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Shorts
Silent Guns
By woody44
04 May 2008

SILENT GUNS

  

The snow has come late this year. The tumbling flakes falling around the old graveyard remind him of the poppies fluttering from the ceiling of the Albert Hall one Remembrance day, long ago.  He was an upright figure then, his father, marching proudly across its spot lit floor, his medals thick across his proud, thrusting chest…

     

       The guns are silent now, the only sound the cry of crippled men. Blind, deaf, limbless, they burrow like moles along the muddy gash of land, some bent with the weight of a comrade, others, arms outstretched, searching for the reassuring feel of a khaki-clad shoulder.

       The young officer  sits alone in his shell hole, eyes ravaged, his pen stuttering across the crumpled slip of paper:

      `Dear Ethel. It is done and we are, I believe, victorious. The guns are quiet now and they say, God willing, we are coming home.` He pauses, his mud-caked boot kicking feebly at a rat as it scurries beneath the makeshift table. He does not question why he can no longer feel his feet.  He is only glad that he is going home. Home to Ethel, and his unseen child……

 

       It is settling fast now, the snow.  Drifting mounds of  coal-speckled powder, it covers the surrounding headstones like a shroud. He lifts his hands momentarily to his face before blowing warmth back into his unfeeling fingers. Glancing down he fixes his eyes on the newly-dug hole and remembers. The vicar`s words  had been quiet ones, unknowing of the man yet compassionate, sometimes humorous. The life of a man  encapsulated in a few, sorrow-filled sentences.

       His sleeve brushes momentarily across his icy cheek as the handful of soil scatters across the snow-covered lid of the coffin. Would she be crying now, his mother, standing by his side,  strands of her iron grey hair lank  against her wet cheeks.  But she has gone before him, a martyr to his ways and a worn-out heart.  His father had gone to the funeral, unsteady feet and his need for the toilet, his only recollection of that mournful, sunlit day…

    

         They come for him at midnight,  cold tobacco breath and  cordite-stained  uniforms filling the cramped, earthy space. Cajoling now, they lift him gently onto the makeshift litter. As they emerge into the frosty night, the young man gazes for a moment at the myriad of stars spread out above him. Voices, soft, far away, wash over him like warm treacle. Then suddenly it is the guns again, pounding, exploding, filling his head until he thinks it will burst. Hands, rough yet gentle, press against his heaving chest. Then it is over and he is being lifted into the waiting truck. And then there is nothing. Nothing but the silence and a sheet of muddy paper crushed into the unforgiving, rutted earth…

 

        He acknowledges the patted shoulder, smiles thinly at  the shaken hand. He does not know how many people are there, family, friends, well-wishers of a dwindling band of men. But he is comforted by their presence.

     He turns from the grave, his collar turned up against the swirling flakes, his retreating footprints rapidly covered  by the virgin snow. At last the guns are silent, forever.    

Reviews

Written by Phil (6387 comments posted) 4th May 2008
Powerful piece, Woody. Some lovely language use - gentle words describing unbearable situations. Unusually for me, I did get a little mixed up with POV at one stage. Probably just me though. 
 
Very well measured and paced. I keep coming back to the word 'gentle' to describe this. It fades in at the beginning, and out at the end. I think I may be just a little jealous of this one. 
 
Excellent, complete short. 
 
Phil

Written by mia_ms_kim (891 comments posted) 4th May 2008
Each sentence paints beautiful, evocative, vivid pictures as they are perceived through the characters' eyes. No wasted words. However I am confused as to which pov I'm in... Where is the son? Where is the father? Do they kind of merge in and out??? 
 
Mia 8)

Written by woody44 (760 comments posted) 5th May 2008
Thanks Phil and Mia. Having read the piece again I agree entirely about the POV situation, so I have tweaked it a little and hopefully this will make the present and the flashback storyline a little clearer. 
 
Thanks again 
 
Roger

Written by coosh (822 comments posted) 7th May 2008
As Phil says, the "gentle" rhythm to this piece serves to emphasise the powerful content and mood. It's beautifully succinct, almost cold black & white, with the colour of a few details. Particularly liked the last paragraph, and the notion of the man's life encapsulated in a few sorrow-filled sentences. I wondered whether you'd ever come across Ian Hislop's "Not Forgotten" series - some extraordinary stories. At the risk of sounding flippant or just stupid, what is the intended connotation of being washed over with warm treacle (pleasant or unpleasant?). Terrific piece with great resonance.

Written by Bottleblondesurfer (3136 comments posted) 7th May 2008
Not sure there is much more I can add to what has been said, here. I had to read it twice to get the POV but it's clear now. 
The language is not only expressive and beautiful but measured and quite sparse which gives it so much significance and power. You leave spaces for the reader to build there own picture, which is quite a rarely done now and it works so well. 
jane

Written by woody44 (760 comments posted) 7th May 2008
David- I rather like the idea of being washed over by warm treacle, although I am more of a honey man myself. Yes, perhaps not the best description..Thanks for your comments as always.No I haven`t come across Hislop`s `Not forgotten` series, but I will certainly look it up. Love him on `Have I got News for you` 
 
Jane- Thanks as always for your comments. Hope 2008 is the year your work gets the credit it deserves.Is our bet still on? 
 
Roger_  
 
Jane_

Written by TwistedTales (454 comments posted) 7th May 2008
I agree about the rhythm - it builds up very nicely - letting the reader in gently as he goes through the piece - I got interested and started reading it aloud second para onwards - some of the things i really enjoyed -  
 
1) Nothing but the silence and a sheet of muddy paper crushed into the unforgiving, rutted earth - Love this line 
 
2) arms outstretched, searching for the reassuring feel of a khaki-clad shoulder - i think only people in a war situation can understand the real sense of this sentence - It's a brilliant observation 
 
3) He does not question why he can no longer feel his feet - Chilling 
 
Although I got that the protagonist died in the war without having met his family - I got confused specially during the end and also you mention the mother and father, but you don't mention his wife and child - i mean they visiting his grave... 
 
Overall impression - A wonderful piece 
 
Regards, 
TT

Written by woody44 (760 comments posted) 8th May 2008
Hi Twisted. Many thanks for your kind comments. Sorry if I confused you, I probably got too wrapped up in the story! 
There are basically two scenes. One set in a graveyard as a son mourns his father (The young officer in the second, flashback scene,set at the front) 
The young officer does come home, but has been scarred forever by his war, making life difficult for his wife (Ethel) Hence the sentence:`But she has gone before him, a martyr to his ways and a worn-out heart.` 
So to sum up, the man did not die in the war..came home..had a live with his wife and son, until he died and his son buried him. 
I know it is so easy to get wrapped up in a story to the extent that one sometimes assumes the reader knows as much as you do! Once again thanks for your time and comments. 
 
 
Roger

Written by Livinginanattic (454 comments posted) 8th May 2008
A very moving, powerful piece although I also had to read it a couple of times before I sorted out the POV.

Written by Lizzy (781 comments posted) 13th May 2008
Agree with many of the comments, I also found it a little confusing and had to reread, which was well worth the trouble. 
Simple yet so full of meaning. 
Lizzy

Written by woody44 (760 comments posted) 14th May 2008
Thanks Living and Lizzie. I must watch it with the POV.  
 
Happy writing 
Roger

Written by Fledermaus (3159 comments posted) 14th May 2008
Like some of the others I had to read this twice and very carefully to get the scene right. Maybe you left out a bit too much, or maybe just enough. 
Very nice use of the language. The first paragraph paints a very clear picture in very few words. Very nice.

Written by woody44 (760 comments posted) 16th May 2008
Thanks Fled. I have cleaned this up a little and sent it off to a flash fiction comp. 
 
 
Roger
hi woody
Written by Leo (573 comments posted) 18th May 2008
wow! 
 
the first day back on the site in moons and i'm privileged enough to read this piece of work. 
 
Truly powerful piece of writing. 
 
all the very best 
 
leo

Written by woody44 (760 comments posted) 19th May 2008
Thanks Leo - and welcome back! 
 
Roger
Good Writing!
Written by beatricelouise (202 comments posted) 26th May 2008
This type of writing must be read a second time to perceive the completeness.  
 
The atmosphere sets the mood,  
 
I am drawn in by the first paragraph and am disappointed by the end that the story has to end. Not so much the story, but the writing to me is so powerful and yet, succinct. 
 
Best wishes in the competition. An amazing entry. 
 
BL 8)

Written by Josie (2496 comments posted) 3rd June 2008
Woody, I have also read this a couple of times to soak up the whole atmosphere. It is indeed very powerful reading and you paint an awful picture so well, right from inside the mind of one who has been there. It is all such a dreadful waste of human life isn't it? I think single spacing with double between blocked paragraphs would have been better, but as for the story, I couldn't better it in any way.

Written by woody44 (760 comments posted) 4th June 2008
Thanks Josie. I agree, a great waste of life. A great pity nobody seems to learn from past events. I`m afraid I`ve gotten into the habit of double-spacing for submissions to magazines, comps etc, but I take your point. 
 
Roger

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