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Non-Fiction
Relativity
By homeagain
18 September 2008


Really not sure about the layout and format. Not familiar with including dialogue in my writing.



Lou knew how inconsistent and expandable time could be and the paradoxes which riddle the theories of light. She remembered times of darkness and the relentless grey road she’d walked down. The memory was a paint colour-swatch from the DIY store stretching out into the space behind her in hues of scarlet and charcoal.

    The questions had become comparative. ‘How are you, Louise?’ the smiling man asked, gently, from across the room where sat in his swivel chair next to a desk for an hour every week.

It sounds like such a simple question, but to Lou it was overlaid with meanings, ambiguities and pointlessness.

    ‘How am I?’ she repeated back to herself. The answer needed some internal discussion.

Had she planned a means of killing herself that day?
No.
    ‘I’m okay, I guess.’

Had she injured herself in the last twenty-four hours?
No.
    ‘Fairly good, thank you.’

    It had been so long since she had woken up without feeling disappointed at having woken up, that these simple questions involved skewed ratings and factoring.

The full-colour world was now an antique crystal vase packaged and stashed up in the attic which her great-grandmother had mentioned before she died and which she had fuzzy recollections of seeing once in 1993 but couldn’t say for sure. (It might have been a jam-jar.)

The well-meaning doctor glanced around his office, reached over to the windowsill and  handed Lou a jam-jar he’d emptied his pens out of and said ‘You mean this?’

    She looked down in despair at the glass pot with ink splodges around the base. ‘No it’s okay, you keep it,’ and swung her gaze back up into a thousand-yard stare out of the window behind his head.

    There were shades of peach and green too. Pretty, pastel pills and cotton-wool between her ears – shakes, headaches, emesis and vertigo. Lou had developed a taste for them. The smiling doctor told her that they would make everything better, these magical potions from the billion-dollar apothecaries. They were magical enough to undo the past and take back trauma. Somewhere in the peach wrappers and white powders lay the secret to putting a gone-wrong life right. Maybe if she swallowed enough of them, the powders would dissolve and reveal the key to mending broken hearts and torn apart bodies, which lay somewhere underneath their coating. She swallowed all colours of them diligently and obediently for 9 years.

    One year Lou came across another man who also sat in a room with her and their two soft chairs and a table-lamp for an hour every week. There were no pastel pills and all the time in the world. He tugged on the cord hanging down from the lamp. Lou gawked at the lamp and the table it stood on as the room lit up in a wash of yellow.

    ‘How are you, Louise?’

She listened for the internal discussion and stared at the lamp.

Had she planned a means of killing herself that day?
No.
Had she injured herself in the last twenty-four hours?
No

    She looked into his eyes, confused.

    ‘I’ve really not been okay,’ she wept as she realised that she had been sitting in the dark for almost a decade.

It wasn’t a jam-jar. There was a crystal vase in the attic, packaged and stashed,  that had been waiting to be unwrapped since 1993 and the beginning of a smile appeared on Lou’s face.

Reviews

Written by Fledermaus (3490 comments posted) 19th September 2008
Don't worry about the dialogue: You did it wonderfully. Just a few phrases, but used in exactly the right places. Only perhaps in: 
"‘I’ve really not been okay,’ she wept", I would have left out the "she wept". 
 
I had to get used to the style a little, but it was very well written.

Written by homeagain (6 comments posted) 19th September 2008
 
Thank you Fledermaus for the feedback :)  
 
I see what you mean about 'she wept'... it doesn't quite fit in, but I am at a loss right now to rephrase it. Will come back to that later. 
 
If you are able to, could you be a little more specific about how the style takes getting used to? 
Does it impede the reader? How/where? 
I'm usually not keen on changing my style because, well, that is my style... I see little point in writing like someone else when they can already do that more authentically than I ever could! 
But if it causes a problem, I might benefit from adjusting it a little.

Written by Emmuttmax (203 comments posted) 20th September 2008
Although I liked the piece a great deal, it suffers from too many run-on sentences. It is like Fledermaus mentioned above, you reach a point where the ending of a sentence would be most compelling, then you tack on a few more words which have the effect of diluting the beauty that comes before. 
 
You also dilute some sentences by injecting too many un-needed words in the middle. Example: 
"It had been so long since she had woken up without feeling disappointed at having woken up, that these simple questions involved skewed ratings and factoring." 
 
It would read better, "It had been so long since she had awakened without feeling disappointment...." 
 
"Maybe if she swallowed enough of them, the powders would dissolve and reveal the key to mending broken hearts and torn apart bodies, which lay somewhere underneath their coating. " 
 
Reads better as: Maybe is she swallowed enough of them [you've already established in the previous sentence they are powders] they would reveal the key to mending a broken heart and infirm body. 
 
These, of course, are just suggestions. I like your writing, it's just a bit overdone. Cleaning it up will just add to your style.

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