Inspired by a recent story by someone else (thanks Ariadne). I saw the 2nd-person narration style, and decided I wanted to try it myself. I borrowed the basic plot, but it's very different. *warning* contains sexual references and inuendo.
I'm looking for comments on:
-narration: did I do it right/well/badly? I can change it to 3rd if need be.
-airplane metaphors: excessive?
-anything else you'd like to add, as usual
I also want to make it clear that this character isn't based on me, and I'm not a douchebag! lol
Use www.urbandictionary.com for any slang terms you don't know.
Thanks!
Picking Up Chicks, for Dummies
Mike Shaw, copyright 2008
You walk into the club. Your Wingman follows. A survey of the scene
reveals two Bogies dead-ahead, and one of them appears to be the
Hindenburg. There is a moment of worry, but your Wingman knows his job;
he takes point without a word, and glides in to ask the blimp for a
dance. As the Wingman dips and weaves around the zeppelin’s amorous
advances, he signals you to engage your target, the
more...
aerodynamic...of the pair.
You try to cool off.
Is the club’s heating on too high?
you wonder. No, it’s not. Stop making excuses. You begin your approach.
An attempt at smoothly meandering your way over is foiled when you
realize she’s been staring at you for some time.
Damn. A seat is
available beside her at the bar, but an intoxicated young man comes in
hard for a crash landing and ejects the contents of his stomach all
over it.
Double damn.
You look down at your clothes to make sure you aren’t speckled
with vomit instead of looking
up at the girl, who had risen from
the bar and parked herself in front of you, smiling. You’re startled to
see her there and, “Hey...” is all you can manage.
“I’m a bit thirsty,” she says, and patiently waits for you to get the hint.
You get the hint.
As drinks are drunk and playful banter about your “long-range
missile” and her “impressive landing strip” is exchanged, you receive a
text message on your cell phone. Your Wingman informs you that he has
taken extensive damage and has no choice but to land behind enemy lines
in the blimp’s apartment, and adds that a rescue mission will not be
necessary until morning. Humph. You didn’t need him anyway.
The girl squeezes your arm and asks, “Can we take this party
back to my place?” Stunned by her forwardness, you mumble something
semi-coherent. She assumes you meant, “Yes, that sounds lovely,” and
drags you out the door. You offer no protest.
As you walk, the girl points to a dark alley and proposes that
you travel down it together. You ask, “Why? It seems dangerous.” Not to
sound like a prude, you add, “I wouldn’t want someone as sexy as you walking
down a dark alley—we can have fun in the dark at your place.” You feel
cool.
“I think alleys are hot. The danger turns me on,” she says with a
teasing smirk. You feel even cooler, and suppose that you’re willing to
play her game for just a little while.
In the alley, she pushes you against the wall of an ethnic
grocery and wraps herself around you. She giggles as she guides your
hand over her body. You lean in for a kiss, but your lips glance off
her cheek as her lips latch on to your neck. The fangs go in, and you
crumple to the ground. The vampiress walks back to the street, and out
of sight.
You lay unmoving in the filth, and ask yourself the cliché
question:
Why me? It’s a good question to ask, since you really
didn’t deserve this. You’re a kind person overall, and very honest too.
You like small children, and are a promising young bio-physics major at
the university.
Then again, you’re also a dummie.
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Written by mia_ms_kim (1057 comments posted) 21st May 2008 |
Well-written. I thought the "fang" moment could do with a little more shock and the description of the guy's sensory experience before he crumples. I like the way it finishes, "you're also are a dummie!" Mia |
Written by Canadian_Bacon (120 comments posted) 21st May 2008 |
Thanks Mia Leaving the fang scene bland was actually intentional. I found that it was hard to describe it without sounding cliche. There have been so many dramatic vampire attacks in so many books/movies that I felt making it "quick and easy", so to speak, was the only way to be original.
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Written by fellpony (1749 comments posted) 22nd May 2008 |
I liked the way you handled this - it worked pretty well. A successful exercise. I was confused by "lay" in the last para but one, but I think that's a difference of nationality - I'd have written "lie" as the present tense, because to me "lay" is either the past tense, or another verb entirely. I'd have been tempted to have the poor dummy wake up in a sumptuous but secure apartment where he's being kept as a live source of food and groomed as a future vampire ... fed on Big Macs of course with plenty of fries so that when HE metamorphoses, he'll look like his attacker  |
Written by Canadian_Bacon (120 comments posted) 22nd May 2008 |
Thanks You may be right about the lay/lie thing...that's one of those tricky verbs sometimes. But thank you for assuming that I'm not wrong :P
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Written by Bottleblondesurfer (3590 comments posted) 23rd May 2008 |
I’m not a fan of 2nd person narrative, for me, it’s because of the repeated use of “you” and it tends toward telling instead of showing, but used well it has it’s own style. I think you got away with it by keeping it fairly short, and that personalized style with all the street patois could only have worked with 2nd person. I liked that. It gave it a conversational feel and was an immediate insight into character [and explaining his slacker vulnerability] It had it’s own voice. There was movement and pace and a good narrative flow, so despite the unfamiliar patois it was an easy read. I’d have left out the details of the chatting it up and said something like “the same alcohol fuelled clichés” instead. It’s more in keeping with the style and yours were too bad to be credible. I agree with Mia that you need a bit more at the end, to expand on his sensory experience and complete incomprehension and shock. It was a bit too bland, where’s the shock, pain, trauma. . I did like the last “why me” paragraph,it tied things up nicely and was right for the character.
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Clarification Written by Bottleblondesurfer (3590 comments posted) 23rd May 2008 |
~When I said that the dialogue wasn't credible I just meant the double entendres about 'missiles' and 'landing strips' -the rest was fine and suited the style of the piece. Now I see what you were aiming for it makes more sense,perhaps you could have added a comment about how surprised he was that his banter should be so well received. I think by layering in a few more clues and hints you would make the end more of a revelation than a shock cheers jane |
Written by Phil (7001 comments posted) 26th May 2008 |
The second person narration worked quite well for me. For a short piece I think it bring immediacy in a slightly different way that first person narration does. Overall I think this went well - I was with you all the way until the end. It just didn't read like a vamp piece - more a boys out on the pull thing. Perhaps it's me - but I felt it was a jump too far too quickly. As a piece playing around with second person narration - some success though. The main character - not so likeable - comes across really well. Phil. |
Written by Canadian_Bacon (120 comments posted) 26th May 2008 |
Thanks Phil, I'll get around to fixing this piece eventually. The end was supposed to be unexpected...whether that's a mistake on my part, or I just didn't execute it well enough, I'm not sure. The main char was also supposed to be a bit of an ass :P I guess it's just a story about the unexpected:P |
Written by awakenedmind (48 comments posted) 14th July 2008 |
I liked the way the story was based, a couple of 'lads' on a night out treating it as a mission, made it sound very real. Descriptively was good, although on a personal level maybe the clubs atmosphere could have been built on. The ending was not as I expected which is good, but again on a personal note I thought it could have been written with more passion. I thought it was good that it kept clear of actual sexual connotation although for those who like that it left it to your imagination, for me that would have made me go straight onto the next piece. Overall I thought it was good and more than capable of extending. Michael |
Written by KaydieKate (75 comments posted) 3rd August 2008 |
I can honestly say I didn't see the vampire bit coming. I thought it was a very humorous piece, especially with the use of military and aeronautical metaphoric language. The last line, I think, is the perfect end. The only criticism I have is the vampire attack, though purposefully short, could use one more line of description. Even if it is a bland "Ouch." Just one more sensory or visual detail, so the reader may rub their neck in concern, or choose to target less aerodynamic women in the future. |
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