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Poetry
Inside the Moor
By patterjack
23 June 2006
I have played the role of Iago . A terrifying experience , not just because it is one of the longest roles in Shakespeare , but because the convolutions of the language reflect so precisely the convolutions of the character's mind .

Someone described him as motiveless malice and frankly , getting into the character just about finished me for acting , especially as the director , who was later to play the major role of Othello in another production and so was more interested in that role , did not exactly go out of his way to offer support or assistance .

There is a theory that Iago was in love with Othello : I prefer the idea that the characters are in balance.

I made it through the role -- but at somewhat of a personal cost .

This poem then is a kind of personal catharsis.


Othello's Ensign has subsumed his mind

I am my own Iago. Small and neat
I lounge and sneer at the back of my own mind.
Sometimes , it’s true, in self-defence I leap
where bright blades flash. I have my skills:
I thrust and parry with the best of them,
yet I must admit , I’m not much with the broadsword.
Leave that to the oaf up front, swart muscled bastard,
the strutting peacock all you fools admire.
I’ve heard you praise him, build his ego up
with talk of his potential. Holy Christ !
You haven’t seen him as I have- a stumbling drunk
besotted with his visions of romance
mumbling , rumbling with incoherencies.
That’s just the point: you laud him, call him noble
direct and blunt and manly in a world of men.
A ladies’ man too-- in a world of men.
To me you nod politely, too afraid to jeer
except behind my back. You know too well
his humbleness forgives the grossest insult.
But no, my pretty ones, not I. Just make one slip,
I’ll pin you and leave you wriggling on the pin.
And I’ll enjoy it. Let him wave his sword,
let him bear his long steel phallus,
let the women flock to him.
I know them as they are , the randy bitches
too excited by the smell of his dark musk
to understand that the closer that they come
to him , the closer it must be to me.
Then I don’t have to shout; I merely whisper
and watch him shake his head in puzzlement
and wonder why they press so hard on him.
Behind that thick-lipped smile I sow a doubt.
Such easy game , it’s hardly even sport.
By now, in fact, it’s no more than routine.

First off , the goatish prance, the big display
of muscle power and skill; the white teeth flash;
he treads a dance through multi-coloured mazes
of unrestrained emotion. And they fall--
God , how they fall. They simply cannot see
beyond the caperings, the swelling cloak,
to where I stand disgusted, looking on.

Sometimes I almost pity them, and yet,
no matter how I try I can’t convince
the idiots they’re being taken in.
What he has to offer is a fraud:
beaded sweat and body smell, not brain.
I can’t convince them that it’s really I
who runs this puppet show , who pulls the strings,
who can prick the bubble of his self conceit
at any time I wish . They’re all bemused ;
because he’s like a child, they mother him,
giving him candies for his great red tongue to lick.
He can’t survive without me -- but , one phrase,
and I slice the dream from round him till he sees
their failings through my eyes. He sometimes tried
to recreate the dance, but it’s a farce;
his heart’s not in it. He remains polite,
but they want more than courtesy. They retire,
wondering what’s happened to their fancy man.
Sometimes , to ring some simple changes on
an old routine, I give him leave
to try again, but it’s never quite the same.
He hasn’t the finesse without me there
to oversee his maladroit performance.
He’s much too likely to miscalculate
and finish up no hero but a clown.
On most occasions though I much prefer
to keep control. It’s better so.

Just once, he found a Desdemona for a while.
Beauty , simplicity , ignorant innocence
are hard to overcome when they’re allied
to his brute strength. There was no way
for direct action , I had to play the waiting game .

I pared my nails and watched.
The fever shook me but I made no show.
I sighed , tut-tutted, shook my head and smiled.
It wasn’t quite what he expected. His big hands trembled
and all the while that he groped for comfort ,
clutched and grasped, those same hands learned
the way to a white throat.
It seems I have the great black bear well trained .

After the first time there was hardly need
to find a handkerchief.

Reviews
Breath taking journey
Written by Leo (573 comments posted) 23rd June 2006
This was compelling. It was actually a physical pleasure to read out as i went through, and a mental treat as i deciphered the lines, word by word... 
 
Thank you very much for putting this one on the site 
 
Best regards
Wow!
Written by Bagheera (685 comments posted) 23rd June 2006
I hadn't realised just how complex a role this is (nor did I know that it "weighs in" as the longest single role WS wrote!!) 
 
Your description of Iago's (thoughts? psyche?) is magnificent, and particularly that you have composed it in the Iambic Pentamemter the Bard himself used (though there are one or two lines where the rhythm falters slightly: you might want to look at them, I think you could probably 'regularise' the few lines this applies to and re-write them as "proper" IPs if you want to .... on the other hand, who am I to try and comment on someone else's Poetry!!? 
 
Will PM you with something 'for your eyes only' fairly soon ....
inside iago
Written by brook_rivers (486 comments posted) 23rd June 2006
This post was really interesting. I find Othello the most compelling shakepeare, and v.impressed that you have had the chance to explore iago in so much detail through actually taking on his character in the play.  
 
There are many different theories as to the othello - iago relationship, as you say, & to the motives for iagos behaviour. I think it is interesting that you have written a poem as if by another person - it has certainly given me a few ideas! and I like the way that you show othello as the true villain through iago's eyes & that you use vocab that is commonly used in the play and in reviews of the play. 
 
As ever you have given me a lot to think about & i am glad you found the time to post this up and share it on GW.... and as for your previous comments that this piece may be below par for posting far from, although very different to you other poems it is still magnificently crafted! 
 
brook
A Fabulous Flight
Written by mishmish (389 comments posted) 26th June 2006
I read this, then re-read again and again...each time I got more and more out of it.  
 
A truly special and superb piece of poetry that is rarely seen these days... 
 
Well done! 
 
best wishes 
 
mishmish
Great work!
Written by LePetomaine (8 comments posted) 8th July 2006
This is just an excellent piece. :)
*low whistle...*
Written by no1butClo (341 comments posted) 8th December 2006
wow. 
 
I studied Othello in year eight at school in great detail, especially Act 3 Sc 3, something I enjoyed. Perhaps it was partly my teacher who instilled the enthusiasm, but I have been enthralled by this play ever since. 
 
A beautifully written protrayal of Iago...if Mr. Shakespeare were here he would insist that it be written in, and I'd agree. 
 
nice one patterjack, and thankyou 
 
clo x

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