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Poetry
Cormac and Becuma
By Bagheera
02 September 2006
This is something I wrote as a dramatic passage in a Chapter of "Chapel..." but I'm quite pleased with it as a piece of poetry and would llike to share it.
Comments appreciated, and particularly if anyone would care to comment on hte Style of address. I cna't decide whether I should have tried for a mediæval 'minstrel' or bard, or gone for the earlier dramatic style of a Viking skjæld ........ ??

The tale of Cormac and Becuma is something I dredged from research into my own family hitory.

 

 

Cormac and Becuma
 

Out of the wild winter weather she came calling
Halt and lame, haggard and loathsome
Seeking sanctuary
High-born Cormac, Prince of Coolavin
High King at Tara, heard her cry
Granting, graciously
The boon the beldame begged
 

Drenched, dismal, frozen and forlorn
The Hag was hurried to the hearth
Bread was broken,
And warméd wine swiftly served
Scheming secretly
The sorceress sat, her true intent well-hidden
 

Day followed, and night: soon week, then month had flown
Cormac, considerate, courteous, had not the heart
To bid brazen Becuma begone!
Step by step she stole deeper into his demesne
From sleeping in the scullery, soon she saw
Her chance to charm her way
Into his bedchamber.
 

A chess-game challenge one morning she made
And each their side of the foursquare battlefield they sat
War was waged; men-at-arms, knights and nobles
Defending to the death the royal couple, king and queen
Each feint and foray the witch waged, could Cormac counter
From sunrise to sunset they strove for mastery
Under the blood-red sunset they battled in silence
 

Then Becuma, as the balance of the game went ’gainst her
With guile attempted Cormac to confound
And scenes fantastic all around did conjure
With which the High King’s vision she might cloud
As his attention faltered, the gameboard she then altered
“The game is mine!” Becuma cried
“You play me false!” Cormac replied
And stood, heart racing, reaching for his dagger’s hilt
 

Yet honour stayed his hand, and won the day
Courteous Cormac could not the false guest slay
“The game is yours, though falsely:
What forfeit must I therefore pay?”
And Becuma, triumphant, raised her arms
And spoke the words of her chosen charm:
 

A curse she laid on Cormac, his courtesy abusing
That he might ever and aye beholden be
To offer unstinted hospitality
To all who asked
“Oh, Cormac Roe! High King at Tara! Weep!
My curse shall beggar you, while others sleep
In the bed you have denied me!”
 

“No traveller may you turn away, no request refuse
Friend and foe alike shall learn,
And beat a broad path to your door
Friends at the fore gate, enemies in the entry hall
None may you deny, nor stay your hand
But give unstinting, forever and a day!”
 

Through the long, dark hours of the night, Cormac sat, silent
Hearth flames were close to cold, ashy death before he stirred
“Know, scarecrow, my solar is mine alone!
If thou wouldst share, the stone-flagged stairs now climb
To gain my bed, bold Becuma
The turret must be stormed!
 

And so she  crept from step to step
A sinister shadow, sneaking soundless, ever higher
Closer now the solar, and her goal:
Cormac’s kingly frame. Her one desire
To taste her victim’s royal blood,
She hastens onward, heeding not her doom
 

A careless foot placed on a certain stair
Releases a bouncing boulder, crashing, crushing
Doom-laden, death-bringing
Screaming, she stands, too shocked to flee
Sudden silence: she screams no more.
 

Reviews

Written by Phil (6683 comments posted) 2nd September 2006
I found myself reading faster and faster as I neared the end of this.  
This, I think, is partly down to the story and partly down to the way you have structured the lines - shorter, snappier phrases etc. 
 
Loved the use of alliteration throughout. 
 
(Out of interest, is death-bringer a kenning?) 
 
Style of address worked well for me. Introducing a minstrel to narrate would have possibly detracted from the energy your poem created. Is this what you meant in your intro? 
 
Enjoyed this a lot, 
 
Phil
a love of mine
Written by Gill21 (566 comments posted) 3rd September 2006
I know nothing about poetry suffice to say i read alot of it so i know what i like; and i really liked this! 
I also know nothing of the history of the story, but it had that medieval air to it; poetry that just isn't written anymore. Medieval lit is a love of mine. 
The use of dialogue was fantastic. You used the poem to tell a tale, not just to express an emotion. The language was essential to the style and you did a great job i think. 
The last stanza was inevitable but again very apt. 
I also loved the use of alliteration. 
Beautifully written,well done.
Hi Bagheera
Written by jean.day (2266 comments posted) 5th September 2006
I too thought this was very good, and really enjoyed the alliteration. It is very dramatic and very effective. Did you decide not to use it in Chapel? We haven't had any chapters of that for awhile.
Hi, Jean!
Written by Bagheera (680 comments posted) 5th September 2006
Try again ..... !!
Written by Bagheera (680 comments posted) 5th September 2006
Hi, Jean! 
 
No idea what happened above! 
 
I had to create the right "atmosphere£ in a Chapter, where the Senchai (Hugh O'Gara) could tell the tale to maxximum effect, so the poem has been held over for a chapter still to be posted ..... 
 
At the moment I've a publisher looking seriously at the book as a whole, and something tells me that he's definitely interested in going to the 'next level' .... watch this space! 
 
I'm also putting the finishing touches to a website which I shall use as a "shop window" for my wares .....

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