I've been working on this a few weeks and I'm quite happy with it, but I'm afraid the references are a bit too obscure for it to make sense to anyone but myself. I'm intending to submit it to a poetry competition so comments and criticisms would be highly appreciated!
My palms are sweaty. They smell of tea.
I hold them before my eyes, pink fingers
side by side in a mirrored touch.
I think of my hands as wings,
the fingers crude feathers.
Thumbs interlocked in an awkward, flapping,
five-year-old’s flight. Or sliced
off at the wrist, and
stitched together at the spine, a macabre Juliet,
Mr Fox’s bride. The only flight
severed short on the wedding night,
hands round her throat like hungry birds.
Or Icarus wings, bold and broken,
feather shards floating on a brilliant sea.
These fingers could tell mythologies,
could cast legends on white sheets,
a shadow-play of warnings. I trace
a labyrinth in the skin of each hand.
The smell of sweat mingles with
the bitter-sweet scent of Icarus’ sea.
The pink pads glitter quietly,
a pallid echo of the jewel-blue waters.
They can shake the hand of that Mr Fox,
that smiling bastard.
They can help him in his work,
build his mansion in a London street,
stitch red across porcelain faces. They can
dance with Romeo or lay
the foundations of a Capulet castle
in a business district brash with glass.
They can play games with a young child,
in a classroom where innocence
is often crude and loud.
When I lock my hands together
they can fly me to love or malice,
brash and bold delight in the sun.
Foolishly high flight, I can kiss
the stars like glitter on my fingertips,
I can make a maze on the moon.
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Written by Phil (6713 comments posted) 23rd October 2006 |
Really enjoyed this, great ideas and good metaphors. I wonder if you could tell me about Mr. Fox. I got the other references, I think. The line: "That smiling bastard." Works really well. Even though I don't know who or what he is, it breaks the very sensory feel of your verse up and refocuses the reader's mind. I don't really know what I'm trying to say here - stands in contrast to the rest, so makes it more effective. All the best, Phil. |
Interesting Written by Talisker (1326 comments posted) 23rd October 2006 |
I concur with Phil (as usual!) nice metaphors, and the "smiling bastard" seems to be the fulcrum of the poem. As you say, personal. But we can enjoy the lovely mind painting you do. This enriched my day! Oli.
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Oh, and small typo... Written by Talisker (1326 comments posted) 23rd October 2006 |
there is a "y" missing from the second line, last stanza. Oli. |
Written by Phil (6713 comments posted) 23rd October 2006 |
Thanks Oli - the fulcrum is exactly what I meant but was too stupid to think of. Phil. |
Written by gutterkitty (362 comments posted) 23rd October 2006 |
thanks Oli and Phil! Glad you enjoyed it. Your comments on the "smiling bastard" line are interesting; I like the line because it contrasts with the slightly more complex language and metaphors of the rest of the piece. Thanks for pointing out the typo Oli. Phil- the story of Mr Fox is a sort of gruesome fairy tale for children. It is about a woman who finds that her fianceé has murdered his many brides on the wedding night, storing their bodies in a room in his mansion. I hope the piece makes a bit more sense now!
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About that Mr Fox . . . Written by Witzl (1585 comments posted) 23rd October 2006 |
Wasn't 'Mr Fox' a Grimm Brothers' story? I seem to remember a rhyme that went, 'Mr Fox, Mr Fox / What have you got / in that big box?' I remember being thrilled to have found this story as a kid, having, at times, a rather macabre turn of mind. I liked many of the images in this poem, whether I understood them or not. 'Pallid echo of the jewel blue waters' is fine; 'stitch red across porcelain faces' paints a terrible, but effective, picture. 'The stars like glitter on my fingers' is a great image too. |
Written by francoise (129 comments posted) 24th October 2006 |
beautiful, lovely images, even though its not made clear who Mr Fox is, your poem invites lots of interpretation. I love the way you use the image of severed hands as a recurring metaphor. Magical without being overly surreal.
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Written by gutterkitty (362 comments posted) 24th October 2006 |
Thank you Witzl and francoise, I'm glad you liked the images even if all was not entirely clear! It's lovely to hear your interpretations. Witzl- I don't think Mr Fox is a Grimm Brothers' story, though I could be mistaken. You might be confusing it with "The Wedding of Mrs Fox." I have to say I did not enjoy the story as a child, finding it a touch too gruesome, but I have recently found that Neil Gaiman has written a very effective retelling of the tale (you can find it in his book "Smoke and Mirrors"). |
Written by austheke (35 comments posted) 25th April 2007 |
| i liked the obscure references... i thought they made it more interesting. imagery is good, word choice is good... you should do fine at that competition. or am i too late? |
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