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| The Good Oil for Oli. | |
| By patterjack | ||||||||||||||
| 05 October 2006 | ||||||||||||||
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Once one of my verses is out there in the cold world , it is , like a little Sebastian , on its own.
I sometimes come across a piece and , surprised , ask myself -- Did I write that ?
I can't choose just one so..... The Good Oil for Oli. (who asked me to name a piece of mine that had no classical references ) If I peddle my wares and blow my own trumpet I might be considered a literary strumpet-- Sure, there's lots of my poems from which I could choose But what positive criteria am I able to use ? Your negative one I can give its due deference -- They must not contain any classical reference ! That leaves me at once in a bit of a plight-- But I 'll start then , I think , with my song , Beach at Night . For the angst of a teenager , worn tight as a glove , I commend you the sequence I've called Wheel of Love . If it's nature you want , then I doubt you'll go wrong with the ones about Cumquats and the fierce Currawong . For early or late works , you could make a start comparing the poems Fifty ( long ! ) Years Apart ; Site of Blood , or Edges , chill rather than warm -- but I'm fond of Epiphany and I love Mountain Storm . x - y =0 shows deep passion , as do Two Songs of Regret , in their cynical fashion. Now please don't consider me fit for a roasting if what I have written sounds very like boasting ! As for the rest -- well , most follow a pattern based on old Willie , or some Greek or some Latin . Gecko , Legionnaire , Anatomy Class Skeleton I think are good but with tags that you'd frown upon. But permit just one image , and you I would thank for reading the one I like best -- River Bank .
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