You can hear me "Can you hear me?" Voices in my head. Voices in my head. A corkscrew would get them out. 3.15 a.m. the alarm.3 nights in a row.Yesterday, the day before, and now - today. I set it for 7.45.You give it me 3.15. "Yes, I hear you. What do you want?" "Look out of the window?" That pavement down there -three storeys down, it looks hard and cold. I'd laugh if I bounced, or if it was soft and embraced me like a feathered mattress. You'd feel stupid then - wouldn't you? You're buried there. Don't give me that. I don't believe you. "Why not? It's possible." I'm going back to bed, leave me alone. All right, not bed then, but I will make myself a drink and you and me, well, we'll have this out. "One time and one time only. What do you say?" "So who are you? Have you a name? Do I know you? Have I wronged you? Do I owe you? When I need you to talk to me, you don't , -... do you?" OK, I'll be quiet. And wait. "Your name is Alice, well, that's a start." Anything more to say, sorry, I'll shut up."You live here - no you don't, mate.You might think you do but you don't" "Alice girl or Alice bloke? - like that rock singer.You don't know what I'm talking about. Well, you wouldn't, would you?So Alice, what gives? why 3.15.a.m. -that alarm?" Because you can. "It's not funny Alice. You try getting up for work when you can't even get out of your pyjamas, your car window shows you vectors, not streetlamps. And I'm that dog tired I make mistakes in my job." "Have you a message for me? Or a warning? Have you got a message that you need to give me that I have to give to somebody else? Why are you here? Have you a purpose? Once it's done, will you go away? Will you leave me alone, will you leave me in peace?" "That's not fair Alice, I don't mind helping you if you don't mind helping me. Put yourself in my shoes. Forget I said that. It was stupid." So you're not going anywhere. "So how does this end Alice?" You don't know. It's up to me-you say. If I go through the pavement I might join you in your grave "Is that it? Would that make you happy? Is that what you want?" "Waste of a life." "Do you mean yours or mine?" That window opened easy. It's not like in the movies. In the movies when people throw themselves out of the window, well, they just throw themselves out of the window. But in real life, " Yes, real life Alice, you have to get up on to the inner windowsill, scrunch down, stretch your legs and your bottom over the outer, hunker down and get your legs to dangle." "Catch me Alice, I'm coming." |
Hear me Written by Alice (64 comments posted) 14th December 2005 | Hi Kev, This is a good story and a good idea. This re-write is much better, but there are still a couple of points where I think it might yet be improved. O.k. First of all, not sure of who’s talking in the opening sequence. Obviously the character is confused, which is fine. However, as a narrator, you should be able to give more clarity. The first three lines, I wouldn’t have them broken up. So that the reader is wondering why the ‘voices in the head.’ Also, ‘a corkscrew would get them out.’? ; perhaps, a corkscrew could not/couldn’t twist – i.e., an action to do with the corkscrew. Secondly, I would write numbers in longhand, i.e., three fifteen, the alarm. The rest of the story is really good. I like the way it keeps the reader wondering. Is this all happening in the character’s head, or is he actually going to jump. The parallel between the internal and external is something worthy of much consideration. Thought provoking. Alice
| thanks alice Written by kevinrobson73 (371 comments posted) 15th December 2005 | | much appreciated | Written by jean.day (2283 comments posted) 20th December 2005 | | I like the idea of using a corkscrew to get voices out of one's head. I've read it several times and I read it on the first edition too. It certainly conveys mental confusion and frustration and depression. I guess I have to admit I find it unnerving. | Hi, Kev! Written by Bagheera (683 comments posted) 21st December 2005 | Can't let this one pass, although I've got the Sandy Powell monologue "Can you hear me, mother?" (c.1954+/-) running through my head! I think many more people than you'd credit have thoughts about "ending it all" at least once or twice, usually as an instinctive over-reaction to a setback of a [relatively] minor nature!!! You leave it open-ended: does the protagonist jump - or not? Perfect ending! |
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