Great Writing - Home > Poetry > At the Clinic
READING ROOM
Great Writing - Home
Read and review others' work
Articles on writing
Advice from the community
COMMUNITY
Talk to others in the forums
Events and Competitions
GW News
ABOUT GREAT WRITING
All About Us
Contact Us
WORK AWAITING REVIEW
GW IS...
Great Writing creative writing community is designed to prompt ideas and provide inspiration and motivation within aspiring and amateur authors. Whatever your topic; from love poetry to Doctor Who or Harry Potter fan fiction, Great Writing's online writing group is where you can make new friends and improve your creative writing.
WHO'S ONLINE
We have 895 guests online and 7 members online
Poetry
At the Clinic
By Veronica_Milvus
25 July 2008
Sadly, this is an absolutely true story.

AT THE CLINIC.

 

The separating chasm is made up

of scruffy carpet tiles that stretch away

between our bank of plastic chairs

and theirs.  Along our row

sit silent couples, all tight-lipped

and mostly hand in white, clench-knuckled hand;

and me.  The seat here next to me is empty.

How hard these shiny plastic chairs can feel,

bolted to their metal tethering bar.

There is no moving them.

 

Across the way

big-bellied women chat, read magazines

shift their weight on buckling rows of chairs

the same as ours, but many worlds away.

Between their feet, their toddlers roll and crawl

and haul themselves upright with sticky hands.

The mothers glance at us and maybe wonder

what we are “in” for, trying not to stare.

A staff nurse rustles down the great divide

bearing a wire tray of vaginal specula.

 

What casual cruelty is this;

while I can’t bear to look at pregnant friends

to face these ripening ranks across the way?

Which sadistic manager decreed

that we, the barren ones, would share

this space, with happy, gravid girls

and their burgeoning offspring?

 

I move, uncomfortably, in my seat

waiting for my turn to be called in

to lie back on the paper-covered couch

to be told “relax, and drop your knees”.

And I wonder, how the bloody hospital

could make these chairs so very hard to sit on.

Reviews

Written by Brett (1002 comments posted) 25th July 2008
A very moving piece, Veronica. There are some very powerful lines here; 'the seat here next to me is empty' really hit me. The cool alliteration of 'casual cruelty' enforces the image, and those two closing lines ( almost a throw away observation) are more powerful than a dozen stanzas describing the wait. Wonderful, but uncomfortable. 
Cheers
This reads . . .
Written by Katanga (1537 comments posted) 25th July 2008
. . . like a totally real experience. Yes, very strong and very moving. 
 
I am deeply impressed, and need, and will, revisit. 
 
First thoughts: 'gravid' - did you coin it? I was ignorant with 'inflorescence', but 'gravid'? 
 
I think you've just coined a brilliancy! 
 
And 'Which sadistic manager decreed . . .' seems to me a clear allusion to 'the problem of pain' - unless I'm wrong V? Please correct me if so! 
 
And the final lines? Bathos eat your heart out! 
 
Just brilliant! 
 
Cheers! 
 
As ever . . . John XXX

Written by Veronica_Milvus (768 comments posted) 25th July 2008
"Gravid" is a real word, Katie. It just means pregnant. I am no coiner of new words. 
 
And if you mean CS Lewis's "The Problem of Pain", no I had never heard of it until I googled the phrase just now. 
 
And, thanks, Brett, as ever you have picked out the line I started with, the "casual cruelty" line. And the seat next to me being empty was part of the reason this was such a difficult experience. 
 
Fuck you, Wexham Park Hospital, for putting grieving people through this.
Extremely strong
Written by patterjack (1435 comments posted) 25th July 2008
The almost casual observations of the surrounds ,precise pictures leaving much else to the reader's imagination , bring about a deeper involvement in him/her than would long lines of emotional verbiage. 
 
No narrative is needed -- the story is both implicit and intrinsic ,  
 
casual cruelty links strongly withthere is no moving them 
 
I choose that as one of the many interconnectednesses of the physical and the mental/emotional -- not immediately obvious but all contributing to the skeletal strength of the work .  
 
I also note the relationship to past poems , and , alas , feel the bitterness growing . 
 
patterjack

Written by Phil (7007 comments posted) 27th July 2008
Graphic without being so - and powerful for it. There are many emotions tied up in this that are alluded to that I wouldn't dare to try to unravel. 
 
The common and careless practices - casual cruelty - only serve to heighten the feelings. 
 
Phil
lost for words
Written by fellpony (1752 comments posted) 27th July 2008
as everything has been said that I might have added. Very powerful, all the more so for avoiding the obvious. And also very sad.

Written by Veronica_Milvus (768 comments posted) 27th July 2008
Thanks, all. I got something out of my system when I wrote this, and having written it, I can testify that poetry is a very succinct way of transferring one's emotions to somebody else. It is easier to share this poem than to have a de novo conversation on the subject on what it feels like to be infertile. Answering people's questions is so bloody tiring. 
 
There may be some more on this subject at a later date. 
 
V

Written by NathanRoberts (277 comments posted) 29th July 2008
There are several things that strike me as special about this poem (I'm restating much of what has already been said, but there you go).  
 
Firstly, it's restraint. The emotion is carried implicitly in the build up of relatively objective, simple details, with the occasional phrase: 'seperating chasm' 'casual cruelty' 'sadistic manager' 'the bloody hospital', piercing the almost calm, controlled approach with subjective pain and anger. 
 
There's also restraint in it's choice of language and style. With too many attempts at 'poetic' flourishes, the whole thing would have fallen down. Instead it ops for a more subtle lyricism and rhythm.  
 
A simple, objective phrase such as :'The seat here next to me is empty.' carries far more emotional power than a 100 word emotional barrage.  
 
Secondly, the reason phrases like the one above can carry such weight is because the scene is so well set. Again, it's the simple images that build the scene effectively - the plastic chairs bolted and tethered (a perfect example of showing not telling); the brutal, dehumanising reality of 'a wire tray of vaginal specula'. 
 
Thirdly, but as importantly, it's music. The rhythm scans perfectly, the alliteration is well balanced and effective, and the internal rhyme/sound echoes are subtle and well placed. 
 
Philip Larkin said that poetry is bound up with giving pleasure. I think that's true, but it's possibly deceptive. When we think of pleasure, we often think - 'lighthearted', 'cheery', 'happy', but there is also a deeper, more subtle pleasure in opening ourselves to all aspects of life and what it means to be alive, including the 'darker' aspects - the ones we often find hard to approach in 'normal' conversation. 
 
 
 
 
 

Written by briarcroft (38 comments posted) 4th August 2008
I've sat on those hard chairs, experienced the resentment of the 'big bellied' sitting across from me, and as a physician myself, I delivered their babies and handed them to mothers who had never wanted them in the first place. 
 
I hope for you the happy ending we had--no fertility remedy to be found, but years later, three children of our own, through no intervention whatsoever. Nature is strange business sometime. 
 
You have written this brilliantly.

   Only registered users can rate and write comments.
   Please login or register.

Powered by AkoComment 2.0!

 Previous item   Next item