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Drama Scripts
Matter of relations Part 6
By BrianRobertNeal
22 September 2006
Publish and be damned-I can always delete it.

SCENE 9-SOUL SISTERS

NARRATOR-When she'd left Nigel at his mother’s house, Arwen had gone to the shopping Mall. As had Georgina. Both women were upset and had wandered aimlessly until they literally bumped into each other in a coffee shop. Arwen recognised Georgina, so having bought a coffee and a cake she went to the table Georgina was sat at.
 

Georgina, eyed Arwen coldly. Several others had approached and then retreated but Arwen held her ground.

ARWEN-Is there anyone sitting there?

GEORGINA-It does not look like it does it?

NARRATOR-She also wanted to say sit down and shut up. Arwen sat down. She plucked up courage and tried to open a conversation,
                
ARWEN- It's very busy here today

GEORGINA-It always is on market day.

ARWEN- You're Nigel's sister aren't you?

NARRATOR-Georgina looked at Arwen and thought that she looked familiar perhaps they were acquainted? However Georgina was in no mood to renew acquaintance. Arwen's eyes re-iterated the question.

GEORGINA- Yes.

ARWEN-I was with Nigel in Yeoman.

GEORGINA-So?

ARWEN- I wondered how he was, what he was doing, is he still with his wife.
 

NARRATOR-This was now a fully-fledged nightmare; Georgina did not want to discuss Nigel with anyone let alone one of his casual acquaintances. However she answered hoping this might finally shut the little woman up.

GEORGINA-He's all right, I don't know what he is doing, and I've no idea about his marriage. You see Nigel and I are not very close.

ARWEN-But you were once.

GEORGINA-Yes but we aren't now!

ARWEN-Nigel used to get very upset about that, he felt very deeply about you losing your baby. It must have been awful.

NARRATOR-Georgina felt that she was being tortured by a perverse and cruel fate: First Nigel, and then the baby. Georgina almost howled at Arwen,

GEORGINA-How would you know?

ARWEN-Because I lost the baby that would have been my second child; it was a boy. They said I should not have any more children. But I did have two more. The last one nearly killed me and without my permission I was spayed! So I have three girls. But I want my son back.

NARRATOR-As Arwen spoke she became increasingly agitated and finally broke down completely and just sobbed. Georgina for the first time looked closely at Arwen and noticed that she had very dark brown eyes and jet-black hair. Georgina's stillborn child had had dark brown eyes and an absurd cockscomb of jet-black hair. Arwen could have been her lost daughter come back to her as a grown woman.
 

Georgina shoots up and races round to Arwen and nuzzles her into her body. She reaches into a pocket and pulls out a handkerchief. She dabs carefully at Arwen's face trying not to further smudge her make up. She lifts Arwen's chin up and dabs the left eye, then left cheek and then she dabs Arwen's nose. Arwen looks startled, Georgie then dabs her right eye and cheek, then once again dabs her nose. Both women laugh.
 

GEORGINA-Sorry, I used to do that to my brother Gerry when he came to me blabbing, he'd fallen over or somebody had hit him or something like that. I'd soon have him in fits of laughter.
 

Now come on little one, take big, deep breaths, you know, like they taught us at antenatal classes. That's it one, two, three, relax, one, two, three relax, one, two, three and stop.
 

NARRATOR-Arwen has stopped shaking and is trying to compose her self. Georgie returns to her chair and sits down.

GEORGINA-I'm sorry. I could not have known could I? Were you Nigel's "woman"?

ARWEN-We were lovers. I am nobody’s anything thank you. Oh I am grumpy today, sorry.

GEORGINA-Do you know, I wish I had had a little sister like you.  That's probably why I hate Gerry. I so hoped mum would have a girl and she had a boy. Gerry and Nigel were always so close and I was just the silly little girl.

ARWEN- I'm an only child, I'd have loved a brother or a sister. But yes I would have preferred a sister. I would have liked a big sister: one that would have looked after me in the playground.
 

I was always little and I was bullied. You know somebody that I could have talked with about boys and that sort of thing.

NARRATOR-Ever a pragmatist Arwen suddenly found that; as she would have said; for all the wrongest of reasons the rightest of things might happen. She might get Nigel back and she had found a new friend. So she asked

ARWEN-Georgie, how can I get to meet Nigel again?

GEORGINA-Well; every Friday at about 7, he parks by the parade of shops and then walks past our old home and goes to the Pub to meet Gerry. He's as regular as clockwork.
 

ARWEN-Thanks, whatever happens why don't we meet once a week for a natter? Here's my card; it's got my number on.

GEORGINA-Thanks, It's very pretty, here's mine.

ARWEN-Gosh you’re in computers! A consultant! I'm a just lady of leisure. Well big sis, I'll keep in touch.

GEORGINA-Well little sis, give Nigel my love.

NARRATOR-Both women get up and they give each other a peck on the cheek. As they are about to move off Georgie asks,

GEORGINA-Are you rushing off anywhere or have you got some time to spare?

ARWEN-I'm in no hurry to go anywhere, why?

GEORGINA-Well I've seen these wonderful shoes, but I think I might be too old for them. So would you come down the shop with me, and I'll I try them on?

ARWEN-Why yes, I'd love to, however, I will do it on one condition.

GEORGINA-What's that then?
 

ARWEN-Well I've seen this fantastic red dress it's very pricey but very sexy. I'm worried that it might make me look a tart.

GEORGINA-Red would suit you it would set off your gorgeous brown eyes and go well with your dark black hair. But don't you worry I'd not let my little sister go out looking like a tart.

NARRATOR-The women walked out of the café and then linked arms. They went off happily talking about nothing in particular. They were indulging in those little pleasantries that women are so good at and which soften life's sharp edges and make it a more comfortable experience.
 

SCENE 10-ON THE STREET WHERE I'VE LIVED.
 

NARRATOR-Mother had now been dead for months. It was a Friday and Nigel had parked outside a parade of shops and was on his way to the Pub to meet Gerry. Cars parked near the Pub were liable to be vandalised.
 

This also meant he would pass the family home. Sometimes he would walk straight past and others he would stop. Today he stopped.
 

Arwen was waiting round the corner. From her latest meeting with Georgina she had found out that Nigel had left his wife and that he was living in a flat owned by his company. So she lay in waiting.
 

NIGEL- You've often seen me wandering looking disconsolate and glum: how true.

NARRATOR-Arwen comes out of hiding and comes over. Nigel fearing a "humiliation" tries to ignore her.
 
NIGEL-Dirt Nigel, nose Nigel, rub, rub, rub.
 

ARWEN-Well, if it isn't your favourite Little Elf.
 

NARRATOR-What she really says is "here I am, tell me how much you've missed me, how much you love me, then take me to bed". But Nigel being Nigel only saw further humiliation looming.
 

NIGEL-How are you?
 

ARWEN-Fine and you?
 

NIGEL- I've left my wife. We're getting a divorce. There was nothing to keep us together. And you?
 

ARWEN-My husband never quite came back, and now my youngest has gone to university, I'm just rattling round a big house, all on my own.
 

NIGEL-I love you Little Elf and I've so missed you
 

ARWEN- Well middle aged nobody, I've missed you too.
 

NARRATOR-They embrace more in relief than passion. Nigel breaks away abruptly. Arwen looks surprised and anxious and turns away from Nigel.
 

ARWEN-Nose Arwen, dirt Arwen, rub, rub, rub.
 

NIGEL- Here you, there was this big big elephant and he met a little little mouse.
 

ARWEN -Nige, I told you that one.
 

NIGEL-Yes I know.  Come on let’s go and have a drink.
 

ARWEN-Your place or mine?  .
 

NIGEL-Yours, I'm feeling, what's the word? Oh yes, nostalgic.
 

ARWEN-That's the word for it is it.
 

NIGEL-It will do.
 

NARRATOR-They embrace but this time with unrestrained passion. Arwen then breaks away.
 

ARWEN- OK, but this time you're going to have to laugh at my jokes.
 

NIGEL-But I've been ill.
 

NARRATOR- They go off arm in arm, lalaing a tune from Yeoman. And so Nigel and Arwen dance into whatever life has in store for them next.

EPILOGUE
 

FATHER-Well, Nigel, He’s certainly surprised me. I never thought he had it in him. Mind she's had to do all the running. But I'm still sure, that given time, he will find a way of mucking things up. He never learns.
 

MOTHER-I do so hope that you are wrong. I'll keep my fingers crossed, but it's not turned out so bad after all, has it?
 

FATHER- For them or us?
 

MOTHER-I wish I could say for all of us. Nobody can know what comes next, but things surely can't get any worse for Georgie or Gerry however I am so happy for Nigel.
 

FATHER-Though he'd never believe it I'm really happy for Nigel, cos I love the silly sod. We just always seemed to be rowing.
 

Still what about Georgie and Arwen? I've not seen Georgie so happy for a long time.
 

But I hope that something good could happen for Gerry, he always seems to lose out.
 

MOTHER-I'd have loved a second girl if only for Georgie's sake. Little Arwen could be the answer to my prayers, love for Nigel, and a sister for Georgie, but she can do nothing for Gerry.
 

FATHER-She could always "mother" him; cos Gerry's missed you the most and he's always needed "mothering".
 

MOTHER-Perhaps she could.
 


THE END
 

 

 

Reviews
To the fab 4
Written by BrianRobertNeal (1195 comments posted) 21st September 2006
Though i prefer the play ending at Scene 8, the additional scenes enriches the parts played by Father, Georgie and Mother. 
 
They however turn the tale over and Arwen emerges as the plays most powerful character. Starting as a cypher in Scene 1 and becoming the driving force in Scene 9 and 10. 
 
So what do you think? 
 
Brian 
 

Written by Phil (6730 comments posted) 22nd September 2006
Brian,  
 
You know I loved your original play as it was. This addition might make 'Relations' more attractive to a theatre group in that it gives scope for more leads and provides a more uplifting ending. However, for me the story is the most important thing and this feels and reads like an add-on. I don't feel it sits well with the rest of your piece. The style is slightly different (although I couldn't put my finger on it) and if you did include this, I think you would have to rewrite the ending of part 5 as it was an ending, not a scene close or whatever the term is. 
 
My usual caveat- I know little about drama and scripts, but I do know (I think) about story. 
 
Sorry if all the above is a bit blunt. 
 
Please be assured that I think your original play was a great achievement. 
 
All the best,  
 
Phil.
Hi Phil
Written by BrianRobertNeal (1195 comments posted) 22nd September 2006
And the there was 1. 
 
You have this uncanny knack of hitting the spot. 
 
The original play had a scene deleted and a new ending added. 
 
I've always liked twists so when i re-wrote I liked the idea of a "pseudo ending". Scene 9 Soul Sisters was written to be in contrast to what had gone before thus the stylistic difference.  
 
However Scene 10 is full of references to Scene 1 and the bedroom scene and returns to a spare, terse style. 
 
The Epilogue merely wraps the play up, family home/mother father out, Arwen in. 
 
Finally the AmDrams I approached said it was too dreary an ending and only the narrator and Nigel had demanding roles. So I added interlude and epilogue and Scenes 9+10. 
 
I dropped the play a year ago and forgot about it till for some reason I decided to revise it and re-post it. 
 
I think that the lack of any responses from the other three coroborates your assessment. 
 
Thank you very much indeed for your considered comments. 
 
Finally as a story you are quite correct it was far better as originally written, 
 
Brian.
Hi BRN
Written by ellipinnock (1753 comments posted) 23rd September 2006
Just to say I'm not ignoring parts 5 and 6 but have sporadic email access at the moment (mostly consisting of sneaking down to my local library whenever poss!) So have not had time to read them properly yet, but I shall. 
 
Elli
Hi EP
Written by BrianRobertNeal (1195 comments posted) 24th September 2006
I look forward to your comments, 
 
Brian
Hmmmmm
Written by ellipinnock (1753 comments posted) 25th September 2006
Have read both bits and enjoyed both actually. However, I agree with Phil that the style of this section does feel different to the others and that for this to be the ending, the end of the previous part would need tinkering. 
 
I think ending at Scene 8 gives a stronger ending, more open-ended and less neat which is attractive in a play. However, I did like the mergence of Arwen in this section as a stronger character and a driving force. I felt this added another dimension to the piece. I almost wish that Arwen and Georgie had met earlier in the piece.  
 
I guess what I'm saying is that I liked the previous ending better but think that the piece as a whole is more staisfying with some of this extrac material (especially as you seem to have a strong idea of how you would like Arwen to be seen and, without this scene, there is limited opportunity to show that) 
 
I enjoyed this piece thoroughly and think it would work well on stage though I'm still not sure about the narrator, I really like the device but feel that it comes off a little awkwardly at times. You have a wonderful knack for weaving a good story. 
 
All the best 
 
Elli
Hi EP
Written by BrianRobertNeal (1195 comments posted) 25th September 2006
You and Phil have given me cause to think long and hard about this play. Something I'd not done for over a year. 
 
I am for the moments of the following opinion: 
 
The play can either be: - 
 
A day in Nigel's life with a drear ending 
 
or it could be more optimistic with the replacement of mother and the family home by Arwen. Mother looms large at the beginning and Arwen is a cypher and as one grows the other declines. 
 
I like the idea of an apparent sad end followed by a hopefully powerful and unexpected scene that stands out from the others. 
 
In the final scene Arwen dances Nigel past the now meaningless Family Home into a new life. 
 
Thanks for all you time and comments. 
 
However now there are two, it will be intesting to find out what Ann and Gill#s feelings are, 
 
Brian 
 
Brian
hm.....
Written by Gill21 (566 comments posted) 1st October 2006
Hi Brian, sorry i've taken so long to read and review this (i have a terrible cold so forgive me for not being particulalry eloquent in my review here).  
I agree with what has been said above in that i found the previous ending more fitting to the story, however i felt these scenes were also perhaps too relevant and good to be cut out completely; I felt more satisfied with the story after having read these scenes. 
Perhaps you could do a little shuffling to fit the content of them in elsewhere? It would also make for a longer script and possibly a more satisfying story as, even though i think i preferred scene 8 as an ending, it still felt a little short. I liked the end with Nigel walking off, but maybe you could have him walking off on an optimistic note? I really feel as though Nigel should book-end the play.  
 
"I like the idea of an apparent sad end followed by a hopefully powerful and unexpected scene that stands out from the others." : i like this idea too.  
 
I loved reading this. It was very human, yet very creative. If it ever gets to the stage let us know! :)
Hi Gill
Written by BrianRobertNeal (1195 comments posted) 1st October 2006
I'm just waiting for BubBleS to complete the foursome. 
 
It is like there are two different plays. The one that opens and shuts with Nigel's coming and going. 
 
And the one where Arwen emerges as the new "centring force". 
 
If I were to go back to the original format I might re-instate the cut scene in fact I might post it as novely item. 
 
Once again thank you for your time and comments, 
 
Brian.

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