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Extended Work
AND THE WALL CAME TUMBLING DOWN (EDITED)
By bluecity
27 April 2008

This is the “prologue” (to quote Frankie Howerd) of a novel I would like to write.  I have never before written a novel and put it up, chapter by chapter, as I am writing it, and I expect I shall have to do a lot of editing, even withdraw whole chapters for rewriting and, possibly, even restart it.

I must make the point that Marya is not me, in any character or background. I'm totally English (except for a little, diluted, Irish blood), but, when I was growing up, I was at school with girls who were second-generation migrants of East European origin, whose parents had been refugees after World War II.


By the way, I will soon be straying well outside my comfort-zone with this, something I never had to do with "The Home Life of Our Own Dear Queen".  Probably very good for me as a writer!


TIME - NOW


Sometimes, when I wake in the night, I think that the man lying beside me is Jan. 


It’s midwinter and the cold night air chills me to the bone, as it did during that dreadful winter of 1981, when I used to keep warm by pressing myself against Jan’s warm body.  In his sleep, he would wrap his arm around my back, at the same time, kissing my face, my neck, my shoulder, my breast... whichever part of me was nearest.

They are now doing road-works a few streets away, the workmen starting up their machinery early in the morning, and, in my dreams, I hear the shipyard cranes and the soft clunk of Jan shutting the door to the flat as he leaves for work.  But, when I wake and see my familiar bedroom, the white, panelled fitted wardrobe and dressing-table, the door to the en-suite bathroom and the clothes I slung off last night, I remember that I am a middle-aged, middle-class, respectable married woman, with four almost grown-up children and a successful career.  And, I don’t feel hungry.  Nothing could simulate the gnawing emptiness in my stomach, or the consuming, aching exhaustion, the hot, prickly needles under my eyelids… or the excitement.  I slept very little in those days.  There was something happening all the time. 


My friends and family know about my past, of course.  I’ve never sought to conceal anything, but I don’t think my children, for instance, believe that Mum ever did all those things, or what I did was in any way significant.  As my youngest son says, “Stuff happens”.  I have now become very conventional, enjoying country walks which end in quaint little tea-shops.


Last Sunday, I came across one of those signs which the Council has taken to writing in Polish as well as English, for the many migrant workers, I suppose.  Michael and I were taking a walk along a muddy path and our youngest daughter, Charlotte, was with us, as we had just picked her up from her friend's house.   I read it aloud, lingering on every syllable and savouring my assimilation of consonants. 


Charlotte walked several paces away.


I raised my eyebrows, in anticipation of the typical, “Mum, you’re so embarrassing,” but she met my stare and thought the better of it.


“Remember that every drop of blood in my veins is Polish,” I said.  “Grandad came over in 1939 and fought in the RAF Polish Squadron.  My mother… your grandmother, who you’ve never met… was in Auschwitz and, when the war was over, she came to England.”


“But you’re British, Mum,” she said.  “You’ve got a British passport, just like us.”


“I've got a horrid, red, EU passport actually,” I said, dodging the issue.  “I remember when we used to have those proper, blue British passports.”


We got in the car to go home.  I insisted on driving.  I get impatient when I'm in the passenger-seat and now I wanted to get home to make the evening meal, do the ironing while it was cooking, and have everything eaten and cleared away before the classic serial on BBC2 at nine o'clock.  It was “Middlemarch” and I'm a great George Eliot fan.  As we got on to the bypass, I put my foot down on the accelerator, enjoying the speed as we whizzed past the countryside at well over eighty.  I slowed down just before the speed cameras, though.  I hate speed cameras.  I have written a lot of the subject of speed cameras.  I have lived in a country where ordinary people, including me, were watched from the chandelier.  


As we were moving off the horizontal white lines on the road surface, I pressed my foot down to the floor again and, moments later, I was being flashed by the police car behind me.  “Would you get out the car, please, madam?” asked the police officer, after I had pulled over into an adjacent lay-by.


Feeling very peevish, I got out.


“I've been observing you for some time, madam.  Were you aware of your speed?”


“You’ve been observing a woman for some time, officer?  I think that’s called stalking and it’s illegal.”


He told me not to “get funny” with him, but he let me off with just a ticking-off.


“Marya, why are you so gobby?” Michael retorted, as we drove off, at a more sedate .  “You could’ve got yourself into real trouble there.”


“Marya, why are you so gobby?” Michael retorted, as we drove off, at a more sedate speed.  “You could’ve got yourself into real trouble there.”


“Marya…”


“Come on, darling.  I'm not as bad as I was.”

Reviews

Written by Lizzy (783 comments posted) 27th April 2008
I like this, just enough clues with not too much given away to make the reader want to know more. 
I like the hints at her being 'typically English' but she claims to be Polish! The hint at the children's embarassment is also good. 
I look forward to the next chapter. 
Lizzy

Written by bluecity (367 comments posted) 27th April 2008
Thanks, Lizzy, for reading. You are very supportive. 
 
Rosemary

Written by Bottleblondesurfer (3298 comments posted) 27th April 2008
Yes, I certainly enjoyed this. It caught my attention straight away. I thought you established the main character very quickly and strongly which is important at the start of any story. 
It was beautifully and sparely written and really hit the ground running. I would be happy to read more. 
I do have a problem following extended stories, as time on the computer is limited but I will certainly try with this. You have a very easy story-telling style, and the woman is such a sympathetic character 
cheers 
jane

Written by bluecity (367 comments posted) 27th April 2008
Thanks for the review, Jane. Easy story-telling style? It took me about 4 hours to work up these 800 words. I took a lot of time over it because I think beginnings are important. You wouldn't read the next post of this if the beginning was boring or bland, would you? 
 
Rosemary
Great Beginning!
Written by beatricelouise (215 comments posted) 27th April 2008
This looks like this story should be interesting as you have planted seeds of questions throughout. I like your writing style, too. 
 
I would suggest when writing in first person to watch not to begin collective sentences with the word such as 'I'. Learned that along the way somewhere. :grin
HI Rosemary
Written by jean.day (2257 comments posted) 28th April 2008
I, too, think this is a very good beginning, and gets the reader wanting more. You have set up the possibility of various types of tension and and conflict - and have drawn well well, your main character. 
 
I will be looking out for more.

Written by petmarj (79 comments posted) 28th April 2008
Hello Rosemary, 
A good opening, where your main character, with traits and beliefs included, has been produced quickly and without waffle. 
Look forward to your future work. 
 
Best Wishes, 
 
Petmarj. (Peter)

Written by Emmuttmax (161 comments posted) 28th April 2008
Rosemary, 
 
I think you have a good start here. The hook is set. 
 
Personally, I think the first two paragraphs need a little work. The first sentence is a great opener, but could do without "after all this time." 
 
I got a little lost when you described walking with the young daughter (no name given), and then getting in the car and finally being stopped by the police. After the policeman left Michael says something. I thought it was the daughter who was in the car. 
 
Your style is fluid, and should you decide to write this book, I would love to follow along.

Written by bluecity (367 comments posted) 29th April 2008
Thanks for your comments, Jean, Peter, BeatriceLouise and Emmuttmax. 
 
Collective sentences beginning with "I"? Not sure what you mean there, BL. Could you please elaborate? 
 
Emmuttmax, I did wonder about that "After all this time" and in fact my finger hovered over the delete key, but I felt it necessary to make the point that Jan was in the past, very much so. Maybe I should find another method of doing this. As for the un-named daughter, yes, let's name her, although my reason for not doing so was not to draw too much attention to her. And, yes, you're right about drawing Michael in at that point only was a bit confusing. I really do appreciate your detailed comments, by the way. I suspect that this introduction will experience many changes before the finished version is rolled out (insofar as any writing is ever finished). 
 
Rosemary 

Written by beatricelouise (215 comments posted) 29th April 2008
I put my foot down on the accelerator, enjoying the speed as we whizzed past the countryside at well over eighty. I slowed down just before the speed cameras, though. I hate speed cameras. I have written a lot of the subject of speed cameras. I have lived in a country where ordinary people, including me, were watched from the chandelier] 
 
I just picked this paragraph to give you an example of how many (I's) there are at the beginning of sentences one right after the other. If you read your piece aloud, and underline the I's, I think you will notice the problem. Just need to rephrase your sentences so this doesn't occur. It was pointed out to me by a writer once, and I try to watch that I don't fall in this trap.  
 
Hope this will help you.

Written by bluecity (367 comments posted) 30th April 2008
OK. Thanks, BeatriceLouise. I see what you mean. 
 
Rosemary

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