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Drama Scripts
We Three - Act 1, scene 4
By jean.day
03 August 2008
CHAPTER 4 SEPTEMBER 1856 - LINDSAY’S WEDDING

Act 1, scene 4

Date: September 15, 1856

Place: St. George's Hall, Liverpool, for the reception for the wedding of Emily Herrmann to Lindsay Hall

Time: Just after the meal, when the speeches are about to start.

Those Present sitting at the Head Table:
Lindsay and Emily Hall
Charles Walker, best man
Robert and Mary Hall
Alison Hall
Jakob and Anna Herrmann and their children:
Verena Hermann, aged 22, bridesmaid
Josephine, aged 18, another bridesmaid
Charley, aged 19
Mary, aged 17
William Boxwell, engaged to Mary, planning to be wed in 1859
Teresa, aged 22
Leonhard, aged 15
William, aged 12
Anna, aged 11
Fredrick, aged 10
John, aged 9
Edward, aged 8
Herbert, aged 6
Ada and Alphonse, aged 4
Minister: JH Jones
Ms. Emelia Barrington, Anna Herrmann’s mother

Other guests, who we don’t see on stage:

Music related friends of Mr. Herrmann
 
As the curtain rises, there is the noise of a large party having a good time, laughing, knocking of crockery and silverware, general chatter.

Charles Walker: (knocking his glass with his knife to get everyone’s attention) Pray silence. (a pause as the noise grows less). I will now ask Rev. John Herbert Jones to give thanks for our splendid repast.


Rev. Jones (standing) Will everyone bow their heads. Thank you, Lord, for this meal which we have just partaken with our good friends here present, and may we ask your blessing on this newly married couple, Mr. and Mrs. Lindsay Hall. Through Christ our Lord, Amen.

All: Amen.

Charles Walker: Now, I wish to call on Mr. Jakob Zeugheer Herrmann, our host.

Jakob: Thank you Charles. And thank you all for coming. You have come to witness this wonderful union of our beautiful daughter, Emily to this fine man, Lindsay Hall. We welcome him, and his brother, Robert, who as you know was married to the former Mary Holt just this last summer, and sister Alison, into our family. And as you can see, it is a very large family - 15 children. And we aren’t even Roman Catholics. (nervous giggle) and you cannot tell, we might yet have more. (nervous giggle)

Anna: Please, Jacob, I am 44. I am tired. I think I have done enough. (loud laughter)

Jakob: Well, we shall see. Anyway, it is our eldest child, Emily who we are honouring here today. But before I tell you a bit about what she was like as a child, growing up in our rather unusual household, I would like to thank especially those of you who have made an effort to be here today, and have you stand and take a bow.

First, I want to introduce Mr. William Sudlow who is a wonderful organist as well as being my good friend. (Polite applause) And then I would also like to welcome and thank for their presence here today, various members of the orchestra, who will be playing for the dance we will be having after the speeches. May I introduce, George Day, H F Aldridge, and Monsieur Prosper Sainton, all violinists. (pause as they stand as a group - off stage -and then there is polite applause.)

My birth family is represented here today by my cousin, Charles Herrmann, who is also a Professor of Music. (polite applause). As you all know, I come from Zurich in Switzerland, and I left there in 1827 and my friend Felix Mendelssohn, he told me, “Jakob, you take your music to England. People there will appreciate you, as they don’t have nearly so many good musicians of their own.” (laughter). And so we came, my friends and, I playing in our quartet all around the place - and finally we spent some time in Ireland, and that is where I met and fell in love with my beautiful Anna. And she kindly agreed to marry me, and we moved to this gracious city of Liverpool in 1831.

Emily, was born in 1833, and as you can see, she wasn’t an only child for long. (more laughter). But she was always the kind, thoughtful, wonderful, older sister to all. And such a help to her mother. I don’t know how we will manage without her. (laughter) Oh, but I do see a few others here who might be able to take her place for awhile. Ah, but I must tell you, we will be having another wedding before long. I would like to introduce to you now, Mr. William Boxwell, who has asked my daughter Mary for her hand - and I have agreed (polite applause) although she will have to wait until she is a few years older yet. We still have use to make of her. (laughter)

I have known and come to respect Lindsay since Emily brought him to our house to meet us some two years ago, just before his father’s sad demise. He is a very astute businessman and I am sure he will rightly follow in his father’s footsteps and make wise decisions for the business community of Liverpool, and make lots of money as well. (laughter). He has even become musical, since meeting us, and not only has he learned German, so as to be able to converse with me in my native tongue, but he has learned to play the piano, and I must admit he has made a good job of it. However, I won’t be asking him to give up his present job to join us in the orchestra just yet. (laughter)

Lindsay and Emily will be setting up house at Garston and I know they will welcome you into their home, as you have always been welcome in ours over the years. Please charge your glasses, and be upstanding. I give you, Mr. and Mrs. Lindsay Hall.

All: (standing and raising their glasses) Mr. and Mrs. Lindsay Hall

Charles: Thank you very much Mr. Herrmann. And we all thank you for your kind hospitality for this sumptuous meal. (applause). And we very much look forward to hearing the orchestra members who will be playing for us later. (applause)
As best man, it is my duty to tell you a few stories about Lindsay. I have known him since 1845 when WE THREE, Lindsay, Charley Cox and myself, came at the age of 15, to be apprenticed to my uncle, Mr. Edward Cox, in order to learn to be businessmen. Lindsay’s older brother, Robert, was just finishing off with us, and soon went on to take over his father’s business when he retired. Lindsay was by far the quietest of we three. He was somewhat younger, by a few months anyway, and it was Charley mainly who made the suggestions for our night’s off - which we did occasionally get. But we were inseparable.
We went to the races together, and learned how to bet. We went to the theatre together to improve our minds. We walked the streets and into the country. We discussed books together, and wrote stories. Lindsay, didn’t enjoy that as much as Charley and I did, but he went along with us, because he was our friend. We spent endless time talking about the girls we would like to marry - although when I left Liverpool, nothing firm as yet had been set in stone for any of us.

But it wasn’t long before Charley broke away, and took up with Eliza, now his wife, and then Lindsay felt very alone. But then he met the love of his life, and he was so proud when he introduced Emily to me, a few years ago now, at Mr. Hall’s funeral. She changed his life - and will continue to do so, I am sure. I know that I can only wish the pair of them the very best in life. And now it is my duty and pleasure to offer a toast to the bridesmaids - Verena and Josephine - who are both looking very lovely, and did a sterling job in supporting their sister. I should also like to add that little Ada and Alphonse, as the flower girl and ring bearer, also did the family proud. So will you be upstanding, and raise your glasses to the bridesmaids. (
All at the table stand and raise their glasses)

All: To the bridesmaids.

Charles: I think it is customary to ask the groom to say a few words now. I give you, Mr. Lindsay Hall, the groom. (applause)

Lindsay: Thank you Charles, and thank you Mr. Herrmann

Jakob: Oh, please, call me Papa. (
everyone laughs)

Lindsay: Yes, I will, of course. Thank you Papa Herrmann for your kind wishes, and for your generous meal and party for us. Thank you, Charles, for being my loyal supporter, today, and for the last ten years at least, with your many words of wisdom. And thank you too, to Charley Cox, and his wife Eliza for being here. I have been told by reliable sources that it won’t be long before We Three will mean something completely different to Charley and Eliza. (laughter) Now two of WE THREE, as we call ourselves, are married, so we need to find someone out there for Charles Walker, so we can all be content together as we grow older.

And I especially want to thank you, Papa and Mama Herrmann, for Emily, my beautiful wife, who I promise you I will take care of as you would have me do. You have made her what she is, and that is someone most wonderful and precious to me.

And, Emily and I want to thank you all, friends and family, for being here today to celebrate with us. (applause). And a special thanks to my sister Alison, who has put up with Robert and me for these difficult few years since our father died. She has been our main stay. She will soon be off to Switzerland to live in Montreux, and we shall miss her very much, but also look forward to visiting her for holidays. And while I am on family matters, I would like to say that I only hope that Emily and I can be as happy as my brother Robert and his bride of a few months ago, Mary, are.

But most of all I wish to thank Emily for agreeing to be my wife. Please raise your glasses and toast by beautiful bride. To Emily.(All stand and raise their glasses.)

All: To Emily.

Charles: I think that concludes the speeches. Might I remind you that at 8 p.m. the evening’s activities will recommence with a dance, here in this hall, and you are all very welcome to come and join in the proceedings at that time.

Curtain down
 
 

Reviews

Written by Bottleblondesurfer (3590 comments posted) 3rd August 2008
I thought this was a well staged bit of work, jean. It really felt like we were there at the wedding, especially with all the little asides. According to my book on script writing, scenes where everyone is seated like, meals are very difficult to pull off well because of their static nature, but you managed to keep the narrative going by introducing different speakers so we got different view points,so well done. 
I thought you caught the manner of speaking at these occasions very well- the formality interrupted with attempts at humour. 
I did think some of the longer speeches could have been broken up with comment or observation from someone. It helps to remind us who is speaking, and in life people don't normally get to speak for so long with someone interrupting. Just a small niggle in an otherwise engaging read. You have a good ear for dialogue. 
jane 
Thanks Jane
Written by jean.day (2387 comments posted) 3rd August 2008
I much value your comments, and will think about how I could do what you have suggested.  
 
I was intending to use another speaker with some original poetry - written by one of the daughers - but decided it might come better at a later stage.

Written by Fledermaus (3506 comments posted) 3rd August 2008
For a moment I was afraid that all characters were going to say something, for that would be pretty difficult to read. It's set in your favorite period again, so I do expect to learn something from this play, as by now you're probably an expert on the early 19th century. 
The ceremony sounded very English... Somehow I do have the impression, mainly from films, that English have the habit of embarrassing themselves and their guests at such occasions. :grin

Written by petmarj (110 comments posted) 3rd August 2008
Hello Jean, 
You have tackled a most awkward situation very well. There are so many characters, but it was a clever move to have some of them making speeches. Maybe some of them were too long, yet they carried information about those people who were present.  
Your work for this play is based in the middle of the nineteenth century, and your historical style of writing gives you scope to have your novel tackle many types of incidents of that period.  
I have seen several stage plays and I look forward to your next acts, when your leading characters come more into the open. 
Look forward to reading your future work. 
Many thanks for your reviews of 'Amy'. All your comments have been noted and I have corrected most of the errors. It can only make them better chapters. 
Thanks again, 
Peter. 
Thanks Ron and Peter
Written by jean.day (2387 comments posted) 4th August 2008
I'm glad this act went down well. I decided that the Herrmann's would have wanted to make a big show for their first child to get married - and anyone who has seen St. Geoerge's Hall in Liverpool, will understand how big a show it would have to be to fill that place. It does have its own organ, which made me think it a good idea to have some of the orchestra members playing for a dance.

Written by bluecity (432 comments posted) 30th August 2008
Hello Jean. Another good scene. My husband used to practise the organ in St George's Hall in Liverpool.  
 
A very difficult scene to write, I'm sure (although I've never done scripts). You managed to pack in quite a lot of information about all the characters quite naturally. I'm thinking that wedding speeches often contain potted biographies. 
 
It had a real wedding feel to it. Well done. 
 
Rosemary 
 
Thanks Rosemary
Written by jean.day (2387 comments posted) 31st August 2008
What fun, that your husband should have played the organ at St. Georges. If I get anything really wrong about Liverpool, please let me know - as I have only been there a few times.

Written by coosh (923 comments posted) 13th September 2008
Using these various occasions provides an excellent device for furthering the plot and developing the general and family history, as do the speeches here. You also adopt a scenario with which most readers will be immediately familiar in terms of layout and atmosphere, and thus easy to visualise. As regards their social level, Alison must have been pretty wealthy to live in Montreux.
Thanks David
Written by jean.day (2387 comments posted) 13th September 2008
I think that Alison must have inherited a good bit of money when their father died. She certainly did live in a house near Montreux on her own for the next 35 years.  
 
I did get a bit tired of weddings and funerals by the time I finished this play.

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