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Poetry
The First Six Weeks
By silvershoes
08 February 2010
*takes deep breath*  Sestina. Exhales slowly.


The First Six Weeks

The cotton pillow is smooth from lack of sleep,
the duvet, neat and crisp lies undisturbed,
its rumpled creases line my unmade face
instead; as hollow as the moon that clocks
each cradling step, each wheedling prayer, each breath
exhaled, exhausted by this ceaseless crying.

It hauls me from my dreams, this urgent crying,
a siren call I can’t ignore, though sleep
is what I need, I crave with every breath.
The heavy veil of morning is disturbed
by wails that override the ticking clock
that drags its weary hands across its face.

Another ragged shapeless day to face
weighed down by milk-filled mouths and fruitless crying;
shifting routines that mock the rigid clocks
which mark each hour: to wake, to work, to sleep.
Such strictures bleed, are fluid; time disturbed
distilled to splintered fragments, shattered breaths.  

You are my timepiece now. I count each breath,
each pulse, each heart-beat, gaze into your face
to trace the weeks’ slow passing. Nothing disturbs
this ebb and flow, these tidal storms of crying
that break on far-flung narrow shores of sleep.
My tick chimes to the tocking of your clock.

I dream sometimes of Dali’s melting clocks
and waxing moons, both yielding to this breath
of life, or kiss of death. Surrealist sleep.
A contrast to my own Picasso face,
all washed-out blues, gaunt cheeks and fractured crying.
Perspectives blurred. My sense of self disturbed.

Hush, hush. The baby’s napping. Do not disturb
her please. Creep round the house. Silence the clocks.
Stop time itself, stock still, just keep this crying
at bay. Lay her where I can hear her breathe
and watch the shadows dance across her face,
check she is safe. And then, perhaps, we'll sleep.

The crying stopped, the night lies undisturbed
ahead, a dream of sleep around the clock,
with just your breath upon my moonlit face.

Reviews
Breath-taking!
Written by toggle (90 comments posted) 8th February 2010
Was just about to log out and saw a new poem at the top of the list - glad I stopped to read it. There are too many beautiful lines and images here to single out the few - it is a whole! I love it :) If I may suggest just one (quite large) thing - I think the last two full stanzas are unnecessary (others may argue differently) I think it should stop at 
'I tick, tied to the tocking of your clock' 
and then continue with the final three lines. I think I feel this because the two stanzas which speak of Dali and silencing the clocks have a different feel to them and it is the only place in the poem where I feel the interruption of (sucks teeth, winces, and says it anyway) cliche - (forgive me - I'm ducking in case an electronically generated blow comes my way!) But, hey, what do I know?! It is a beautiful poem. So lovely and full of feeling which trickles off the 'page' - Love it.
thanks for the review.
Written by silvershoes (330 comments posted) 8th February 2010
much as I would have LOVED to stop halfway down, the rather onerous restictions of the form require me to plough on (and on!)  
 
But glad you liked it. No blows electronic or otherwise heading your way. Weirdly the stanza about Dali was my favourite - was a bit more worried about a couple higher up! But glad you liked it. May still tweak a bit. 
 
thanks 
 
 
Emma

Written by toggle (90 comments posted) 8th February 2010
Hope I didn't give offence. I do like the 'Dali' stanza - esp, the line 
'all washed-out blues, gaunt cheeks and fractured crying' I think, for me at least, it, and the following stanza, have a different feel to the rest of the poem - they seem harder, less dream-like - than the rest. There's me with both boots in again! Sorry.
Ah, a Sestina!
Written by Katanga (3565 comments posted) 8th February 2010
Emma! 
 
I am in awe - not had time to digest this fully, but, my goodnees, I know how hard this form is. 
 
There have only ever been a handful of these on GW - one brilliant from Brett, an extraordinary series by 'patterjack' (Brian) and one, dare I say it, by yours truly. 
 
Struth it's hard work, eh?! 
 
So, firstly, bloody well done! 
 
Okay, now read it again - gets better each time . . .  
 
Small anal spelling point: 
 
penultimate stanza: 
 
 
at bay. I lay where I can hear her breathe 
 
'lay' should be 'lie'. 
 
Sorry, but it's so good, I can't let that one go! 
 
Huge respect for this, and I shall revisit. 
 
Cheers! 
 
John 
 
 
bugger!
Written by silvershoes (330 comments posted) 8th February 2010
and there was a nice rhyme with bay and lay.  
I orignally had "Lay her where I can hear her breathe" does that work grammatically. 
 
here's hoping!  
 
And i think I've missed all of those previous Sestinas - though do remember an excellent one by Wendy. Off to look them up now. you are right - nightmare to write - like killer sudoku.
Ay yes!
Written by Katanga (3565 comments posted) 8th February 2010
 
Many apologies to Wendy - it was 'Gristhorpe Man'? (forgive the spelling) 
 
That was indeed actually the best sestina on GW, IMHO . Mea Culpa! 
 
You ask: 
 
 
I orignally had "Lay her where I can hear her breathe" does that work grammatically? 
 
Yes, that's fine, because the verb 'lay, laid, laid' needs a grammatical object, which you have here. 
 
'lie, lay, lain' cannot have a 'grammatical object', which is why I griped about your line. 
 
Oh, Lordy - truly admire your poem! 
 
John  
 
 
Wow
Written by Geoff (250 comments posted) 8th February 2010
I must confess my ignorance as I have never heard of a sestina before. A quick look on the net and OMG, what a nightmare of a form to follow and am in awe of how long it must have taken you to write something that flows so well and with some wonderful images. Brilliant. I love killer Suduho, but I think I'll leave this form of poetic constraint to those like you who have the ability, I find sonnets bas enough! 
Loved it 
 
Geoff
thank you so much
Written by hunter6662009 (1 comments posted) 9th February 2010
Thank you so much I was about to give up on my story then I read your work and was inspired your lines gave me so many ideas I have incorperated a couple of them in to it you saved my story thanks 8)

Written by Brett (2374 comments posted) 11th February 2010
Admirable indeed, Emma.  
 
I think you have overcome the biggest hurdle of the sestina (and I suppose all closed forms) and that is achieving to write an engaging piece of poetry which does not read as confined (if that makes sense). 
 
Your subject matter is an inspired topic for a form which relies on key repititions. 
 
I found the sestina very difficult to do and was not happy with my attempt, may have another stab in the not so distant. 
 
Admired. 
 
Cheers

Written by mightymoose (8 comments posted) 11th February 2010
This was eloquently said and heartily felt. This poem is one I will save for my own daughter when she is in the depths of this experience. The exhaustion is one only a mother will know. It is different from every other exhaustion that exists. I know nothing of the form, but from other reviewers I see you have done an exceptional job with it. You should be proud in more ways than one!
BEAUTIFUL!
Written by smiles_and_sunshine (4 comments posted) 12th February 2010
"just your breath upon my moonlit face" absolutly beautiful! 
 
iam honestly in awe.

Written by wendycat (1537 comments posted) 14th February 2010
Ah, the good old, terrible old straight jacket sestina! 
 
This is really good, it doesn't feel forced or repetitive which is always a hurdle in this form. 
 
It has a lovely flow to it, it's very pleasing. 
 
well bloody done! 
 
Enjoyed 
 
Wendy 
 
PS I did this OU course, I don't think I would have tackled a sestina or a villanelle if I hadn't been forced, so some good definately came out of it!!
Wow! ...
Written by Val (159 comments posted) 14th February 2010
Only just seen this - Wendycat pointed it out after I had posted my poor effort. This is miles better - mine I admit was just flung together without much thought - these OU courses do push you into places you really don't want to go! 
Congratulations! I think you have shamed me into another go! 
Cheers, 
Val

Written by grettle (59 comments posted) 22nd February 2010
you are a true poet. I wish I knew form like this. May be time to educate myself and try something new. I loved it all the Hush Hush stanza was haughting to me very beautiful!

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