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Drama Scripts
We Three - Act 1, scene 6
By jean.day
08 August 2008

CHAPTER 6 - JUST BEFORE
MARY AND CHARLES’ WEDDING
 
Act 1, scene 6
Time: May 24th, 1859

Characters:
Mrs. Eagle
Mary Eagle, dressed in a pale blue dress with white lace overskirt
Elizabeth Eagle, Mary’s sister, aged 18, dressed in pale yellow dress
Mrs. Ann Mayfield
Sophia Haliday, 20, dressed in pale pink dress
Mary Ann Braithwaite, 19, dressed in pale lavender dress

Scene: The Leopard Inn, Mary’s bedroom (only Mary and her mother and Mrs. Mayfield are present at the beginning of the scene. Mary pirouettes in front of a large mirror.)

Mrs. Eagle: (giving her daughter a hug) Oh, Mary, you do look lovely.

Mary: I am so very happy. I thought when Charles asked me to marry him last Christmas that I couldn’t be happier, but I am now.

Mrs. Eagle: Well I won’t pretend that these last few months have been easy, but I now think that Charles has redeemed himself in my eyes, and I know he will make you a good husband, even if he did show very bad judgement some four and a half months ago. But I must admit, it doesn’t show. Not one bit.

Mary: (putting her hands on her abdomen) Are you sure, Mother? This new corset is so loose compared to my usual one, I am feeling quite as if I am spilling over.

Mrs. Mayfield: Now, don’t you even think about it, Mary. You are going to be a very beautiful bride, and nobody is going to say anything or think anything at all to the contrary.

(Elizabeth, her sister enters the room.)

Elizabeth: Oh, Mary, you make such a lovely bride. The dress fits you so well. You look ravishing. And I must say, you look much fuller of figure than I remembered seeing you.

Mary: (blushing and somewhat embarrassed) It is this new corset, I expect, Elizabeth. It sorts of pushes me out in places where before I was held in. (they both giggle) And you look lovely too. When will the others get here?

Elizabeth: Oh, they have already arrived and are waiting downstairs for me to say whether they might come up.

Mrs. Eagle: Yes, of course, dear. Do tell them to come on up. I wonder if the flowers have arrived.

Elizabeth: There is a box in the front hall. I will bring it up and tell the others to come up too. (She goes out, and then comes back a few minutes later carrying a large white box. She is followed by the other bridesmaids, who are dressed identically to her, except for the colour of their dresses.)

Sophia: (going up to the bride and making her twirl) Oh, Mary, you do look lovely, doesn’t she? (She then goes in front of the mirror and pats her hair.)Do you think my hair looks all right? Mother curled it in rags last night, and they were such an effort to sleep on.

Mary: It looks just fine.

Mary Braithwaite: Yes, an innocent blushing bride. And it is a perfect day for you. Warm but not too hot with a pleasant breeze.

Mary: We are very lucky. (looking in the box) Let’s see. There should be lilacs for the bridesmaids’ bouquets, and irises for me and the petals for Eliza to scatter. Yes, they are all here.

(She hands around the various bouquets to Elizabeth, Sophia and Mary Braithwaite.)

Mrs. Mayfield: My little Eliza is so excited to be Flower Girl. I’ve asked Mary Wilson to keep her away from anything that might muss her up. Thank you so much for including her.

Mary: I was pleased to do it. She will have a basket of flower petals, but I thought it best to keep it from her until she is to use it. (Going up to Mrs. Mayfield and giving her a hug) I am very proud to have you as my friend, Mrs. Mayfield. You have done so much for Charles and me. Without you, this wedding might well not be happening.

Mrs. Mayfield: I had faith in Charles coming through.

Mary: I wonder how Charles is getting on.

Mrs. Eagle: Well, his father will be seeing to him, and making sure he gets to the church on time. And his good friends Charley Cox and Lindsay Hall should be meeting up with him at All Saints before the ceremony.

Mary: I can’t believe this is all happening. It still seems like a dream.

Mrs. Eagle. Well, I think it is about time we went downstairs. I’ll call your father, dear, and we must wait until the others have entered the church and sat down. Then you can process with him, and your entourage. Remember Eliza goes first, strewing her lilac petals down the path and into the street.

Elizabeth: I so hope nobody trips up on the cobbles.

Mrs. Mayfield: You will all be fine. Don’t you look lovely, all of you? (turning back to Mary) And where did you say you were going on your honeymoon, Mary?

Mary: First to Manchester, then on to Liverpool for a few days. We will be going to our home in Worcester by Sunday.

Sophia: It does seem odd to have your wedding on a Monday, Mary.

Mary: It was because of the Inn trade. This was the day when Father reckoned that we could afford to close to trade for the day. Anyway, it didn’t stop our guests coming. I think at last count, we expect something like 60. Isn’t that correct, Mother?

Mrs. Eagle: Yes, but that doesn’t count the small children and babies which takes it up to 75. I hope we can cope with it all.

Mrs. Mayfield: Stop worrying all of you. Now let’s all make our way downstairs, and I will collect Eliza and make sure she knows what she is to do. Take a deep breath, everyone, and remember to smile.

Mary Braithwaite: What music will you have to march in to, Mary?

Mary: It's a Prelude called Firework Music by Handel. Do you know it?

Mary Braithwaite: Very rousing indeed. And what to go out?

Mary: Mendelssohn’s Wedding March. It was what Queen Victoria’s oldest daughter Princess Vicky had at her wedding. She officially is Victoria Adelaide Mary Louise and two years ago when she was 17 (as was I) she married Prince Friedrich Wilhelm of Prussia. So having the same march for our wedding should put us in the realm of the quality, Did I tell you Mother, that Charles’ friend Lindsay’s father-in-law, Jacob Zeugheer Herrmann actually knew Mr. Mendelssohn? Mr. Herrmann is the musical director of the Liverpool Philharmonic. We might get to see them on our honeymoon, but I know Charles plans for us to go to the Manchester Hallé Orchestra while we are there, so we might not be able to do both.

Sophia: And I heard that you asked my brother William to sing, The Lord is My Shepherd. He was so pleased to be asked.

Mary: He has a lovely voice, and it will be perfect for the time when we are signing the registers.

Mary Braithwaite: Are you having other hymns too?
Mary: Yes We will have two hymns during the service as well which will be My God How Great Thou Art, and Breathe on me Breath of God.  The congregation will sing those.

Sophia: I think it is a great shame that Charles’ supporters are already married. But I expect there will be some young unmarried men there too, for Mary, Elizabeth and me to flirt with.

Mrs. Eagle: I hope you will behave with decorum, you girls. But of course there will be many young men there whom you will see and can spend some time talking with, and I think I have arranged the seating at the wedding so you each will have someone more your age near you.

Mary Braithwaite: Speaking of food, did you do as you thought you might, and make the entire meal suitable for vegetarians? Just because Charles is one, we all have to suffer.

Mary: It is his wedding too, and it is not appropriate that the food we serve should cause him distress in any way. We’re having marchpane fruit on the tables along with preserved cherries and quinces. And we are having Cheese Cakes, Pippin Twists, Eggs in Snow in pastry cases, and muffins. Small tartlets - some marmalade and some with apple jelly and macaroons. And of course we will have champagne for the toasts, ale for the men, and light sweet wine for the women.

Elizabeth: And you should see the wedding cake!

Mrs. Eagle: We are having a traditional rich fruit cake, with marchpane and icing. We will put tiny pieces into boxes for the guests to take home. The bride’s cake is to be white and is a Victoria sponge. The groom’s cake is dark ginger cake (Charles loves ginger.). Inside the smaller cakes we will put a ring, a thimble, a penny, and a button. Then each of you three bridesmaids, Charles’ attendants and the ushers will each be offered a piece. If their piece contains one of the items mentioned this will be their fate.

The ring for marriage within a year
The penny for real money, my dear
The thimble for an old maid or bachelor born
The button for sweethearts all forlorn
 
Sophia: It all sounds like such fun. I can’t wait.

Mary: Nor can I. (kissing her mother) Thank you Mamma, for all your guidance and understanding during these last few months, and for all of my life.

(Curtain)
 

Reviews

Written by petmarj (110 comments posted) 9th August 2008
Hello Jean, 
A pleasant and detailed chapter of the period just before Mary's wedding takes place. Is everyone on time? Has everything been thought of? Liked the lilacs and irises and the thought of scattered flower petals, with the different perfumes scenting the air along the path and outside the church. 
Weddings of the 1850's and of the present day still have the same meaning - the search for happiness.  
Your style suits this time in history. 
The Firework Music is by Handel - not Handle. 
 
Look forward to more of your Acts and Scenes. 
 
Must thank you very much for your comments on 'Amy' and on 'Vivaldi'. 
 
Would like your suggestions for publishing on the 'Lulu' site. 
Thanks again, 
Peter. 
Thanks Peter
Written by jean.day (2387 comments posted) 9th August 2008
I have made the correction. I did know that. I am playing the organ for a wedding next Saturday, and both Firework Music (which was the wedding march at my wedding too) and the Mendlessohn march will be used.  
 
The bride in this chapter really was 4 1/2 months pregnant when they got married. (census details for the wedding and the baby's birth) I had a great time in my book, Consequences, deciding how and when he got her pregnant, and why they deliayed their wedding for so long after she discovere that she was.  
 
I will PM you with the details about Lulu.

Written by Bottleblondesurfer (3590 comments posted) 19th August 2008
Despite the sparsity of directions this was a very visual scene. The characters seem to really jump off the page. I liked the way it started with with just the three and gradually the others entered. If it does get to be staged that will please the director. It was very professionally handled. I also loved the way the conversations changed from one subject to the next with such fluidity It suited the time perfectly.You've got a good ear for dialogue. If it does get to be produced I think it will need more direction, though. 
cheers 
jane
Thanks Jane.
Written by jean.day (2387 comments posted) 20th August 2008
I will add more directions before I actually put the play into order for publication. I need to think too more about describing the sets, and seeing if I have enough time between scenes for the various costume and aging changes. The characters go from 20 when the play starts to 70 when it finishes.

Written by Fledermaus (3506 comments posted) 21st August 2008
There wasn't very much action, yet there was a lot of atmosphere. Your pieces are always very educational, but again I do think you should sometimes watch out for being too educational. For instance where Mary describes the song, this shows you did your research, but is sounded a bit odd.
Thanks Ron
Written by jean.day (2387 comments posted) 21st August 2008
I don't know that Mary talking about the wedding music in such detail is really out of character. We spent ages deciding what music to have at our wedding - and it all had specific meanings for us. And that particular march that Mary used - is the traditional one used at most weddings these days - and yet very few people would be aware that it was written for a royal wedding.  
 
I got the hymns from an Anglican hymnbook we have that was in print at the time - and I know, from researching, that one of the bridesmaid's brothers was a singer.

Written by bluecity (432 comments posted) 8th September 2008
 
Intrigued by the concept of vegetarians at that time. Not a lot of protein in that meal, though, Jean, a common problem for modern vegetarians eating out now. 
 
I too wonder why the wedding was delayed so long when she was pregnant, unless, of course, she didn't realise she was pregnant until several months on (which probably happened more then than now). 
 
Flower Girl? I've never heard of flower girls in England, although they have them in Australia, I believe. 
 
A lovely wedding scene, Jean. Left me with a warm glow! 
 
Rosemary
Thanks Rosemary
Written by jean.day (2387 comments posted) 9th September 2008
I've just been doing my corrections for this bit of my play, and decided to see which of us is right. 
 
Queen Victoria had a flower girl, and ring bearers were mentioned too - although Mary didn't have one, Emily did a few years earlier.  
 
The wedding was delayed because she didn't want anyone to know she was pregnant -and they had announced the date of the weddidng at Christmastime - before she was pregnant. My whole book, Consequences, or the version of it that's on GW, Mary Walker's Diary, tells about the problems she went through in order to keep people from knowing that she was pregant before she got married.  
 
And in my research, I found, in relation to your comment in the last chapter, that wakes were held before the person was buried.

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