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Drama Scripts
A Chance Meeting
By ellipinnock
11 September 2006
This is my first attempt at a script, partly in response to this months lazy writer's theme. I'm not very confident about this piece. Would appreciate some constructive criticism? Should I pack my bags up and head home?

Ta, Elli

[ A room with white walls and ceiling. A small barred window can be seen in the top right corner and a large brass ring attached to a trapdoor can be seen centre stage. Below it stands a somewhat bedraggled Christmas tree. A woman sits in this corner, half wedged under the tree, she is wearing a voluminous shabby trench coat, pockets bulging and overflowing with crisp wrappers. She mumbles incoherently to herself throughout. A second woman is standing in the opposite corner of the room. She is dressed in white from head to toe and has very pale skin, She is virtually indistinguishable against the backdrop apart from a shock of orange hair]


Second woman [miming directions]  

'Damn it. How the bloody hell did I end up here? First on the right she said, carry on going, take the second left....through the double doors, then you'll see a trapdoor...Ah crap I missed the trapdoor. Again. That's three times this week, it's doing my head in.'


First woman mumbles under her breath. The words are hard to distinguish but sound obscene. The second woman jumps up and throws herself at the Christmas tree.


Second woman

' Not another talking tree. Those bloody elves just can't leave well alone. You'd think they'd get enough of trees hanging around them all day without wanting to talk to them as well. Then they get bored and foist them on the rest of us. Well fan-bloody-tastic. Shut up will you! Stupid plank.'


She notices the first woman and leaps backwards


'What are you playing at? Creeping up on a body like that. It's just creepy. In fact, just leave me alone. It's not my fault your village got blown up in the last wave of attacks. Regrettable I'm sure but that's the way it is. You can't make an omlette without breaking eggs now can you? I suppose that was you talking as well? Trying to make me think I'm going mad, huh? Well, it won't work. I'm a busy woman you know, far too busy to be going mad. Now be off with you, I've a trap door to find.'


The second woman scours the floor and walls on her hands and knees searching for the trapdoor. The first woman gives no indication of being aware of her presence apart from a slight increase in the volume of her muttering in which the word 'trollop' can now be discerned. The second woman stops for a moment and sits cross legged in the middle of the floor.


Second woman

' Where was your village anyway?'


 A pause, the muttering builds and then subsides, the first woman still has not moved from the base of the tree.


Well, it wasn't that important anyway. They all look the same after a while you know. Mud huts, smelling of goat. Bedraggled peasants, smelling of goat. Village green, smelling of goat. What's with that by the way? All your crummy goats are dead and the whole place still smells of goat. Still I doubt it matters now, front lines all look the same don't they? It's not a nice job you know, choosing who to spare and who can be expendable.


Silence again


Still, someone's got to do it. Now, where's that bloody trapdoor?'


The second woman begins to crawl around on the floor again, this time concentrating on the corner of the room furthest away from the first woman


I did you a favour you know. You were never going to make anything of yourself, shut away in that little corner of nowhere. Now you have all the opportunities in the world. You could do anything.


She runs across the room, crouching down inches away for the first woman's face and shouts


ANYTHING!


First woman growls and leans forward ever so slightly


The second woman scrabbles backwards into the furthest corner, patting her clothing.


Second woman

Maybe I shouldn't have bothered. Pointless trying to explain anything to you lot, what do you know about the greater good. Pah, you would never understand.


She spies a fine crack a quarter the way up one of the walls, rips a branch off of the tree and levers it open revealing a narrow dark passageway.


Now, if I follow this and take the first left then I'll be...back where I started, just the ticket.


She climbs into the shaft which is just wide enough to take her and calls back


You coming then? Can't stay there all your life, meandering from one dead end to another. Waste of time if you ask me. Progress, that's the name of the game.


As the second woman's feet disappear the first woman gets to her feet. She roots around in her pockets, spreading junk everywhere before she finds a half-eaten packet of crisps and munches on them thoughtfully.


First woman

Back where you started. Oh, my child, did you really think your war was about the greater good?


She walks to the centre of the stage and pulls open the trapdoor. Then, as an afterthought, she runs over to the tunnel in the wall and shouts.


First woman

'Trollop!'


The shout echoes for a while. Then the first woman sits on the edge of the trapdoor, heaves a sigh and swings herself in, closing the door behind her.

Reviews
Hi EP
Written by BrianRobertNeal (1195 comments posted) 11th September 2006
This is very 1960's retro, stark. symbolic but unexplained images and incomprehendable plot. 
 
It would certainly make a visual impact however the actors would walka tight rope for it could easily be interpreted as being Parody. What if the audience in their confusion-laughed?  
 
The actors' movements and actions could easily seem comic almost slapstick, particularly those involving crisp packets.  
 
(Mad Margaret in Ruddigore has the audience in fits and yet when played well she merely displays signs of serious dementia.) 
 
If you are to get across to other than a very percipient section of the audience you may have to be a little more "obvious". 
 
Put simply it grabbed my attention, but I haven't got a clue what it was about. But then I'm very literal and not very bright, 
 
I meant well, I'll get me coat, 
 
Brian

Written by Phil (6836 comments posted) 11th September 2006
Much like Brian, this really grabbed my attention, your stark descriptions and one sided dialogue set a disturbing scene. 
 
Also like Brian, I need it a little more obvious. Lots of ideas came into my head as I was reading, but none stuck. Perhaps this was what you intended. 
 
Having said all that, for a piece I didn't really get, it has a strange and strong appeal. 
 
I too meant well! 
 
All the best, 
 
Phil.

Written by Bottleblondesurfer (3445 comments posted) 11th September 2006
I bet you're one of those intellectuals I've been hearing so much about, never thought we'd get one here, though. 
If Samuel Becket ever wrote a christmas panto it would be something like this. I can only echo phil and say I'm not sure i got it but it had a strange fascination and it sparkled with orginalilty and quirky fun and should keep tht script forum buzzing along nicely 
Well done 
BBS
Ta BRN
Written by ellipinnock (1753 comments posted) 12th September 2006
 
Whilst this was in no way supposed to be comedy (I've seen what happens to people on this site who have the temerity to attempt comedy and turn out less than funny!) there was supposed to be a slapstick element to the piece. Kind of highlighting the absurdity of the way we are all so sure that we know what is best for everybody and everything. The Christmas tree only ended up in there 'cos I'm so pissed off that they're already in the shops and I fancied giving one a good beating :) 
 
Thanks for your comments, much appreciated. 
 
Elli 
Ta Phil
Written by ellipinnock (1753 comments posted) 12th September 2006
I was really just intending for this to provoke lots of ideas. I don't like to seem too preachy on a particular message but think I may have gone too far the other way and become a little too obscure. I was kind of going for the absurdity of thinking we know everything/not seeing the obvious solution to problems and taking the long way round etc.  
 
Thanks for your comments, much appreciated 
 
Elli
Ta BBS
Written by ellipinnock (1753 comments posted) 12th September 2006
Intellectual...I'm not sure about that! I do rather like Samuel Beckett and I have to say this was a little Godot inspired-hit the nail on the head there! To be honest I'm not entirely sure I understand it all myself, I think I may have been abducted by aliens.... 
 
Thanks for your comments 
All the best 
 
Elli
Fun
Written by Gill21 (566 comments posted) 12th September 2006
Really great! I actually agree with all that has been said above. I was a bit confused also and wasn't sure i quite got it, i was beginning to think it was a comedy but it's not always easy to get the tone across on paper, the actors have to do their job too.  
Really fun and original, and certainly absorbing. Makes me want to take mine off! Well done elli, always enjoy reading your posts.

Written by ellipinnock (1753 comments posted) 12th September 2006
What, you think I've been abducted by alines too?? Dammit! 
Seriously, thanks for taking the time to comment Gill, much appreciated as always. 
 
Elli 
 
ps. I liked yours better than mine!

Written by ellipinnock (1753 comments posted) 12th September 2006
...aliens :p
Happy to oblige...
Written by gerardconnolly (1186 comments posted) 15th September 2006
Hello Elli. Thanks for your PM. As you have asked I have had a second read of this anf find myself generally in consensus with others reviewers, particularly Phil and Jane. Surely the thought of a Beckett Christmas panto is the best backhanded compliment you could wish for. 
 
I didn't find the piece incomprehensible as such, simply that by dint of its presentation with sometimes conflicting stances in the exchanges, it can come to look that way. I really do think it is too short to carry off its slapstick purpose. By the time the audience have got their heads round the fact that they have got to get their heads round it, rather than be entertained, its over. I would think this is a dramatic piece that is asking for some kind of prologuge to shoe in its effect. That and a scripting template that will enable you to separate out your directions much more lucidly and therefore forcefully than you have done so above. Once that is done it is my guess that you will find you have a piece with interesting potential. 
 
On the positive side I do like the writing. Whether actors will like it is another matter and if you are intending drama you need to consider this. They are a cantankerous and stupid race of people who cannot understand English unless it is explained to them in small bouts of bullying and braille. If you have no stage knowledge you will need to get a handle to that. It is my experience beating them over the head with a table leg usually does the trick, though to start with my adviceto you is simply to highlight principlal directions ahead even of single words in the text if necessary. It can make for awkward reading but leaves no room for ambiguity; or, worse, one of the bosthoons trying to use initiative and devastating your lines. If you need a good example of how to do this look at Bagheera's ' Peer 'n Ed ' ; or 'Rocking Horse'. He is a master at that kind of thing. In fact I think he is the best script practitioner on the site. Look him up. 
 
Hope this helps. Well done! 
 
Slan!
Thanks Gerard
Written by ellipinnock (1753 comments posted) 15th September 2006
I must admit I nearly framed that comment for my wall :) 
I have been reading some other scripts to try and get a feel for how to present a little more easily. GW formatting isn't the most user friendly especially with this where there is a lot of stage directions. I shall go and have a look at Bagheera's stuff forthwith.  
I think I'll have a go at extending this a bit. Thanks for the comments, really helpful as always, hopefully I can implement some of this stuff :) 
 
Elli
Hi Elli
Written by jean.day (2326 comments posted) 13th October 2006
I was looking for something else of yours to review and happened on this. I really liked it. It didn't matter that I didn't understand all of what was going on. I thought it was effective and interesing. Well done.

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