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Shorts
Are You Happy?
By Snodlander
23 September 2008

Flash fiction, entered for a competition entitled 'The Conversation'


"Are you happy?" asked Tracey.

"I'm fine, thanks," said Barry, stretching behind his newspaper.

Tracey looked around the living room. It was the same as yesterday, the same as a thousand yesterdays.

"No, but are you?" she said.

"Hmm? Am I what?" Barry turned the page.

"Are you happy?"

"I said, I'm fine. Why?"

"I just wondered." She waited, but he had made it to the sports section. She waited some more. Surely he would ask her. Wouldn't any human being? It was instinctive, a reflex action born of a million social interactions. If a total stranger, or even your worst enemy, came up to you and said, "How are you?" you'd ask him the same without even realising it. How could he just bury his head in a paper, when she had asked him, not once, but twice, if he was happy? How could he be blind to the real meaning she was screaming at him? She waited for him to ask her if she was happy, fall to his knees in shocked realisation of her misery, and promise in earnest tones that he'd make her life a fairy tale again.

And waited.

"June and Charlie are splitting up," she said.

"Mm," said Barry, running his eyes over the premier league table. "Could have seen that coming. He's as dull as dishwater, and she's never been the shy retiring type. I'm surprised it's lasted this long."

"We're not dull, are we?"

"No, we're just fine," he said, but only with his mouth. They were the sort of sounds you make when you're on the phone to someone. "Hm, yes, really, ok, uh-huh." Words that your mouth makes to tell the other person you hadn't died, noises you could make on the phone while watching your favourite soap, or reading the paper, or having sex with the milkman. Not that she had. Not that she dared, outside her own head.

"Is there anything on the telly tonight?" she asked.

"Not that I'm particularly bothered about," he said, in his distracted, I'm-trying-to-read-the-paper voice.

"Do you want to go to bed?" If there's nothing on telly, and when you've finished reading the paper, and there's not anything in the world you would rather do instead.

"Don't be silly, love. It's only half past eight."

How ridiculous of her. Fancy suggesting they go to bed in the middle of the evening. How could they possibly get to sleep this early? Because, why on Earth would they go to bed for any reason other than to sleep?

Her face burned. She wasn't going to beg. She had practically begged him already. Some men couldn't get enough. Some men wanted it every night, sometimes twice. She had married such a man, a million lifetimes ago. Where was he now? How she longed to be one of those women that wrote letters to magazines, complaining their husbands were only interested in one thing. Being interested in one thing would at least be a step in the right direction.

She rose with a sigh.

"Well, I'm off to bed anyway."

Barry put down his newspaper and looked quizzically at his wife.

"That was a big sigh. Are you okay?"

She looked at the innocent, enquiring face in front of her.

"I'm fine," she said, before going upstairs and screaming quietly into her pillow.

Reviews

Written by Clifftown (642 comments posted) 24th September 2008
Very realistic scenario, and I liked the irony of Barry's last comment and Tracey's reaction to it! A conversation that essentially goes nowhere but tells us a lot about the relationship - most relationships I would imagine...

Written by Bottleblondesurfer (3590 comments posted) 24th September 2008
A lovely bit of character work. The dialogue and responses were so well judged and perfectly in character. I loved the way your took us to an expected ending and then subverted it but in a totally realistic way and,as Nina so astutely says, the inconsequential dialogue is anything but. It is loaded with subtext. I usually try to balance out comments but can't think of anything critical to add. 
Have you ever thought of playwriting? 
A little gem 
jane

Written by Northern-nana (47 comments posted) 24th September 2008
Yes, I thoroughly agree with all that has been previously said. It's what wasn't said that spoke volumes.  
 
My only question would be why on earth didn't she just rip the paper out of his hand - you know men can't focus on more than one thing at a time!! 
 
I did enjoy the way it was written though. 
 
Nana  
 
;)

Written by Ranes (18 comments posted) 25th September 2008
Hi Snodlander....this is the first piece of writing I have on this site (newcomer yesterday...). It is impressive. Dialogue is lively and very realistic, which allows the characters to seep out from the page rather than be pushed by you. That definitely worked. 
 
'...he said, but only with his mouth' is a little gem as well. 
 
I've been trying to find areas I could suggest improvements. Nothing shouts out. Perhaps I'll go off and review another one of your pieces and see what I can find there. 
 
This has been a great intro to the site for me. 
 
RANES

Written by Fledermaus (3506 comments posted) 29th September 2008
Hehe... Women so often claim that men are easy to understand, yet scenes like these show that they grossly overestimate themselves. Being a man I'm of course biased though... 
 
Very well written dialogue.
Very well done!
Written by Alexis.G (19 comments posted) 29th September 2008
Absolutely fantastic. Amazing that in a reasonably short piece, you managed to make some sort of emotional connection between the reader and the characters. Very well done!

Written by Phil (6997 comments posted) 2nd October 2008
With above - a good piece of writing - particularly rated the ending.  
 
Phil

Written by Leigh (254 comments posted) 8th October 2008
All too realistic. A good succinct piece which sums up a lot of the differences between men and women. You tell a vivid story in a few words.

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