This is a bit experimental-it is 'twinned' to the poem of the same name so they should be read one after the other. Not sure if it works, any thoughts?
I've always considered autumn to be a nexus, a point of infinite possibility from which one could travel anywhere. It is a time between times, a time when summer has truly fled and winter is yet to bite. I would like to believe that I am in the autumn of my life, poised between the naivety of youth and cynicism of old age, able to explore any possibility I choose to. In reality I am confined to these four walls, condemned to a slow death by magnolia. I shun the bed that lies in the corner of the room, its pristine grey covers speak to me of conformity and surrender. I will not sleep more than necessary, refuse to bow to the inevitable and spend my remaining moments in slumber. Dawn finds me staring through misted panes at an island of bland boxed houses perching on a sea of featureless concrete. I watch the orange shadows of dawn creep over the horizon, mirrored by the early-risers who cast their cold, synthetic light in pools on the concrete.
A blur of moments pass and the houses disgorge hordes of schoolgirls who flit and chatter their way down the street as I sit and watch and wish I could escape these confines. Instead I sit on this hard stool and let the leaden hours pass me by until the flock returns, lithe grey-clad legs skittering their way up the street. One of them pirouettes in the doorway, wide brown eyes catching my reflection in the window for a moment until she is snared by her mother, sly eyes shepherding her inside. I can hear their words on the breeze, 'I've told you before not to... that pervert...'.
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Weird people Written by Fledermaus (3159 comments posted) 25th November 2006 |
Watching people watching other people. An interesting idea. Somehow I thought the language of the short story is actually more poetic than that of the poem... I'm curious if he's realy a pervert or if there's another reason why he watches them... |
Written by Phil (6387 comments posted) 25th November 2006 |
Hi Elli. Great idea. Thought about your choice of delivery for each character and decided you'd done something a bit Shakespearian. Verse for the more noble/true character and plain prose for the villain. (Although your prose is far from plain.) Don't know if that was intended. I think I prefer the poem. Who wants to be inside the head of a paedo? - if that is what he is. It's not really confirmed. It could be pure suspicion and circumstance - or he could be the real deal. Reading the poem, there's almost a personal link suggested between the woman and the watcher - as if they have a broader history. Thought provoking, well written stuff Elli. I'll copy this over to the other piece as well. All the best, Phil.
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Written by Witzl (1585 comments posted) 26th November 2006 |
I have just reread this after commenting on your poem, and damned if I don't like the story better than the poem now -- or perhaps it is more correct to say that I like it as much as the poem. I think reading the poem helped prepare me for the story, but I got the idea in the poem faster. This is really creepy and disturbing, but it is nonetheless thought- provoking and well-written. I find myself really wanting to know if the man has been falsely accused, or if there is some basis for his imprisonment. I love the phrase 'a prisoner of magnolia.' What a great way to describe it.
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Written by wattle (117 comments posted) 26th November 2006 |
| Elli, what a complex piece you present for reading; quite the joy. I’ve always been fascinated how relatives who are rather removed by distance look suspiciously as one walks the path to their door, and yet when introduced convert into wanting to kiss and pull cheeks in an instant. I’ve always preferred the middle ground. I think you are writing about agreeing with me, although I’d need a few more words to make up my mind fully. --- Either way I like – thank you ----- regards, wattle. |
Written by ellipinnock (1753 comments posted) 26th November 2006 |
Thanks to all... I have to say the whole piece came out of the prisoner of magnolia line after having read JAN's poem about walking home and BBS's comment os I can't really take credit for that... Elli |
Lovely writing ... Written by johniebg (538 comments posted) 26th November 2006 |
.. but the whole is frustrating. This is by far the strongest and very well written. With a little more effort this could be much more interesting. You play on the fact that he is watching the girls and she watching him and that the girls know he is there ... but just not enough. A nice writing exercise for you but a frustrating read from my standpoint. |
hi Elli Written by teddy (240 comments posted) 26th November 2006 |
I find this a very intriguing and somehow touchy, although short, piece of writing. You’ve got a very profound way of playing with words and ideas, which I so much admire. I’m off to read the mentioned poem now, I understand from the other comments posted here that it is connected to the story and I'm curious. Teddy
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Written by Talisker (1300 comments posted) 27th November 2006 |
He wants to get some puppies if he's serious Where is this strange place where there are only schoolGIRLS? Very well wrote, lots of nice urban imagery. There is definitely something about the school uniform. If only I could find one in weasel's size! Oli |
Chilling... Written by Clifftown (619 comments posted) 28th November 2006 |
...I prefer this to the poem, but that's no reflection at all on the work...it's merely because I'm dense and don't really "get" poetry! I love your descriptive style of writing, especially in your characters' sentiments at the beginning about being in the "autumn of life". Would really like to see this piece expanded into something a bit longer, how he got there and what happens next... Nina |
Written by coosh (822 comments posted) 29th November 2006 |
To an extent I agree with johniebg on this. I ended up veering away from trying to "figure it out" in its entirety in a concrete sense, and focused more on the some of the marvellous imagery you manage to convey - "slow death by magnolia" is great - like some macabre Dulux torture chamber, and the grey-orange mood at the end of the first paragraph was really well put together. The nexus of autumn? If what they say is true, in the future we'll virtually by-pass autumn. 25 years down the line Coventry will apparently have the same climate as St. Tropez does at the moment - although maybe not the marina and yachts the size of stately homes... Brigitte Bardot must be about the age of Lady Godiva by now. Very evocative, well-written piece, Elli. |
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