I am not sure whether the characters are vivid enough. And also as to how it works as a story.
Any feedbacks will be greatly appreciated.
Tim’s
facing the window, the curtains are drawn apart. It’s open. Someone starts to
mow their lawn. The constant humming noise distracts him. He pushes his chair
back and gets up to see where the sound is coming from. He sees a guy in a
dirty t-shirt, shorts, dark shades and a cap mowing the lawn of Glenn Crow, his
squash partner. His house is to his left. His neck starts aching, so he closes the
window and positions himself on his chair, his right leg folded under his left,
his slippers resting on one side of his chair. He's still in his night gown
and has his socks on. “Asshole,” he mutters to himself. He begins to type
again.
Laura
knocks at the door. Tim had given her instructions to make sure no one disturbed
him, including her, till he’s done with his article on the situation in Burma. He pokes his fingertips onto his
face and drags them all the way down.
“I cut
myself,” Laura says from outside in a child-like voice, which she used when she
wanted to sound cute. Tim thought she did that to gain attention. He grits his
teeth and lets out a silent scream.
“Apply
some antiseptic and put a band-aid,” He says without getting up.
“Won’t you
even have a look?” she says, frowning.
He shuts
his eyes tightly and bites on his knuckles. He opens the door and goes back to
his chair. She comes in after him and stands behind him. She clears her throat,
but Tim doesn’t look. She clears her throat again, louder this time, and Tim
says “What?” He continues to type.
She makes
a baby face and says, “I cut myself, see.” Tim takes a deep breath, turns around
and smiles.
“Honey, how
many times have I told you to be careful?”
“I was
cutting beans and some onions to make soup for both of us. The knife slipped
and I cut my finger,” she says and offers her thumb for inspection.
“Aww,” Tim
frowns. “You’ll be alright sweetheart. Just apply some Soframycin. That’ll take care of it.”
“Will you
get it for me sweetie?” She asks. Her thumb is standing upright, while the rest
of her fingers are curled up.
“Of course.”
As Tim
leaves, she looks at her thumb, brings it close to her mouth and blows on it.
Tim shuts the door behind him and stands against the wall. His face looks like
he’s about to cry. He turns around and pretends to bang his head against the
wall. He comes back with the first-aid box and hands it to her. She looks at
him and blinks several times. She pouts.
“Why not
honey? Why not?” Tim says and sits down next to her. He applies some Soframycin, rolls a bit of bandage around
her finger, and ties the ends.
“There. Don’t
worry. Your thumb will be as good as new.” He smiles and sits on his chair. She
lays the box on the floor and lies on the bed, on her back. She starts to hum
the song they danced to on their wedding day. “…and words are all I have to take your heart away.” She looks up
from her position, smiling, but Tim’s busy typing. He hits the keys harder for
her to get the hint.
“What’re
you writing about?” she asks, yawning, which she always ended with a yodeling sound.
Tim rubs
the sides of his temple.
“Umm,
about the cyclone in Burma. It’s really bad out there. People
are struggling to find food and shelter. Everything is ruined.”
“How long
do you think it’ll take my thumb to heal?” She looks at the ceiling and follows
the contours, before fixing her eyes on the walls. She holds some of her hair
between two fingers and examines the split ends. She makes a face.
“But the
political situation is such that they still haven’t accepted the offer of
assistance from our Government. It’s ridiculous,” Tim continues. He turns his
chair slightly, to his left and looks at his collection of dvd’s stacked neatly
in alphabetical order on the small wooden cabinet. Some days when he had to
work late, he slept in this room. It had a small fridge, a single bed and a
punching bag that hung from the ceiling at the far end of the room.
“A week?”
She says, now looking at the nail polish on her fingers.
“I mean,
think about it. Their economy is nothing to boast about, their social...”
“Here I’m
in pain, and you can’t stop ranting about the social, economical, and political
state of Burma. Who cares about Burma anyway? Stupid name, stupid place.”
“Unbelievable,”
he says and gives a wry smile.
“Why? A
week is all this should take to heal.” She moves her bandaged thumb and says,
“Ouch.”
He looks
at her, while she starts to sing another song. She was far from how she looked
when he’d first met her. Gone were the pretty skirts and evening dresses.
Presently, she wore ankle length, shapeless gowns - the kinds they give to
patients in hospitals. She has her hair into a loose bun. Without make-up, her
face looks puffed-up and her eyes have bulging bags under them. He couldn’t
figure how or when she gained so much weight. The one time he’d spoken about
separating, she’d popped in a dozen sleeping pills, and had to be admitted. When
he told her he was having an affair, she’d said, “Can I see her picture?” She
always insisted on seeing photos of people he spoke about, including his parents,
his sisters, and his friends. “I like to give a face to the people you like to
talk about,” she said, when he’d asked her why. “She’s pretty,” she’d said.
He puts
his hand over his mouth. “Will you please stop singing, love?” He says in a low
voice.
“Why do
you think we’re like this, Tim?” She says, sitting up, staring at him.
Tim swings
around his chair to face her. “I don’t know Laura. I really don’t. “
“When do
you think you stopped loving me?”
“Laura.”
“No, tell
me. I want to know.”
“I don’t
have an answer for that either.”
Without
another word, she walks over to the kitchen and comes back with a gash in the
other thumb. “Tim, I cut myself again.”
“Sit down,
honey. Let me bandage it for you.” Neil turns his computer off and sits next to
her with the bandage in his hand.
“Blow on
it. I’ll feel fine if you’ll blow on it,” she says. He sits quietly. She rests
her head on his lap, and moves her thumbs, like puppets and speaks in different
voices.
“Honey,
you’ve got to stop this,” he says.
“Stop what?”
“Nothing.”
|
Written by Turquoise-Tangerine (95 comments posted) 19th July 2008 |
I didn't get very far with this, another case of being told a scene rather than being shown one. Tim’s facing the window. The curtains are drawn apart. It’s open. Someone starts to mow their lawn. Etcetera Question: If Tim 'IS' facing the window, then presumably he 'IS' still in his night gown? ("He was still in his night gown). Question: If Laura 'says', then surely Tim mutters? (“Asshole,” he muttered). Question: If Tim 'HAD' given instructions, then should not the instruction be that no one 'disturbed' (or disturb) him? (Tim had given her instructions to make sure no one disturbs him). Etcetera. Cheers, Turk. |
Written by Bottleblondesurfer (3362 comments posted) 19th July 2008 |
In answer to your question- the characters were vivid all right but at the expense of depth. They seemed very two dimensional. They weren't fleshed out.The girl was self centred, selfish and disturbingly immature with no redeeming qualities at all. I think you hint that she may be psychotic with the incident with the sleeping pills. The man was obviously clever with a social conscience but allowed himself to be totally manipulated by the girl, so his character was confusing. The admission of the affair showed his lack of commitment. I got the feeling you weren't sure of him either as his name his name changed from Tim to Neil. I couldn't help wondering how on earth those two got together in the first place. They have nothing in common. I thought it was written in your usual pacy and readable style but I was left wondering why you were telling us about these two. Just a reaction jane |
Written by TwistedTales (548 comments posted) 19th July 2008 |
Turq, thanks for your back-feed, I mean feedback. Pray tell me, how does his facing the window, imply that he's in his night gown? And in response to your comment on being told, well, his facing the window and the curtains being drawn apart aren't the things that shape this story. It's only there to give a sense of the setting. And if I go about showing every little thing, then hell, it's gonna be one longggggggggg story. Laura says, Tim mutters - what does that point even mean? His reaction is to the person mowing the lawn. The third point is fine. Jane - I was going for her being psychotic, and how she is clinging on to Tim. He cheats because he just couldn't take it, being around her that is, but if he threatens to leave, she'll probably kill herself. Sorry about the slip in names. About them getting together, I guess, it kind of happens all the time, even people who have things in common, end up getting divorced. Some realize after years of being together, they have nothing in common. About them not being fleshed out properly, yes, I agree, that needs more work. Thanks for your feedback Jane. Regards, TT |
Written by stevetroster (1549 comments posted) 19th July 2008 |
I think that Mr Tangerine might be trying to highlight a possible tense issue with your story. Is (present tense) - Was (past tense). Says (present tense) - Muttered (past tense). It’s all fairly basic stuff. Best wishes, Steve. |
Written by TwistedTales (548 comments posted) 19th July 2008 |
| Got it. Apologies. |
Written by Nick (146 comments posted) 20th July 2008 |
Hey TT, your Laura character is certainly vivid and most definitely vile. As for Tim, I sympathized with him, if only cause he seem so bored with his situation. With a bit of fleshing out this could be an interesting piece. I would like to know what Tim does about his life - can he dump her, will she actually kill herself or is it just for attention (as implied by the sleeping pills incident). Nick |
Written by Emmuttmax (174 comments posted) 20th July 2008 |
TT, again you have problems with tense. You often try to write in the present, and it often fails, because you revert to past often. When writing in the present tense, stories seem to take on the feeling of a television script and miss the language needed to sustain interest in a piece written for the imagination. If you work on your descriptions of people and places, I think it would add depth and body to your tales. The past tense makes for a better way to tell a story. |
Written by bluecity (377 comments posted) 20th July 2008 |
This was an interesting story which held my attention throughout. Your characters WERE vivid. She was selfish, self-centred and manipulative and had mental problems. He was a frustrated writer. You described very well the frustration writers feel when they continually have their train of thought disturbed for them and are not allowed to concentrate. It's my pet hate! I don't have any problems about how the two got together. She used to be pretty. He probably fell for her looks, and she clung on to whatever she could get. But, as Jane says, you need to flesh out the pair of them. A bit of history would help, or perhaps you could add a few more character traits. Maybe, she watched television obsessively or was running up credit card bills by shopping excessively. Maybe, he was the sort of journalist who got fixated on particular issues. He didn't need to have an affair. I think it would have suited his character better to make him the long-suffering husband. I agree with you on show and tell. Yes, show as much as possible, but it's not always possible. I am screaming with frustration at mindless and meaningless criticism. Or maybe I should write that as "A high-pitched, deafening noise emanated from her voice, as she opened her email box and read the words in front of her, which were less than complimentary." Which do you prefer? Back to your story, sort out the tenses, probably get rid of the squash-partner at the beginning and the affair... then you have the germ of a really good story. I'm looking forward to the re-write. Rosemary |
Written by mia_ms_kim (1019 comments posted) 20th July 2008 |
Hi TT, I understood this piece very well because I've had help out a guy in a simlar sort of situation with a girlfriend. (In the end it took both families and a team of experts to help him leave her and to sort out the guilt/fear issues, and to have the girl receive ongoing professional help. So I have some idea just how serious such a situation is.) I could understand the MC's despair etc etc. I didn't find the beginning paragraph very readable even though I think I understand why you wrote it. I, too, like beginning with a deep pov of my MC in contemplation in a similar fashion. But I find that such a beginning (or middle or end) often does not grip readers' attention, because it may be relavent to the writer, but not to the reader. So I've generally abandoned such scenes, particularly after an agent bitterly complained of such scenes in romance novels!! Anyway, after the 1st paragraph I had no problem reading through this piece. I was interested in finding out what was going on with the two characters. I think I found it a little depressing and hopeless to enjoy the piece. I personally want to have my faith in humanity intact or redeemed even when I read dark pieces. But that's my personal thing. I wondered if you made the characters a little more complex while still avoiding the sentimental, the piece might work better. I found the girl's character a little too one-dimensional with no redemptive qualities, therefore slightly less real. I felt she fell into the category of evil rather than mentally ill because she didn't seem at all vulnerable. But I still found the piece quite readable. Mia |
Written by TwistedTales (548 comments posted) 21st July 2008 |
Thanks nick, max, rosemary and mia, nick - Thanks for your feedback. Well, I left the end open purposely. I'll try and rewrite this. max - I'll think about what you've said about the use of tenses. Thanks for that. rosemary - Yes, i prefer the "A high-pitched...complimentary"...adds more drama, don't you think? I appreciate your feedback. Yup, i'll look over this again and sort out issues. mia - thanks so much for your comments. It sure needs work, the piece that is. Thanks again. Regards, TT |
Written by TallulahBelle (13 comments posted) 23rd July 2008 |
Hi TT, I liked this idea, the couple unhappily intertwined, especially the very powerful way you ended it. The challenge and his wife's inability to meet that challenge. His inability to leave her. I think it could use a bit of editing; some sections didn't flow as well as others for me, eg, why does he only pretend to bang his head when no-one is watching? Re the plotline, we see why he is unhappy - his wife has deteriorated to a self-harming depressive - but why is she unhappy? It might be interesting to work that in, perhaps the affair could have been a trigger rather than a symptom of their mutual misery? Overall, a very intriguing read, thanks for sharing! Omma |
Written by TwistedTales (548 comments posted) 23rd July 2008 |
Thanks TB. He pretends because he doesn't really want to bang his head, just feels like it. I'll try and work your idea into this. Thanks again for your feedback. Regards, TT |
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