Great Writing - Home > Short S. > Chamberlain's Daughter
READING ROOM
Great Writing - Home
Read and review others' work
Articles on writing
Advice from the community
COMMUNITY
Talk to others in the forums
Events and Competitions
GW News
ABOUT GREAT WRITING
All About Us
Contact Us
WORK AWAITING REVIEW
GW IS...
Great Writing creative writing community is designed to prompt ideas and provide inspiration and motivation within aspiring and amateur authors. Whatever your topic; from love poetry to Doctor Who or Harry Potter fan fiction, Great Writing's online writing group is where you can make new friends and improve your creative writing.
WHO'S ONLINE
We have 1140 guests online and 4 members online
Shorts
Chamberlain's Daughter
By zmbbw
11 August 2008
I watched her approach, her anorak hanging unevenly on account of a damaged zip. I imagined her dragging it over her head, the zip snagging her hair which was oily and pressed flat like a rat’s emerging from a pipe. I saw her wheezing violently, a cardiganed arm pressed against a tea-stained sideboard.

As she drew level with where I sat she stopped, muttering something out of reach. She pulled a hand from her pocket and started picking through coins, tossing crumbs and fluff on to the pavement. A carrier bag dangled from her wrist. Life is Good it said.

I remembered that once, on my way to school, I came across my grandmother sitting in the curb on the Holmcroft Road talking to the lolly-pop man. I recognised her from a distance and crossed, embarrassed that she might see me and speak; I couldn’t imagine what my friends would make of her chocolate-coloured stockings and house-slippers. She died shortly after that, struck by a truck on a duel carriageway she didn’t know existed, on her way to visit a friend long since dead.

“What do you think her name is?” asked the lady at the adjacent table. I turned toward her. Her hair was the colour of caramel. She’d spent an hour drinking cappuccino and watching the market, a river running through it of shoppers and traders churning in eddies and swirls. I enjoyed listening to the vendors and imagined that she did too.

“I think she’ll have an Aunt’s name,” I said. “Valerie or Rose.”

“Yes, or she could be foreign. Polish perhaps. Dorotha. Dot.”

The bag lady looked up and clamped her bottom lip with a row of derelict teeth. She passed between us, squeezing through toward the door. She smelt forgotten.

“She’s English,” I whispered, leaning closer. “Well-to-do, fallen on hard times. I think she’s Chamberlain’s daughter.”

Shortly after my grandmother died, my father told me that as a young woman she’d worked as a personal assistant for Stephen Lloyd. “That’s Lloyds of London son,” he said. “Lloyds of London. One of the most famous banking institutions in the world.”

We’d walked along the narrow path that separates the two halves of the golf course, me and my sister playing tig; running ahead and falling behind. Caroline had fallen far behind as we climbed the castle mound, overheating in her winter coat and hat; the brown and orange woollen bonnet with press-studs that clipped beneath her chin. Now she sat sulking on another bench. Hers was dedicated to the memory of Donald Boden; ours donated by the local Rotary Club.

“Imagine how organised and professional she’d have to be, to be a personal assistant to one of the Lloyds,” he said watching the chimneys of the glue factory belching out a Sunday morning shift. I watched butterflies dog-fighting, aware that my father was gnawing something over still.

“She travelled the world with them. She went everywhere. She stayed in Rome and had an audience with the Pope!” He turned toward me, the furrow between his eyes cutting deep; an exclamation of grief pressed into his face. “Do you understand what I’m saying? Your grandmother met the Pope.”

A mobile phone rang at the table behind us. It had an old world tone, like a phone in the Cabinet Office during the war. It belonged to the reader; I’d noticed him as I sat down; a man with an angular face leant over a book, his legs crossed tightly. With his free hand he was tapping something on the table, a book-mark perhaps, raising it slightly between finger and thumb and dropping it, over and over. As we looked around he leant back in his chair. He was wiry, long-limbed. He placed the book over his knee and picked the phone out from the pocket of his jeans.
“Yes good morning, Michael speaking.”

I turned to the lady and we sniggered silently, shaking like schoolchildren. Her eyelids fluttered.

“Your grandmother told me once,” my father said, “that important guests were expected at the house and she walked into the sitting room and his wife, Stephen Lloyd’s wife Sarah, was sat naked in front of an open fire.”

Caroline was getting restless. It wouldn’t be long before we’d have to walk back down. We couldn’t be late for Sunday lunch; my mother would sulk for days if we were late for Sunday lunch.

“Your grandmother approached her and she started to scream as if she’d never seen her before. As if she didn’t know who your grandmother was.” A smile slowly spread across his face. “As she tried to get her out, to get her to her room to get dressed, she bashed your grandmother about the face and bruised her black and blue. She had two black eyes for the whole of Christmas. She said she looked like a negative of Al Jolson.”

The bag lady stepped out of the door shaking her head and her hand, muttering still. The waiter stood at the top of the steps drying a cup on a black apron, watching her leave.

“You do the next thing,” my father had said. “When something bad happens and you don’t know what to do, you do the next thing. It isn’t easy, but it’s what you’ve got to do”.

And that’s what I’d done. I’d gotten up and then I’d showered. I’d showered and then I’d dressed. I’d dressed and then I’d gone out. I’d gone out and then I’d sat for coffee. I’d sat for coffee and I’d seen the bag lady. I’d seen the bag lady and I decided to follow her.

And that’s where it began.

Reviews

Written by stevetroster (1601 comments posted) 11th August 2008
Dear zmbbw (?), 
 
although there were a couple of places where your story could have been a tad tighter, it was a pleasant change to read something that has had some thought put into it. 
Where a fair proportion of our contributors might have written ‘grandma was senile’ (or worse), “Struck by a truck on a duel carriageway she didn’t know existed, on her way to visit a friend long since dead.” was so much more eloquent. 
There were other nice touches: Clamped her bottom lip with a row of derelict teeth & She smelt forgotten, being two of my favourites. 
 
Good work. All the best, 
Steve.

Written by Leigh (254 comments posted) 12th August 2008
I thought this was beautifully written. Your first para drew me in immediately. It creates such a vivid picture which tells you all you need to know about this woman. 
 
Your descriptions are wonderful. Like Steve, I too love the 'dual (not duel) carriageway' line. 
 
I like the way you cut between the present day scene in the cafe and the MC's past conversation with his/her father. 
 
Is this to be the start of a novel, as the last line would seem to suggest?

Written by stevetroster (1601 comments posted) 13th August 2008
You asked me how your story could be tightened up so I’ll give you a quick example using your opening paragraph, but remember that it’s your story and only my opinion. 
 
Firstly, you could look to remove superfluous words. 
You have used HER six times, yet can remove a few without too much trouble: I watched her approach, (her) anorak hanging unevenly on account of a damaged zip. I imagined her dragging it over her head, the zip snagging (her) hair which was oily and pressed flat like a rat’s emerging from a pipe. I saw her wheezing violently, a cardiganed arm pressed against a tea-stained sideboard. 
You can lose a few more surps by changing the order of some of your words. E.g. the zip snagging her hair which was oily and pressed flat like a rat’s… could become: zip snagging oily hair pressed flat…  
 
Secondly, you lead in all three sentences with ‘I’ - by the time the third one arrives it’s beginning to sound a lot like a CV; I can use a computer. I can work well in a team. 
 
I’m also curious as to how you can lean a cardiganed arm against a sideboard when you’re wearing an anorak. Is it a sleeveless version? 
 
So anyway, taking most of your words (so that it remains your story), moving them a tad and tweaking them another tad, getting rid of an I and three hers, you could, if you so wished, come up with:  
 
I watched her approach, wheezing violently, anorak dishevelled due to a damaged zip. I envisioned it being dragged over her head, snagging oily hair pressed flat against her scalp like the rain-sodden coat of a rat in a drainpipe. With a cardiganed arm, she leaned against the tea-stained sideboard and drew level with where I sat. She stopped, muttering something… 
 
All the best, 
Steve. 

Written by Veronica_Milvus (768 comments posted) 16th August 2008
I very much liked the imagery in here, the anecdote about the naked wife, the phrase "derelict teeth" and so on. The end of the first paragraph about the tea-stained sideboard was the only thing that puzzled me. 
 
I hope there will be some more of this. 
 
V

   Only registered users can rate and write comments.
   Please login or register.

Powered by AkoComment 2.0!

 Previous item   Next item