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Shorts
metro
By robokent
27 April 2006
Trains are good settings for stream of consciousness pieces...


 

There were two little Asian children begging cookies from their mothers sitting across the aisle from me. Though one of the mothers had told them they had to wait until after their meal, eventually she caved in. She handed over a long box of store-bought cookies, hard-looking chocolate things, probably tasteless and unsatisfying. The French are good at a lot of things, but a homemade cookie is not one of them. The smaller of the two children smiled at me as he bit into his treat. I thought about making a funny face or something, but I just looked away.


     The train rumbled on in the darkness. A pretty but sad-looking girl rested her head against the window, the reflection making her look like she was a set of identical conjoined twins, sharing some deep melancholy. I wondered what had happened to her to make her look so tired, so worn down, so exhausted by life. I tried not to think about it too much.


     Near the doors, another pretty girl was trying to avoid the disturbed man yelling at her. In a mixture of French, Arabic and English, he called her names. ‘Vous avez shit dans la tête. Donkey.’ An Arab woman with arms weighted down by heavy bags yelled at the man. I don’t know what they said to each other. I don’t speak Arabic. She got out at the next stop. I wanted to ask the crazy man why he was yelling at the girl. I didn’t. At the next stop, he got off.


A black man wearing an old jacket the color of army green, got on. He had a guitar in his hand. He started playing that old Bob Marley song where he asks the crowd to ‘help me sing this song of freedom’. He sang for a couple of stops. No one helped him sing. And I didn’t see anyone give him any money either. I thought about checking to see if I had a few centimes. But I didn’t check.

     A university student started flirting with a couple American girls carrying those heavy backpacks they use to trek around Europe. While he spoke in strongly accented but quite good English, I tried to determine from their accents where they might be from. I should have just asked them; they looked nice enough. Instead I just guessed to myself that they were from the Pacific Northwest, not so much from their accents, but just from they way they dressed: hippyish, but not so hippyish like they were trying to be hippies, but more like they do in Seattle or Portland.

     The Asian mothers ushered their children off, leaving a seat full of crumbs which a couple brushed onto the floor before sitting down in their place. They seemed in love. They held hands and whispered quietly to each other. I hated them immediately. But then I thought of that Doisneau photo, ‘The Kiss’, and how this couple on the metro here could do the modern, updated version of that famous picture. I almost took the digital camera out of my coat pocket, but I was too embarrassed to try and take their picture. They’d probably think I was some kind of nut.

     A woman sat down across from me, talking loudly on her cell phone. I thought to myself, ‘How come my cell never works in the metro? What carrier does everyone else have that makes their cells work in the subway? Seriously, am I the only one with Orange? There can’t be that many different carriers in France, can there? There must be someone else who uses Orange. Do they have the same problems when underground? Or do all the other Orange customers just drive?’

     That reminded me of a funny story. I had been at dinner with a couple of French friends, and one of them had tried to get me to admit that French women were superior in beauty to American women. I had not wanted to wound his French pride, nor slight my own lovely countrywomen, so I told him, ‘Well, I agree with you that it does seem that I see a lot more pretty women when I’m walking the streets or in the metro. But I think it’s because here I’m exposed to them more. In America, I drive everywhere. Everyone drives. You just don’t see people as much.’

     He just grinned and said, ‘Ah, but you should see the women in our cars!’

     I couldn’t help but crack a little smile at the memory of his wit. My gaze went from the blackness of outside the window to the sad girl, her head still firmly connected to her reflection. She glanced at me. She looked away quickly. She probably thought I was smiling at her. She probably thought I was trying to flirt or something. I wasn’t. I just… oh, what difference does it make? She was already looking back out the window, into her own portion of the blackness.

     People got on the train. People got off. At some stops, it seemed like everyone got off, and another whole batch of ‘everyone’ got on. I wondered if I rode long enough whether the Asian women would get on again with their cookie-muncher kids. I promised myself if they did, I would return the little one’s smile.

Reviews
Nice gentle piece
Written by BrianRobertNeal (1195 comments posted) 27th April 2006
You have a good eye for detail. But you use it with discretion. 
 
The piece had the feel of the intro to a French Focussed Alistair Cook (of Letter from America fame.) It should have led into a piece about:P 
 
Multi-racialism in Paris 
or 
State funding of the Metro 
or  
Arsenal at the Champion's League Cup Final, likening the team of many countries to the ethnic mix on the Metro. 
 
However it was a good self contained read, 
 
Brian

Written by Dragonshadow (11 comments posted) 27th April 2006
I liked it alot. It reminded me alot of life and how we are always going to do something but yet we just dont seem to get there. Also how we look at people on what race they are not on who they are. But still i find it amazing how you can capture every emotion and detail of life from an everyday activity. Thankyou for the experience of reading your work. :)
Liked it
Written by steve666 (50 comments posted) 27th April 2006
A good observational piece about that most mixed slice of life, the railway carriage. 
They often give me the same feelings - i think it's the close proximity of people and the fact that you have the opportunity of close up and protracted study. It is almost expected of you to stare! A great place for voyeurs. 
Anyhows, enough about me. 
Well written, a smooth flow, good imagery, nice ending. :)
thanks
Written by robokent (84 comments posted) 27th April 2006
thanks, brian, dragon and steve for your comments; always nice to know something you've written works! 
 
as you said, brian, i wanted to keep it a short, focused piece, but you're right that it could be the lead-in to something longer.  
 
dragon, one thing you can't help but notice in others is their race, the color of their skin, whatever that visually sets them apart, and i wanted my character to reflect that; thanks for noticing. 
 
steve, yeah, i agree with you totally about the shared space, the occasional discomfort that comes along with being so close to people you don't even know... but maybe that one over there reading the spy thriller could be my best friend, and the girl with the light blue scarf my love... 
An alien world
Written by Bottleblondesurfer (3590 comments posted) 27th April 2006
I was fascinated by this piece because the whole concept is so alien to me. I do travel on trains and have never wondered about those around me, or been interested in their conversations or wondered about their lives. Yeah I know it's fictional but just the the idea of it seems strange to me. That said it is a brilliantly observed piece with lots of little details and you even managed to find a clever ending. Perhaps I don't have a writers mind but I'd have preferred a good crossword 
Hey-ho
crosswords
Written by robokent (84 comments posted) 28th April 2006
Mrs. B, 
 
Thanks again for your review. I admit, usually I just bury my head in a book during the metro rides here in Paris, but occasionally I do like to take it all in... you know, the microcosm of society and all that...

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