commented on this before - but it must have been just as you were taking it down for an dit as I got a tange message. 
 
Don't know if you got the first post, so here's another. 
 
First off, a quality piece of writing that easily bears a second read. You tell a touching story that should have resonance, in one way or another, for most of us. As has been said, it is partly what you leave out that gives this power. 
 
I think, the best of yours that I've read. Easy to visualise the scene - and you've included enough bits of movement, leaning in, signing papers etc, to stop this being too static. I remember enjoying the man on the bridge play and thinking that there was quality there. This seems to be on a whole higher level. 
 
Phil 

Written by woody44 (760 comments posted) 28th April 2008
Thanks Phil. No I didn`t get the first post, so thanks again for taking the time to post again.  
 
I have rewritten parts of `Scene from a Bridge,` altering the older character to a tramp. I think I have created a more empathetic figure by doing this. Whether the judges agree remains to be seen! Hope you are still sending stuff off. As I`m sure you are only too well aware, perseverence is the name of the game... 
 
Roger

Written by WeeAnn (35 comments posted) 15th May 2008
I have not done a critique for a play before, so my word carries no weight. I was touched by both the father and the son They were both 'good' people, wonderful characters. 
I liked it a lot. 
Ann

Written by woody44 (760 comments posted) 16th May 2008
Thanks for your time and comments WeeAnn. I think everyone`s comments, be they a novice or a seasoned writer, are all valid. Writing is very subjective, what one person likes another can loath. That is the nature of the beast (whoops, watch the cliches). Again I appreciate you stopping by! 
 
 
happy writing 
Roger
HI Woody
Written by jean.day (2196 comments posted) 19th May 2008
I thought this was a very good piece of writing - and very true to life. The dialogue could have been between my father-in-law and husband, almost - but luckily we managed to get someone to live in with him in his house so we didn't have to sneak his signature on selling his house. 
 
Good luck with the competition.

Written by woody44 (760 comments posted) 19th May 2008
Hi Jean. Luckily my mother, eighty-eight in September, still has all her mental faculties but is not so good on her feet. My father-in-law however suffered from dementia, very distressing for all of his immediate family. Now in my sixty-fifth year, I find myself looking over my shoulder at times.... 
 
Thanks for your comments 
Roger
Hello Roger
Written by Josie (2496 comments posted) 23rd May 2008
Woody, I would think that you must believe from the reviews above that this was a piece of excellent writing. I cannot think of anything worse than losing your mind. My mother had a dreadful accident and hit her head on a stone floor, and didn't know us from that time on. It was awful for two years to hear her rambling. She would look at my daughter and tell her of her little granddaughter (who was sat in front of her) and she didn't recognize her. Have you had experience of someone in a similar situation because you write so well of it?
thanks Josie
Written by woody44 (760 comments posted) 24th May 2008
 
Firstly let me say how sorry I am to hear of your mother`s awful accident, and it`s equally awful consequences. It must have been quite a harrowing two years. My father-in-law`s dementia left him still recognising his wife, but his short-term memory completely disappeared. My wife and I would bring him his medicine and within two minutes he was trying to ring the doctor because he had forgotten we had just brought him his pills etc. This incident was, of course, one of dozens of similar incidents which eventually led to my mother-in-law suffering from complete nervous exhaustion. 
The idea for the story came about whilst I was visiting my own mother in hospital after she had suffered a heart attack. She was eventually moved to a ward where there were a number of Alzheimer patients. As I`m sure you know there is very little privacy in these wards, and the father/son encounter is very losely based on some of my unintentional eavesdropping! What is it they say about we writers..everything is grist to the mill. 
Finally, I broke my wrist three days ago so I am quite pleased I can still type, albeit with one hand (Luckily it was my right hand and I am left-handed) I am however finding it very frustrating trying to operate my mouse with my left hand! 
Thanks for your kind comments on the piece Josie. 
 
Happy writing 
Roger

Written by collo (3 comments posted) 1st July 2008
Have only just found this but I immediately loved it. I don't think I can add anything particuarly substantial, I feel everyone has already said it, but I just felt I needed to tell you how much I enjoyed reading it! Controlled, masterly writing...I felt the anguish from the start with the immediate inclusion of the mother's absence. I felt it everytime the son reinforced and repeated the fact that she'd died, such effective, emotive writing. Lovely, lovely stuff!

Written by woody44 (760 comments posted) 1st July 2008
Many thanks for your comments collo. I see you are fairly new to the site so welcome and I look forward to reading one of your `offerings` in the near future. 
As for my script, I am still waiting to hear if it has been shortlisted. 
 
happy writing 
Roger

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