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Ruban's Legacy
By Phil
30 May 2008
Something I wrote a few months ago. Got a bit stuck. I quite like this, but would like to know what others think before I struggle on. It does stand on its own as it is.

When at last I could open the box, I wasn’t really sure I wanted to.  Throughout my childhood it had sat on a shelf above the TV.  Not exactly ornate, but interesting enough in itself to be on display.  Leather bound and studded with rusting rivets, it sat there with the accumulated wealth of its history.  When I was very small and dad told me stories of family members long gone – it almost throbbed with importance.

This box, only the size of a trumpet case, was my inheritance; left to me by my great, great, great, great grandfather, Ruban Slackass.  He didn’t know it was me of course. He just left it to the first direct male descendent to achieve majority in the twenty-first century.

One of his last acts before he was arrested for treason, an offence for which he was later hanged, was to give the box to his grandson, my great, great grandfather.  The key he placed with a reputable firm of solicitors in London.

~X~

All my life I’d heard stories that seemed to give an edge to being a Slackass.  Every one of my ancestors had something different or interesting about them.  I don’t know if it all started with Rufus.  No one seems to know where or who he came from.  A great aunt of mine dabbled in genealogy but never discovered anything preceding his generation.  Perhaps there’s a rogue gene in our line that makes us more prone to individuality, rebellion, independence.  I suppose I’m the black sheep of the family.  I’ve reached the age of twenty-one without distinguishing myself in any shape or form.  I’d coped with being brought up by my father after my mother was killed in car crash when I was three.  I’d coped with a four month stint living with an aunt and uncle when my father did one of his disappearing acts.  He was forever going off somewhere and returning a day or two later with no explanation.  That was the only time he was away for a long period.  On his return, we’d always pick up where we’d left off, as if nothing had happened.  To my father, it seemed like a source of pride that I could fend for myself from a fairly young age.  Although he never said, I always got the impression that when he returned from his four months away, he was vaguely disappointed not to find me at home.  But what do you do at the age of twelve when there’s nothing in the fridge and the pot with the money in the kitchen runs dry?

Despite these things, which I understand are not an average start in life, I was, and still am.

I did well enough at school and now at the age of twenty-one and a bit, I’ve just completed a degree at a pretty average university.

Dad, who is annoyingly enigmatic, often sits and stares at me.

    “What?”  he says.

    “What?”

    “Just what?”  he reiterates as if this should make it all clear to me.

It’s as if he’s waiting.  As if he expects me to revert at any moment to Slackass family form and do something outrageous.

On other occasions he’ll walk into a room and say apropos of nothing, “Well?”

    “Well what?”  I say.

Then he’ll wander off looking either confused or disappointed.  It’s as if there’s some backward legacy he’s waiting for.  He knows our family history, probably better than anyone, and he knows that all of us, from Rufus to him are marked with the scent of unpredictability.

So far, in that respect, I am the model of disappointment.

That, I suppose, was what worried me most about the box.  So far, despite all the odds, I’d managed to have a normal mediocre life.  In fact I’d assiduously worked myself into a position where that’s what I could look forward to.  Not for me dodgy dealings, thievery, polygamy, sects, black-marketing, murder, treason and probably much more besides.  It’s all there in my recent ancestry.  Even my father could be accused of child desertion – and god only knows what he got up to when he disappeared.

I was worried that when I opened the box something would knock me from my chosen path of mediocrity.  Something would bring this black sheep of the family back into the fold and begin something of which I had no foresight of or control over.

But this was my destiny.  Perhaps this was why I was different.  I’d been unwittingly singled out by Rufus to receive this legacy.  Maybe I’d been saving myself for this moment.  Perhaps I was the raw clay that the patriarch of our clan would mould his personality into.  Somewhere inside me was a small distilled part of Rufus.

~X~



    “Well?”  he asks.

This is the eighth time he’s asked this in the two days I’ve been back home.  This time I know what he means.  He knows I know and so I suppose there’s no avoiding it.

    “Pass it me then,”  I say.

He gets up, crosses the room and picks up the box, switching the TV off on the way.  I tell myself it’s just a box.  What harm can an old box do?  Just ask Pandora.  But it’s just a piece of history.  It might even be interesting.   

He places the box in my lap and leaves the room, returning seconds later with a letter.

    “Came a couple of months ago.  Thought I’d look after it for you.”

The envelope’s white, addressed to me and well fingered.  I frown.

    “Don’t worry.  I’ve not opened it.  Just had a bit of a feel,”  he says.

And I believe him.  He’s more interested in this than I am, but he wouldn’t go behind my back.  Although the box is locked, it doesn’t look all that strong and he could have forced it at anytime over the last two decades.  Come to that, so could any of the previous generations of Slackass custodians.  But it doesn’t look as though they have.  Whether this is out of respect for Rufus’s wishes or a fear he may come back and haunt any transgressor is anybody’s guess.

I’m hoping the solicitor’s letter might give me some clues as to the contents of the box, but it doesn’t.  In fact it’s very sparse.  Just a key and a brief message to say it was being delivered as instructed.

I lift the box from my knee and give it a gentle shake.  Strangely enough, this is the first time I’ve held it since being quite small.  The last time I remember, I was on my father’s knee.

It’s quite heavy but doesn’t rattle at all.  It’s clearly well packed with something.

    “Want me to stay?”  asks dad.

He’s clearly desperate to and I’m tempted to tell him no, but I know I don’t want to do this alone.  His blue eyes, something else I’ve not inherited, bore into me.

    “It’s okay.  Stay.”

He sits back but continues to stare.  I can’t work out if he’s more interested in the contents of the box or me.  Maybe he thinks he’ll get some clue to the real me – the one he imagines is buried somewhere inside of me.

I’m still not sure I want to do this but I put the key in the lock and turn.  There’s some resistance, but with a small grating sound it gives and turns.

Reviews

Written by Bobgeorge (1 comments posted) 30th May 2008
I think you should defiantly keep on with this piece. You build the tension very well and from different angles: the relationship, weight of history, the mystery of the box… 
The dialogue between the father and son rang true and I especially liked the response “Don’t worry. I’ve not opened it. Just had a bit of a feel,”  

Written by Phil (6713 comments posted) 30th May 2008
Cheers, Bob.

Written by johniebg (538 comments posted) 30th May 2008
This was good and well written but as usual you have stopped to sniff the air when you should have kept your head down and kept writing. Somehow I knew this was going to frustrate me when I read your introduction but was lulled into false sense of trust when you said it worked by itself. 
 
There is a quality of writing here that is completely overshadowed by the fact its not bloody finished, not even as a first act. Hugely frustrating.

Written by Emmuttmax (171 comments posted) 30th May 2008
Phil, I think you've got a good story going here. Good descriptive phrases and tension.  
 
This sentence: "Despite these things, which I understand are not an average start in life, I was, and still am," left me baffled. I don't know what it is referring to. 
 
The second section could use some work, but overall, a compelling tale.

Written by Lizzy (793 comments posted) 31st May 2008
Phil 
Please struggle on. 
Really enjoyed this, well written with some very good descriptions. 
I'm wondering if he is a 'true' descendant, something to do with his blue eyes and his 'mediocrity'. 
What is in the box, you've got to let us know. 
Lizzy

Written by Asferthecat (834 comments posted) 31st May 2008
I read eagerly to the end When I found I wasn't going to be told what was in the box I felt cheated. 
Whatever it is it had better be good after such a magnificent build-up. 
I take it you already knew before you started writing. If not, you have some intensive thinking to do. 
Looking forward to the rest of it.

Written by Phil (6713 comments posted) 31st May 2008
Thanks for the comments. Johnie, sorry to frustrate you. At least I know it's worth the effort of working on now. I do have ways forward for this but need to unravel the plot, which keeps imploding. 
 
Thanks again. 
 
Phil

Written by Livinginanattic (456 comments posted) 31st May 2008
I had a feeling you'd end on a cliffhanger, even after your introduction. You've set it up very well with your protagonist's family history and the suggestion that his fate was going to be revealed when he opened the box. Then you kept the tension going nicely with his dad's enigmatic questions.  
 
Look forward to reading more. 
 
Ben

Written by coosh (867 comments posted) 31st May 2008
Very well written. Enjoyed the beginning in particular, history, treason, family tree, etc. (Plus the "What?" and "Well?" of the father). Given the impact of the opening paragraphs, I felt at odd points (looking at the piece in isolation) that you meandered a little here and there with the build-up. In section 3, the narrator notes "he's more interested in this than I am", and a bit further on "I can't work out if he's more interested...", which struck me as repetition of the same angle. Similarly, the penultimate paragraph in Section 2 - repetition of "something" in the last sentence, and the ending with the preposition - don't know, others with no doubt disagree. 
 
Sounds picky and harsh, but overall it felt more like the beginning to a very interesting saga.

Written by Bottleblondesurfer (3351 comments posted) 31st May 2008
A really smooth bit of narrative writing, skilfully taking us through the family history without it feeling overly expositional [my spell checker doesn't like that word but you know what I mean] and gradually building up the tension. 
To answer your question; yes finish it but only if you have a blindly good denouement surrounding the opening, either directly concerning the contents or having the contents start a sort of quest, or even something that implicates the father [as he is the only other character present]  
If you haven't got the revelation to go with the build up then move the centre of attention away from the box so it is just a dramatic device. 
Stopping where you have, Phil, leaves you open to a lot of dramatic avenues,probably too many and that is the main problem with it so far 
cheers 
jane

Written by Mr_E_Writer (187 comments posted) 31st May 2008
Hello Phil. 
 
Nice to have something of your's to review in shorts. 
I felt that the writing was above par for Great Writing. 
I did find myself trying to rush through the story in order to find out what was contained within the box. Nothing! As yet. 
So I suppose you must at least write part 2; if only to put us out of our misery. 
 
Could you please explain what you mean by this: "He just left it to the first direct male descendent to achieve majority in the twenty-first century." Majority in/of what? 
 
Regards, 
Eric. 

Written by Brett (782 comments posted) 31st May 2008
Phil, you must carry on with this. I'm intrigued. So many hints as to where this could lead, and the relationship between father and son really comes through the dialogue. Finish it for God's sake - and my own curiosity. 
 
Cheers

Written by Phil (6713 comments posted) 31st May 2008
Thanks all. 
 
Emmutmax: 
Quote:
"Despite these things, which I understand are not an average start in life, I was, and still am,"

 
 
A probably clumsy - but I thought clever - way of saying that the narrator was average. 
 
Mr E: 
 
Quote:
"He just left it to the first direct male descendent to achieve majority in the twenty-first century."

 
 
I may have this wrong - but I thought reaching majority meant reaching twenty-one years of age. |Anybody heard that before? 
 
Some really useful feedback. Thanks very much. Been busy with a note book today - in between watching youngest at an athletic meet. Blunt pencil and many crossings out. 
 
Phil

Written by Nick (146 comments posted) 31st May 2008
Hey Phil, 
 
Can't say anything more that has not already been said but just thought I'd tell you that I liked the story and hurry up and tell us what's in the damn box. 
 
Nick

Written by Bottleblondesurfer (3351 comments posted) 31st May 2008
Yes, I understood majority. It means reaching adulthood or at least voting age.I thought it was common parlance. 
Perhaps it's a generational thing[ but then so is using 'common parlance' I suppose] 
:grin

Written by mia_ms_kim (1017 comments posted) 1st June 2008
With all the above reviewers. Very good writing. Just wondered if this is targeted at younger audience? eg. 'Slackass', age of the MC, pov, the voice etc. And how that would affect the progresion of the story. What genre would this fall into? When someone is a good writer, then it makes me wonder if he/she is also a good plotter. I find that the combination is not so easy to achieve. 
 
For me, the main story after the 3 para prologue was the strongest part. It might be my juvinile mind, but I found that the hook, ie. the box, would have worked better for me if it was treated with more secretiveness or mystery. Sitting on TV for years etc did not arouse my curiosity. I got into the story because I was fascinated by the characters and their self-exgesis. They seem authentic, interesting and very unusual despite the MC's claim to be mediocre. The promise that this box will drag the MC out of his self-imposed mediocrity, worked well for me. 
 
I didn't understand the 'majority' bit either, though I'd heard of it. I did have to read the line Emmutt pointed out twice or three times to understand what you meant. I thought you were saying the boy managed to survive. 
 
And rather than describing the ancestor as great, great...... grandfather, I wondered if the hook would be stronger by saying 10 generations up or whatever the number is. Number seems easier to grasp. That's just me. 
 
Enjoyed immensely. 
 
Mia 8)
HI Phil
Written by jean.day (2279 comments posted) 2nd June 2008
It's funny but the line that several pointed out that they didn't get - was one of the ones I was going to feature in this review as being very clever - with an economy of words - and yet getting the message powerfully across.  
 
Coming into your majority should be understood by Americans - at least those of my generation.  
 
I would like you to continue work and expand this - but I don't really think it needs it. I think it does stand alone. I think the fact that the box stood for 21 years within his sight - and he wasn't curious enough about it to shake it or try to open it - says a lot about him. At least his father fingered the enevelope.

Written by woody44 (775 comments posted) 2nd June 2008
Hi Phil. I am with the majority here,, a very well told story which tells us much about the main character and leaves us intrigued as to what will happen when the box gives up its secrets. Will there be enough in there to change his basic personality and send him to...where? I`m sure you must be in quite a quandry simply because you hadn`t much of an idea how the tale would unfold after the box was opened. I look forward to your skills as a storyteller bringing this one to a satisfactory ending. 
 
happy writing 
Roger

Written by Phil (6713 comments posted) 2nd June 2008
Thanks again. Still busy scribbling notes. Once I get a handle on it, I'm sure it will flow. 
 
Phil

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