A short story based on a poem by Seamus Heaney. This is a revised version following some advice that the ending came a little too 'off guard'. I have kept it simple however in light of such a sensitive and personal subject. As always, comments welcome. I sat outside the Headmistress’s office, sitting on my hands, staring at the blood red carpet, my feet swinging to and fro, knocking the legs of the scuffed wooden chair from time to time. The halls were deathly quiet apart from the occasional breeze of chat and laughter that drifted lazily out of briefly opened classroom doors. A teacher walked past and patted me gently on the head. I looked up and smiled awkwardly. She pulled her face into a warm and maternal stare of empathy. Her eyes were watery. I looked down at the carpet again, concentrating hard on one of the firm white mounds of chewing gum dried on its surface many years earlier, that the janitor had never managed to lift.
Forgetting myself, I snorted with laughter. It was so funny when the head had stepped in it and lost her shoe. That prank was so worth the lines and detention I had had to do.
Just then, the head came out of her office.
‘Ok, your Dad’s here. I’ll take you outside.’
Although I tried to shake her off, she put an arm around my shoulders, and guided me down the corridor towards the front of the school.
I glanced at my watch. It was time for lunch.
As we made our way through the crowds, I counted bells, knelling classes to a close.
Bring bring. Bring bring. Bring bring.
The other kids were being herded like cattle. I was struggling to catch my breath as time and time again I was shoved and elbowed against a wall. I barely heard the head ordering them to behave. My head began to swim.
Bring bring. Bring bring. Bring bring.
Breaking my out through the glass front doors I gasped and gulped for air. Stopping for a minute to pull myself together I stared up at the sky, willing myself not to pass out. Cotton clouds bobbed back and forth on a blanket of the deepest blue. Birds soared high through the sky, weightless and effortlessly towards the heavens.
I lowered my eyes, spotted Dad’s car, and commanded my feet to move. Three hours later, with all the self control I could muster, I stepped tentatively out of the car. My eyes unwillingly fell to a spot on the road behind me. I felt as though my heart was in a vice and my entire body stiffened. There was a tiny red spot; a few shards of glass and an ominous lingering smell of burnt rubber that perhaps I was imagining.
I meandered my way up the drive, meeting my mother at the porch, and bending briefly to kiss her cold cheek. She was rocking silently, clutching something tiny to her chest. Inside the house I flushed with embarrassment as elders stood ceremoniously in line to shake my hand. The baby cooed and laughed in the pram. I saw a tear slide slowly down my Dad's cheek, but still he stood tall and strong. They told me he had always taken funerals in his stride.
I trod my way up the stairs, stopping to pick up a pair of fireman red Wellingtons on the top most step. I went to the bedroom and placed them beside the bed adorned with ‘Fireman Sam’ bedcovers. A yellow hat sat proudly on the head of the scabbiest teddy you had ever seen and beside him, sat a lone shoe, laces undone. I went to get changed.
The next morning, as I heard the car pull up, I stood, straightened my tie, and closed my eyes. I reached for my mothers hand as she coughed out angry tearless sighs.
Candles, pale roses and snowdrops adorned the bedside where he lay. I had not seen him in six weeks. He looked paler now, smaller. He wore a poppy bruise on his left temple.
‘It’s been a hard blow.’ said someone softly in the corridor behind me. I failed to acknowledge whether he was referring to the accident or the outcome. For all my mind could see or understand at that moment in time, was that there before me, lay my brother, as if in his cot, as if he was simply sleeping. No gaudy scars, the bumper had knocked him clear.
There lay my brother in a four foot box; a foot for every year.
* The actual poem is about the death if Heaney’s infant brother and how people (including himself who was away at school at the time) react to this.
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Sensitively done. Written by Phil (6730 comments posted) 27th August 2006 | This was dealt with very sensitively. It built steadily, adding tension, to the end. Loved the last line. Pedantic point: maternal, not paternal? Great piece. Phil. | A moving piece. Written by BrianRobertNeal (1195 comments posted) 27th August 2006 | I've been spared the death of a child, as each of my sons reached 21, a burden was lifted. I've yet to pick up the burden that goes with Grand-Children. A well written and compelling read. Brian. | Some good writing, but unfortunately fla Written by JasonDJ (16 comments posted) 27th August 2006 | The description of 'the blood red carpet' is particularly apt, and nicely observed. The moment when the narrator laughs inappropriately is also a good depiction of something that often occurs at times of grief. Unfortunately, the best lines have come from Heaney. This is a particular problem as the story deals with exactly the same subject. For example the reference to the 'poppy bruise' is Heaney's observation not yours. Personally, I was attracted to the piece because I know the original, and I imagine others will too. Your writing will suffer by a comparison with Heaney's. This is not necessarily a comment on the quality of your writing, just a fact of life if you borrow so obviously from a well known piece. This story doesn't add much we don't already know about grief, particularly if the reader is familiar with Heaney's poem. You could try removing all references to the poem, and adding some more of your own thoughts and observations. Alternatively, you could try approaching the piece from another point of view. I hope this helps.
| Touching Written by kevg (45 comments posted) 27th August 2006 | A great piece, like Phil said, very sensitively written indeed. You held my attention from the first parapgraph right up until the last word. Good use of the senses in the story to build up atmosphere and setting. The last line carries a great punch, excellent job. Thanks for the superb read. KevG | Liked it. Written by Doublevision (11 comments posted) 27th August 2006 | | I agree with JasonDJ's comments. | Thanks Written by Gill21 (566 comments posted) 27th August 2006 | Hi all, thanks for your comments. Phil- thank you for your kind review (the last line is the work of a great poet not me) and i yes, i suppose i meant maternal, thanks! BRN- thank you also for your kind review. Jason - i know all the best lines come from him but i just couldn't leave them out because they were so good (he is my favourite poet). It was more a writing exercise than anything and definately not my best or most original work (clearly my writing will never match up to his) but perhaps i will try writing it again from another perspective. Otherwise i hope it is still an enjoyable piece whether the reader is familiar with the poem or not. Thank you very much for your detailed and helpful review. | Thanks again Written by Gill21 (566 comments posted) 27th August 2006 | | Kevg and DV thank you also for your kind comments. As i have said above i cannot take credit for the last line but i put it in because it is so good. | Poignant Written by ellipinnock (1753 comments posted) 27th August 2006 | I think that, for me anyway, it does not matter that many of the strong lines in this come from the original poem. I feel like it gives me an insight into how you read the poem and what you understood by it which is unique to yourself. For this alone it makes a worthwhile read. AS with JasonDJ, maybe adding more of your own comments etc. might make this effect stronger. Elli | Poignant 2 Written by Leo (573 comments posted) 28th August 2006 | | i thought this was great. i don't know the original piece but maybe this will make me seek it out. thank you. | Think, Gill... Written by gerardconnolly (1186 comments posted) 28th August 2006 | Hello Gill. You are so busy on everybody else's behalf you certainly deserve a word yourself. Firstly, I have to say that Jason strikes me as making a seriously valid point when he maintains that if you choose an established author for your basis you risk being, frankly, sidelined yourself. Two observations I would make . 1 Having read some of the other pieces you have posted, I really cannot see why you should want to go down that road as you strike me as perfectly capable of creating and dealing with a subject yourself, ie. per se. 2 Moreover even if you wanted to use a well known line/quote etc., there is no reason why this should be/effect the cadre of any work. You can quite clearly manage on your own so why rely on others? Nobel Prize Winners or what!? You need to take heed from a bit of confidence. Stop looking at other people and concentrate on your own talents which seem to me to be self evident. For what it is worth I think you have enough intelligence to disregard anything alongside as immaterial. Write from the heart and not just from the head. I cannot think of any better advice. Slan! | Heartfelt Piece Written by mishmish (389 comments posted) 29th August 2006 | It has all been said above. Sorry I came to this a bit late. I really enjoyed this and was moved by it. I think you captured the feeling and the perspective of the child, his nervous awkwardness at a room full of adults; the tentative waiting outside the head's office; the final touch of him putting the wellies in his brother's room. All these things wove together a beautiful story. Well done Gill for a lovely read. Best wishes mish x | Hi Gill Written by jean.day (2283 comments posted) 29th August 2006 | | I too enjoyed reading this story, and I have read the Heaney piece too. But it wasn't until the end that I thought it was maybe too closely aligned with it. The thought that came to me was maybe a girl would respond slightly differently than a boy would with this news. But it is good and I will now get busy and read some more of your writing. |
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