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The Taste Of Tears
By SammoR
18 September 2008

I posted this once before...later tried to make some amendments to it in response to a review (from Mr_E_Writer, thanks very much!) only to find that the formatting was all over the place. I had to delete it and post afresh.

This story had been knocking around in my head for four years. I only got round to writing it when I needed a plot for a creative writing assessment. The story is mostly set in Birmingham in the mid 1970s - although I haven't done as much research on the era as I might have. All feedback welcome...



In a London city centre apartment, Ronald Farley leaned back in his leather armchair.  He had just returned, very late, from the bank's headquarters – having chaired a directors’ meeting, which had overrun.

 The answerphone light was flashing – it would be Samantha again, he thought, asking why he hadn’t phoned in weeks. He would have to get back to her sooner or later, if only to tell her that things hadn’t been working out. Now, he just wanted to relax.

He picked up the hi-fi remote and put the radio on.

‘Blue on blue, heartache on heartache,

Blue on blue, now that we are through…’       

Joanne had loved singing along to this in the car, Ronald thought. He remembered the events of almost thirty-five years ago.

*******************************************************

 

Back then, he worked at a bank in Birmingham city centre, drove a second-hand Morris Minor, and rented a flat in Small Heath. His mom said that he should wait, that he was too young to live alone in his early twenties, but he had wanted to strike out on his own.

And there was Joanne Flanagan…. She walked into the bank one May afternoon, to cash a cheque from Smith and Saunders.

‘Where’s Bill then?’ asked Ronald, noting her unfamiliar face.

‘Jim, you mean,’ Joanne corrected, seeing through his trick question. Smiling, she went on, ‘ “Been working since I were fourteen, man and boy, never had a day off work sick till today…” ’ Ronald grinned – her impression of old Jim Braithwaite, who usually cashed the company’s cheques, was spot-on.

As he sorted out the money, Joanne kept chatting. Normally he would find that irritating, but with her it was charming. On a whim, he asked her out. He, who would normally only get round to it on the umpteenth meeting. To his surprise, she agreed.

They met later that day, after work, in a grubby pub near the bank. As they had a drink, Joanne was doing impressions of Mr Timpson, her manager, and other people at her workplace.

‘You should be a comedian, you know,’ Ronald said.

‘What, like Barbara Windsor?’ Joanne struck a pose and pouted.

‘No – not like that,’ Ronald replied. ‘More like, you know, “The Comedians”. Telling jokes, making people laugh..’

‘Standing up in a smoky club….telling mother-in-law and knock-knock jokes?’ she laughed. ‘Never….women are never gonna do that!’

Their relationship blossomed over the next six months. They would regularly go to the pictures, to the pub, or for a meal. Often they went back to Ronald’s afterwards.

Sometimes, on late-closing days, Joanne would pester Ronald to go into the shops with her. They would be in Lewis’s or Rackhams when she would see a beautiful dress, or a stylish pair of shoes.

‘Oh, that’s beautiful,’ she would say. Then she would look in her bag, find she didn’t have enough money, and ask Ronald to ‘help her out’. He did so two or three times, but after a while he shied away from doing so. Rent, petrol, cinema tickets, all cost money, and he didn’t make that much at the bank – yet.

But things seemed to go off the boil. They did not go out for almost two weeks – something was always coming up at Joanne’s work, or with her family. But one autumn Thursday she agreed to meet Ronald by the cinema at seven-thirty.

He waited outside the Odeon in New Street. The film would be starting – it was a quarter to eight. He could hear tittering from passers-by. A drunk called out from across the road, ‘Bugger off home, kid, she ay’ cooming!’

He went to the nearby pub, the Tavern in the Town, where he and Joanne often stopped for a drink if they arrived too early for a film.

‘Surely she’ll turn up,’ Ronald thought, nursing a pint. ‘Even if we can’t watch the film now.’ Missing Confessions of a Window Cleaner would be no great loss. But still she did not come.

‘She’s messing about,’ he thought, puffing at a cigarette. ‘I’ll give her the boot…’

There were so many other girls. Like Mandy, the girl at the Wimpy’s not far from the bank, the one who always gave him the eye. He’d ask her out the next day, see how Joanne would like that.

But he knew he wouldn’t. Joanne probably had a good reason…perhaps she’d been window shopping again, forgotten the time. He wouldn’t risk this relationship, he mused. There were lots of women he could have a fumble with in the back seat of the car, or watch a crap film with. But Joanne was …different.

They could talk about anything. One minute they would be discussing whether Benny Hill was still funny, next they would be pondering what would happen in Spain when Franco died. He had never gone out with any girl quite like her.

Thirty minutes later, he gave up and drove home. Once back he didn’t bother phoning Joanne. She called him during lunch at work the next day.

‘Sorry about yesterday,’ she said. ‘Mr Timpson made us do a surprise stock-take, I lost track of time…can we meet tomorrow?’

They went for a meal on Saturday, and browsed around the shops. Ronald was quiet, pondering. Joanne chattered as usual.

‘At least she’s not pestering me to buy her stuff,’ Ronald thought. ‘But I’m not going to let her play silly buggers. I’ll get my own back.’

 As they drove home Ronald said, ‘Just remembered. Confessions is still on at the Odeon. We can see it next week.’

Joanne smiled. ‘That’d be great... When?’

‘It’ll have to be Thursday… I’ve got some stuff to do at home first, so I’ll meet you outside the cinema, seven-thirty?’

‘Okay….’

Seven-thirty on Thursday evening found Ronald at home watching the telly. Joanne would be standing outside the Odeon, he thought, and people would be taking the mickey out of her. He could imagine the same drunk shouting at her, ‘Bugger off home, wench, he ay’ cooming!’

Yes, he was being cruel. But just so that they would be even. He’d call her at work the next day, and give her some crap excuse. She would get the message – that two could play at that game.

And afterwards – well, either things would fizzle out, or they might take each other more seriously. He felt a twinge of regret. He really enjoyed her company. They’d be able to patch things up – once he had made his point.

Ronald dozed off. A few hours later, he woke to the sound of sirens from the television.

‘….among the worst terrorist outrages ever perpetrated on the British mainland,’ a reporter was saying.

‘Bloody IRA again,’ he thought. ‘What’s new?’ Then a chill fell over him as the television showed the lower end of New Street, including the Odeon.

 ‘No, not the cinema….’ he thought.

But the camera went further down the road, lingering in front of the Tavern. It was a wreck, with rescuers pulling people from the debris, and a damaged bus blocking the road in front.

‘She wouldn’t have waited long,’ he thought. ‘She’ll have gone home’.

Meanwhile, the telly showed scenes of the carnage at the other bomb scene, the Mulberry Bush pub in the Rotunda.

Ronald phoned Joanne’s flat. Rose, her flatmate, should have been in. The phone rang repeatedly, but no-one answered. He tried to phone Joanne’s parents, but couldn’t get through.

‘Oh, no, please, no…’ Ronald pleaded. He paced up and down, following the news on television and radio, until he fell asleep on the floor.

Early the next day, he finally got through to Joanne’s parents. Her brother confirmed the sad news.

In a daze, Ronald drove to the Flanagans’ home in Rubery. The whole city was in shock – the bank had given him time off without hesitation.

As he drove, Ronald remembered being in the Tavern the previous week. He pictured the people he had seen there. Then he imagined them dead and dying, amid tumbling rubble, Joanne among them…

At the house, Joanne’s parents were quiet, all cried out. Her brother was constantly on the phone, fielding calls. Rose, in tears, was hugging Joanne’s mother.

‘Weren’t you supposed to be with her?’ Joanne’s father asked Ronald.

‘M-my car broke down on the way,’ Ronald said. ‘By the time I got into town it was all cornered off. She – she must have waited for me and then gone into the pub for a drink….’

Two weeks later, Ronald, Rose and Joanne’s family stood in the front room of the Flanagan house, waiting for the cars to take them to the church.  Joanne’s mother handed lockets to Rose and Ronald, each with a small picture of Joanne inside.

**************************************************************

 ‘Night after lonely night,

We meet in dreams…’

Ronald dug the locket out from the box under his bed, and opened it.

‘I betrayed you,’ he said. ‘And I couldn’t even own up to your parents…’

Ever since, he had broken off relationships as soon as they showed any sign of permanence. There had been many Samanthas over the past thirty-plus years. Ronald had never lived with a partner, been engaged or married.

‘Why don’t I give anyone a chance?’ he wondered, looking at Joanne’s smiling face in the little picture. ‘Perhaps I don’t deserve happily-ever-after …’

  

‘Through a veil of tears,

Your vision disappears…’

In a flat in Birmingham, Bobby Vinton crooned from the radio. Rose sat on the sofa, her husband dozing alongside her. She remembered Joanne, all those years ago - singing along to this song in the morning, in her dressing-gown.

Joanne’s face looked out from the locket in her hands. Rose remembered the Thursday before the tragedy. Joanne had been excited when she had returned that night.

***********************************************************

 

‘Alan drives an E-type Jag… we went to eat at Luigi’s…and he bought me those shoes from Lewis’s!’

Rose smiled. ‘What did you tell Ronald?’

Joanne scowled. ‘Oh, I’ll call him tomorrow. I’ll swing the lead as usual…’

Rose pulled a disapproving face. ‘Ronald’s a nice guy …’

‘I know. And I do love him, honest. But “nice” can be boring. Those brown suits…and a Morris Minor, for God’s sake!’

‘But Ronald’s got a good job…what does Alan do again?’

Joanne looked away. ‘This and that… Who cares? I’m having fun. It won’t last – I know he’s got other girls. If I get married to Ronald I’ll always remember Alan…’

The following Thursday, Joanne dressed up for another date with Alan.

‘We’re gonna meet at the Tavern, have a drink,’ she told Rose. ‘Then back to his place. You wouldn’t believe it, Ronald asked me to see a film with him at the Odeon this evening?’

‘You said no, didn’t you? It’s almost next door…what if they meet and there's a fight..?’

‘I said yes! There won't be a fight - you've met Alan, no way is Ronald gonna take him on. Besides, I know he’s not coming – bet he just wants to get back at me for last week. It’s the way he said it…’ She imitated Ronald’s stuttering monotone. ‘ “ C-Confessions is still on at the Odeon. W-we, er, we can see it next week…” ’ She giggled. ‘Men – think they’re so smart, and you can read them like a book! All Saturday he had a face like thunder, I knew he wanted to do something like this. He’ll be sat at home thinking I’m all miserable ’cause he didn’t turn up - I’m gonna be at Alan’s…’

But Alan was delayed. Or maybe he stood Joanne up too. Either way, he was not with her when the bomb exploded in the Tavern.

As the news of the attacks broke, Rose cried and cried, ignoring the phone as it rang off the hook.

And Alan…he never phoned or visited afterwards. Even though he must have read about Joanne’s death in the papers.

On the day of the funeral, Rose had wanted to tell all about that night. But the truth would shatter Ronald. And the Flanagans, good Catholics for whom Joanne had been a chaste princess, heading for a good marriage. Better keep her mouth shut, Rose thought, everyone had been hurt enough already.

********************************************************

 

 ‘….and I find I can’t get over losing you…’

As the song faded out, Rose replaced the locket around her neck and wiped away a tear.

                                              The End

Reviews
Disorienting and then engaging.
Written by homeagain (6 comments posted) 19th September 2008
 
I'm new to the site and so didn't see your previous posting, forgive me if I either repeat, or contradict what was said! I am not experienced or learned in literature so this is just my immediate reaction and opinion. 
 
I liked the overall plot and theme of the story. I could imagine that having happened. Very everyday lives and people. And I engaged with the main characters, Ronald and Joanne. I had a lot of good imagery in my head. And smells and weather and noise. The minimal physical description allows my imagination to be activated and so pull me further into the story.  
 
I felt that the first section of the piece (after the intro and asterisk line) was a little jumpy for me: 
It's - 'one may afternoon' 
then - 'they met that day after work' 
- 'their relationship blossomed over the next six months' 
- 'sometimes on a late closing day' 
- 'had not been out for almost two weeks' 
- 'that Thursday she had agreed to meet him' 
 
For me, that jumping around in time so quickly and the amount of dialogue was a little disorientating. I think you could have gone straight into it because after that it is implied in more subtle references, what they are like together. I'm not sure the background of their getting together is crucial to or enhancing the main story.  
 
I like the two sides of the story rather than a straight telling. 
So there is no clear 'guilty party' in it by the end and my emotions shift from allegiance to ambivalence. But Rose left with a heavy secret. 
It shows how it can be dangerous, in less extreme ways sometimes, to play the 'They’d be able to patch things up – once he had made his point.' game, in an unpredictable world. (Don't know of that was the intention of the piece, but it is what I took from it!) 
 
It's a tricky one... I like the way we only find out what Joanne was up to after the bombing, but at the same time, prior to that I get no real sense of her character so when the bombing happens (from Ronald's perspective) I don't care all that much about what has happened to Joanne and I think that distances me a bit from Ronald's worry and then grief. Not sure how I'd resolve that. 
 
Tiny detail... I assume from the "bloody IRA" that the Birmingham is in England? So not sure about the use of 'mom' (Or.. I am westcountry and we say mum.... would it be mam or ma or something else, or do they use mom in Birmingham? Never heard of brits using it, but dunno.) 
 
The separation of the last two lines from the body of the story didn't work for me. I'd be more moved by it being understated and continuous. 
 
When I got to the end I wanted to keep reading... I didn't want to come out of the moment and the lives of the characters (a good thing, in my opinion.) 
And I then wanted to go back and re-read the first half that I'd found disorientating to try to piece it together more fluidly. (Not such a good thing).  
 
Overall I liked it, and felt as if Joanne and Ronald were very real and believable characters by the end. I warmed to it as it went on and it took me out of the room and moment I am sitting in while reading it, which is what I want a story to do for me.  
A nice little story. 
:)
Yes, we do say 'mom'...
Written by SammoR (132 comments posted) 19th September 2008
...in the West Midlands! I have only lived here for 8 years, and it surprised me too.  
 
I thought that the Morris Minor and the Wimpy would have clearly set it in England...that and the Confessions film! However as 'mom' is never used in conversation, I could have gone for 'mother' and resolved all confusion. 
 
 
Thanks for a very detailed review. Many people just go for an 'I liked it' or 'I didn't like it' approach. I'm just as bad - you're a good 'un, long may you continue! 
 
I'll leave the piece for awhile, then see if it can be re-worked.

Written by Fledermaus (3489 comments posted) 19th September 2008
Very good piece. And it also underlines that nothing new is going on in this day when politicians try to scare us. The ideologies changed, but the crimes are the same. 
 
Poor guy. Although a bit childish, I did appreciate his decision to get even with her. But then, as she made a habit of gold-digging so early in their relationship, he should have dumped her right away. 
 
Even without the Alan-part this would have been a very good story, but that part made it even better. Of course it is rather unrealistic that all those three things would happen at the same time, but then, this is fiction after all. 
 
I too was thinking that perhaps she had in some way survived, but as she was being buried that would only make it even more unrealistic. 
 
Indeed the first paragraph is a bit confusing as it is now. I think you could either extend the Samantha-part or leave it out. 
 

Written by BillySoho (8 comments posted) 21st September 2008
The tension in this story works well. I like the mention of Samantha at the beginning - sets the scene for what is to come. And the introduction of Alan at the end I was not expecting. 
 
But what really works is the suble mention of the Tavern In The Town. I suppose Birmingham in the mid-70s should have made me think of the bombings. But it didn't. It was the name of the pub that did that. From then on you knew there was going to be tragedy. 
 
And then there's the juxtaposition of the day to day trivial - Ronald playing games - with the historically significant and tragic. Small lives against the horror that unfolded that night. 
 
And of course there's the fact that he trusted Joanne. But as a reader I never saw Alan coming. Which is testimony to a good plot.  

Written by Bottleblondesurfer (3567 comments posted) 22nd September 2008
I’m not usually a fan of ‘flash-back’ stories but I can see why you used it and it works here. Having read it I did feel that first paragraph was a bit misleading. I would have thought his memories of Joanne [once jogged] would have caused him more trauma but you seem to hint that they are quite neutral [even wistful, with the mention of music] I realise that you don’t want to give too much away but I think you set up the wrong tone. 
Once into the meat of the story I was gripped by it,however. I particularly like the way you set them up as both flawed characters, it made them real and gave them a doomed inevitability. Ironically it made me root for them even more. [one niggling point though- given their flaws and character traits I’m surprised that they found any reason to stay together, they were so obviously mismatched :- having said that it sort of worked in the story J] 
I liked the way you used the events of the time, like the IRA bombings. It grounded the piece realistically and gave it added drama.  
A well-structured piece. I liked the way it took you back the beginning, to explain his attitude to Samantha. I think you could have introduced Rose earlier as she features so significantly at the end, so we accept here more easily. 
 
I also liked the way it built dramatically, showing how their venal emotions and agendas come into conflict with tragic situations. That was where the heart and theme of the story was for me. 
Theme is often something that is missing from so many stories. 
 
cheers 
jane 
 

Written by Clifftown (642 comments posted) 24th September 2008
An interesting story with well written and believable characters. I like being surprised when I read a story and this did that; I wasn't expecting Alan and Rose at the end which stopped the story from becoming too predictable. No doubt poor Ronald would have forgotten all about Joanne if she hadn't died so tragically. You really felt the poor man's guilt. 
 
The story raced along and was well told. I liked the sense of time as Jane mentioned, with the inclusion of the film titles and of course the IRA bombings. It took you right there. Good story. 

Written by Leigh (254 comments posted) 9th October 2008
Hi Sammo 
 
Another great piece. Was it for the OU course (which I'm starting in two weeks)? 
 
As a fellow West Midlander, I of course love the local settings (and can vouch for the 'mom' thing too!). 
 
As soon as you mentioned the Tavern in the Town, and this being the 1970s, I had a feeling the pub bombings were going to feature at some stage. 
 
I certainly didn't guess the twist, though, and found it very powerful how this poor man's misguided guilt has blighted his life. A very strong story. 
 
Leigh

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