Writing for children is hard, but fun. Here is a little bit of my experience. I'd love to get feedback, especially from any teachers who have used any of my poems in their classes, and do you agree about making poetry "fun" for children?
It’s always a shame when you meet adults or children who tell you that they find poetry boring. I feel sorry for them because usually, somewhere along life’s way, they were made to study poetry as part of classwork, perhaps with an unimaginative teacher, or even a teacher who didn’t like poetry themselves but had to teach it as part of the National Curriculum.
I am invited to take my poems into local schools to read to the children – and many of them have already been to my website and know what they like. However, more importantly, I enjoy listening to their poems also. There are some schools who really promote poetry within the school, and you can see on the faces of the children that they love it. When they read their poems to me, you can see the light in their eyes and the smiles on their faces and that is what I like to see. One little boy last week was so excited when it came time for him to read his poem that he read it so quickly that we could hardly understand him, so he had to re-read it. I took a variety of poems into a local school last week. Some were fun poems and some descriptive poems – but if you ask the children “What poems do you like best?” the answer is always the same: “Fun Poems”. It is nice when you see the same children on a regular basis because they like to come to you with ideas for your poems, eg: “I have made a picture for you” and “Could you write me a poem about my picture?”
During the last year I have also been involved with them with “Show and Tell”. The children have to bring something from home and then tell a story about it, to encourage them to talk. A little boy said: “I haven’t brought what I want to talk about”. I asked the teacher if that was OK for him to talk but not show. She said: “Sam, why haven’t you brought something?” He answered: “Because I thought you wouldn’t like it.” It turned out to be a large spider called Fred. His father had told him to take his mini-beasts to the end of the garden and make a mini-beast park for them, which he did. So he explained, with eyes shining, just how he had made it, making various tunnels etc. He told us that he had left Fred in the mini-beast park with the others for the day. “Oh!” I said. “Do you think there will be any mini-beasts left there when you get home?” Sam smiled and reassured me that Fred was a friendly spider, but I added that even friendly spiders get hungry. This prompted me to write my poem “Tragedy at Mini-Beastie Hall”, which, despite the title, the children found rather funny. The family lived at Beastington and the area of their garden where the mini-beast park was, was called “Beasts-R-You” – “it was a section of the garden – well, a mini-beastie zoo.” The insects moved into Mini-Beastie Hall and everything went fine until Fred the spider arrived at their party with his computer and offered to teach them how to surf the web, but after dark. You must read the story for more details. Sam was delighted with the story when I read the poem the next week.
It’s surprising what children laugh at. They like funny names (so I’m told), so my little characters such as “Mickledy-Me” and “The Woggaldy-Woo” are popular. Children like stories where pompous characters get paid back for their pomposity at the end of the story, and the same goes for greedy characters. Witches, fairies, dragons, sea maidens – all of these are still popular, but, just mention people from space and their eyes light up. When I read them my poem “Three Little Aliens” who I bring to school for the Show and Tell part of the lesson, they said: “Oh, goodee”. They also like dinosaurs and spooks – and these feature in my two most recent poems which have been tried and tested at our literary festival last week. The idea of having a Halloween Party at Spooks' Palace was good, and the menu was quite acceptable - beetle juice and spiders legs – and the idea of witches, ghosts and skeletons tripping down the street caused some laughter. The idea of dancing with the ghosts whilst the lanterns swayed also caused some laughter. They like a bit of cruelty to the characters they think deserve it. The thought of putting the pesky witch called Mabel in a cage and laughing her, cruel though we might think this is, makes them laugh. They like rhyming names: Lenguin the Penguin; Myrtle the Turtle etc also.
The character which they tell me they like most of all is Mickledy-Me, the invisible friend. I have had to write sequels to this poem. So at the literature festival I was asked: “What has Mickledy-Me been doing?” “Well, he went to the Queen’s garden party last summer (despite the fact that the Queen had emphatically said: "No invisible friends", and did you hear on the news what had happened?” Oh yes, they had. She’d lost her handbag and someone had locked the corgies in a cupboard. I’m not sure about the last thing, but they wanted to believe it, and - - - - I learned quite a few things more about his goings-on. With an invisible friend, anything can happen.
Children like poems in which the subject is back to front, so to speak. They like my "Winter Picnic" because the two friends, Winter and Ice, have a wonderful time in the snow, laughing and shivering and swimming in the freezing cold water, eating their ice-burgers and iced rocks, exactly the opposite to what we like. They told me they liked the poem about Fruit and Vegetables NOT Necessarily Being Good for You, and "It's NO to Healthy Eating" because it is the opposite of what other people are saying. There are lots of subjects and situations that can be brought into children's poetry in this way.
So, if you are writing for children, you might like to write beautiful poems, spiritual poems and especially write about animals, for that is the number one subject, - and do all this in addition to fun story poems - but do make the poems fun for them. It isn’t easy to write for children, but you do need to meet them often and get feedback, and you do need to listen to what they tell you and hear what they write. You will soon know the subjects dear to their hearts.
Above all, remember that it is so important to instil the love of poetry into children at a young age, with fun and stories, because their love of poetry will last forever.
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Poetry an the teacher Written by patterjack (1095 comments posted) 12th October 2006 | I know a sad but true story about a class of primary school chidren in a southern New South Wales town , during the years when the dreaded Inspectors visited to assess teachers One year the Inspector was highly impressed by the way the children wrote , recited , dramatised and voluntarily performed poems for him with wonderful enthusiasm The next year he returned to inspect the teacher who had taken over the class , and waited in vain for the appearance of some poetry work . When he enquired whether it was being taught , he was told -- "Oh , these children don't like poetry " patterjack
| So true Written by Fledermaus (3160 comments posted) 13th October 2006 | It's only the case with poetry. The same goes for prose. I remember that at primary school I loved reading, but at high school we had to read 'literature'. And if it wasn't for the huge enthousiasm of some friends about books, I probably wouldn't have read any fiction ever since. The programme still left me with some distrust for 'modern' literature, for we were forced to read 'realistic' books from the 20th century. Thus, ironically, that ridiculous policy made me prefer Beowulf and the Ballad of Chevy Chase over their much valued Hemingway and Kafka. Considering the popularity of rap music and soap-operas, I'd say that poetry and Shakespaere are very appealing to young people, but not if they are forced to read them. You've written a great piece here, with which I can only agree :-)
| YES, ALSO WITH PROSE Written by Josie (2539 comments posted) 13th October 2006 | | When my daughter was 16 years of age, she was studying Henry IV part 1. We noticed that "The English Shakespeare Company" was performing this play in Oxford and we went for the day. I don't know if this particular company still exists (for they were finding funding difficult) - but they brought Shakespeare to life in a way that you could hardly believe possible. My daughter went home and sat and wrote to them and told them how much she had appreciated this, as she had found the play so boring when studying it from the school book. She kept in touch with them, and they with her, for a while afterwards. They would go into the schools and work with the children, and show them, in a fun way, how to bring the play alive, in the way in which Shakespeare would have done in his own time. People didn't sit and study his words and look for hidden meanings then. I quite agree with you, and I think that we poets need to bring our poetry into the light and make it understandable for everyone. When you have to sit and study a poem and look for something that isn't obvious, then I think the writer has failed somehow. Language is all about communication isn't it? | So true Written by Snodlander (501 comments posted) 13th October 2006 | The worst diservice to English the education system does is force kids to 'study' Shakespeare. I had to study As You Like It for 'O'-level. Years later I was on a presentation course and had to 'perform' the 'All the world's a stage' piece, a piece I had had to memorize at school. Reading it again I was astounded at how funny this particular passage was, a point not even mentioned at school. The same is true of poetry too. And you're right, of course. Seeing actors and performers bring the work to life is the only way to enthuse them. The one down side to that is that if I want my kung-fu space monkeys novel to work, I guess that means I am going to have to hang out with spotty teenagers in Internet chat rooms | STUDYING AS OPPOSED TO ENJOYING Written by Josie (2539 comments posted) 13th October 2006 | | Snodlander, you are absolutely right. Look at little children learning out language - - well, I look at my little grandaughter aged 2. They love the sound of words and the rhythm of words. They use words before they fully understand them (and that's why you should be careful what words you choose to use). I called her 9 month old brother, pulling himself up on the furniture "Mr Muscle Man" - which, when you listen to the sounds of the mmmms, sounds quite nice. How she practised this phrase during the afternoon: Mr Muscle Man, Mrs Muscle Man etc etc - - and she certainly doesn't know the word "muscle". Children like to hear poetry first, before reading it. When I've read some of mine to them, I add actions and expressions, draw out some words or quickly snap some. With regard to "fuit and vegetables not being good for you" - when I come to the fact that carrots haven't helped my eyesight, I sigh and pick up my glasses etc. - and the children laugh at this. This is what is so nice about reading to your children well before they learn about asonance, cadence, alliteration and all the boring terms which they learn later. It's the sounds of words that capture young imaginations! Enough said. I do hope I get feedback from teachers. | Yes!! Written by sueflu (18 comments posted) 13th October 2006 | | What a great article and feedback! I believe, as adults, we should inspire children to explore new things and use their imaginations. I think poetry is a wonderful avenue for that. I also believe poetry is art. It comes from that creative place within. It's personal, yet to be shared. When we introduce children to the rhythm and rhyme of poetry, it kindles that creative fire in a fun and wonderful way. As you have experienced, they are eager to add their own expressions. This creative process in children brings them joy and shouldn't be dampened in any way. Children have many years to be gently taught the fundamentals of writing prose and poetry and it should be done in a way to keep those fires alive. Josie, you are a wonderful example of doing just that. You stir their creative juices. Hats off to you!! And I applaud Greatwriting for creating a forum for adults that are exploring their creative expressions, a place to be critiqued in a way that teaches and encourages without dampening enthusiasm. For all those do that---great work! | just found this Written by fellpony (1521 comments posted) 4th November 2007 | | in the "blue box", and I heartily agree both with Josie's illuminating piece and with the comments made by other reviewers. Not a lot to add, but I enjoyed it very much. |
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