This is me testing the waters on this site... If anyone reads this and drops a little feedback, then it'll all be worth it...  My idea is that a grizzled old school Noir detective is still living the lifestyle 30 years on, still working as a private dick in the mid-seventies. The conflict would hopefully arise from his withering body and inability to keep up with the events around him. I think my pacing may be in need of tuning and I'm not sure what level of metaphor is too much, like pepper on eggs I just keep shakin' it on and hoping for the best...
The bar was small, the smallest bar I’d ever sat in, no more
than ten feet by five; and it was completely empty, just myself and the young
bartender who kept calling me ‘brother’. The pitiful cocoa-stain moustache and
open shirt said lousy hippie, but the bourbon bottle in his hand said ‘come in
and sit right here’. We had been talking about bowling while a saxophone as
smooth as liquid chocolate coiled itself around us, smoke hung thick, like how
water would look in space, so heavy you could reach out and grab the stuff.
That relaxed, drawling voice reverberates over my ears, ‘I gotta say brother;
you don’t seem the type to roll pins…’ A heavy drag on my panatella and gentle
rising plumes tell him I need a minute to take the atmosphere in. Between the
jukebox, the fine smokes and some of the best drinks I’d had in a while it felt
as if the whole place was oozing over me, wrapping me up in a warm layer of
blue smoke and inexplicable comfort. ‘This next one’ll knock you for six man,
trust me; this is a twelve year old little number that I been savin’ for a long time. You’re about the first cat I
actually wanted to split it for.’
The bourbon looks damn good, dressed up with ice and a fancy
glass; a man of habit like myself always takes it to his nose first. It was
rich earth, soft burned oak and wisps of charcoal around the edges, when it
touched my lips I froze, letting the sensation move over every inch of my
mouth, feeling it slither down my throat and letting the tender flesh come
alive and crackle with the growing flames. The bartender simply watches in
silence as I sit there, motionless and unreachable. When the glass was finally
laid down on the bar, I couldn’t help but let myself smile with satisfaction.
He stubs his cigarette out triumphantly and shoots me a cocky half-grin,
‘Brother, I have waited years for a
cat to enjoy his drink that much, a true appreciator… I love it!’ He poured
himself a glass and contrary to his age, took all due time and care to
appreciate his drink, a small part of my brain shuddered with horror thinking
he was going to empty his glass without a care. In my eyes, the boy has done
good.
He lit another cigarette and closed his eyes with the same sensory
overload this bar cast on me, the music slowed down and brought us smoothly
into a hazy lull, and neither of us could work up the strength or determination
to say anything. Muscles relaxed, bones ceased their aching and the pressure
was taken away from behind my eyes. Coming down from this was not going to
happen anytime soon, but we had to talk business at some point. He pulled a
stool from under the bar to sit opposite me, for the next few minutes it was
nothing but the sweet kiss of perfectly aged alcohol, masked by ever-changing
clouds of smoke, looking as tangible as the wax blobs floating in a lava lamp.
‘Listen man, my old man needs you to find a cassette tape.’ He doesn’t finish,
just let’s the words sit there as if they were explanation enough. ‘So it’s
here? In the district?’ I listened to the sound of my own voice, made heavy and
deep with years of tobacco, and cracking with age and bad health. ‘Come to
think of it, there anything else you can tell me? How the hell will I know what
I’m looking for?’ the kid bartender smiles again, as if I was asking the
dumbest question someone in my line of work could ask. ‘How many cassette
players are there gonna be here? Just listen to the tape, there ain’t gonna be
disco on it.’ He was right, cassettes were damned expensive, and I sure as hell
wasn’t going to dish out for one. But it was a big area to search, and the kid
wasn’t told an awful lot by his ‘old man’. ‘Old man says that Nikola apartments
on East 57th are your best bet.’
That was fine, I’d gotten things
done with less information, it’d have to do for now. I reached into my withered
sports jacket for a black leather wallet, faded to a sort of dull grey over
years of long service. ‘Put it away man, I couldn’t spoil that bourbon by
chargin’ you for it, it’s on me brother. If you need another, I’m here all
night and the bottle’s open, man.’ He looked completely sincere, almost puppy
dog-esque with his big, dumb eyes and amiable smile. I didn’t let it bother me
any, dismissing him with a generic ‘I might be back for that drink.’
I stepped
outside to look for a phone box, finding an ambitiously graffiti-laden cubicle,
the obscene bright lights casting shades of purple light out through the thin
glass. At least the kids were taking the time to hand paint their mess, maybe
it wasn’t too bad. I climbed into the narrow enclosure and locked myself inside
securely, leaning against the wall with the phone to my right. I took the
receiver and placed a call to my office.
An unbearably sexual, husked and sultry voice trickled down the line
softer than anything to be found in the bar; ‘Shifting Sand Enterprises,
Michelle speaking.’ She was far too young for a half boxed old man like me, and
we both knew that, but that didn’t stop us dropping lines like Bogie and Bacall
whenever the opportunity arose. ‘I’m taking in the atmosphere in a cosy little
place in Logan Square,
I was just wondering whether you might’ve cared to join me.’ Michelle just
whispered a sort of low, smoothly humming laughter as she exhaled, I could
almost taste the cigarette smoke and the perfume coming through the receiver.
‘Sweetheart, you’re going to make a bad girl out of me yet, aren’t you?’ The
thought alone was enough… ‘Another time then, I suppose today I’m business. The
kid said I had to pickup a cassette in some ruskie projects on East 57th.’
She gave it a second or two, but didn’t have to think about where I was talking
about for a second, she knew damn near everyone in Chicago, and that’s why she’d kept the job of
the Boss’ personal receptionist for seven long years, instead of being thrown
back into the pool after six months like every other. ‘I have an aunt living
there, and they’re Polish-Americans, been here a long, long time. I’ll ask her
to put you up for the night; you won’t have to tell a soul why.’ I suppose that
blonde wasn’t bottle after all… I might’ve lost a bet on that one…
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Written by Mr_E_Writer (225 comments posted) 11th June 2008 | Testing the water for what, I wonder? To see if you get reviews? To see if you get nice reviews? To see if you get honest reviews? It seems reasonably well written, but do yourself a favour and break up the text; paragraphs, a new line when the speaker changes, etc. I'll come back and read it all when it's easier to read, Eric. | Written by obsidian_amethyst (47 comments posted) 11th June 2008 | Very good imagery but I think you keep switching tenses, '...he pours himself...he lit another cigarette.' To be honest if you are expecting floods of reviews - don't. On this site you are not necessarily going to get many reviews on your first piece. People like it if you review theirs too, its a two-way system. Anyway, the story flows and you provide in-depth characters. To improve, lengthen the story or add more drama induce readers to read on. OA | Written by Josie (2847 comments posted) 11th June 2008 | | Hello newcomer. We all had to test the water at one time or another. I tested mine for the first time in a classroom of 35 children. Luckily I passed the test with flying colours, and i would say you have also. You carry the reader along very well with your story. I do think that some of your metaphors were a bit "over the top". eg: "like how water would look in space " etc. I agree with Eric above, that you need to break this up into clearly defined paragraphs as the atmosphere of the smoke and drink can go on and on too much and roll over the underlying story. Although you are British, I see you have put some Americanisms into this to take us to the place: eg "gotten" etc. Sometimes I feel that you use a comma when you need a break and to start a new sentence. Only little things. You did well. Now get round and do some reviewing in different areas as well. | Written by Bottleblondesurfer (3590 comments posted) 11th June 2008 | This was quite entertaining in a sub- Chandler sort of way and you just about got away with it, though unlike Josie I thought your metaphors were a bit too tame. This type of genre rquires really colourful and descriptive ones. My favourite Chandler one :- She was the kind of blonde to make a bishop kick a hole in a stained glass window That's the standard you need to be aiming for I did think there was too much scene setting and not enough plot. You have the descriptive skills but it is not enough on its own; you need to layer in the plot as you go A tad derivative but still a very good read jane | P.S Written by Bottleblondesurfer (3590 comments posted) 11th June 2008 | Please, please,please break this up into small paragraphs. I was straining to read it after a while.Make it easy for us if you want it read Ta | Thanks all Written by rickxvi (24 comments posted) 11th June 2008 | | First, I'd like to say thanks to all of you for taking the time to review, it's great to get feedback in a field I've never stepped into before. It's true: I did want it to be as derivative and over the top as possible, If I decide to do later chapters, you'll see plot come blasting out like A-Team gunfights: Noone'll get hurt, but you'll all be confused and slightly grazed. | Written by Livinginanattic (473 comments posted) 12th June 2008 | I tried to read this earlier and ended up feeling totally confused. It's a lot better now you've broken it up into paragraphs. However you still need a new paragraph each time the speaker changes. You've given a great description of the atmosphere in the bar but as has been said, this could do with a bit more plot - or at least a few hints at what is to come. In general this flowed well and I enjoyed the read. Cheers, Ben | Written by chrismorton (65 comments posted) 2nd July 2008 | I think the plot is good so far, as are the characters. The idea is a good one too. It needs more work of course, especially with the use of tenses. I think if you want any advice (which I hate to give but I'm going to start trying to review others' work more) then I'd say that you really have to make this your own. This is your story, your style and the voice is that of a character that you are creating. Being influenced by pulp detective fiction and ultimately by Chandler is fine but I think that literally trying to copy Marlowe's dialogue is not going to bennefit the story.
| Written by JDKennedy (9 comments posted) 27th November 2008 | The only two detrimental things thaat stand out here is the paragraphing, and the fact that 'Noir' can come across as comedy, albeit unintentionally. Think 'Sin City', or 'Bladerunner' with Harrison Fords inner monologue (in the original versions). Of course paragraphing can be corrected no problem at all, it's really just the speech that should be broken up. And you say it was your intention to make it OTT, so I can't really criticise that. Hope you got a better feel fot the water after taking a test dip |
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