fifth offering.
Sprang from a writers' group exercise that gave us the line: "there was the bed; there was the clock"; and asked us to write around it in whatever medium came to mind.
It's not what you are thinking, honestly.
Looking – what was I looking for?
I opened the door.
There was the bed; there was the clock;
Now stilled, the tick-tock
Alarm on its spring-hasty way
Pursuing the day.
There’s no cheerless couple to rise,
Sleep in their eyes,
Sitting with backs to each other:
My Father and Mother.
The bed hurts. He sleeps in a chair,
As if less lonely there,
The big foolish dog at his feet.
The room is now neat
And un-lived-in; here, blurring with dust,
Things lie where they must.
She has gone; it is simplest to say
He drove her away,
For now she is happier free
Than when married, and he
Shuffles in twilight, grinding small
The cause of it all.
In their room, by the empty bed,
I stood, newly wed;
And I forgot what I went in for.
I left. Closed the door.
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Written by francoise (129 comments posted) 2nd February 2007 |
this piece felt great to read out loud, but Im in knots about the meaning... what was she looking for? The narrator seems to be observing a scene between her mother and father and connecting it to her own doubts as a newly wed... Where is she in the last verse, her parents bedroom? sorry for being abit dim here. Some lovely lines (shuffles in twilight, grinding small/ Alarm on its spring-hasty way) Brilliant structure, I liked the way the final verse ties in with the opening line. Fran |
Written by Witzl (1585 comments posted) 2nd February 2007 |
What a great poem. Francoise is right -- it does sound good read out loud. I do feel that I understand this -- must be all those years of marriage. There is so much to like here I don't know where to start. Francoise, for what it is worth, here is what I think this is about: This man's wife of many years has left him, and the woman narrating it has perhaps spent the night there with him; they are certainly having a 'relationship.' The house is, of course, still full of the wife's presence -- especially the bedroom. And it is obvious that the husband-whose- wife-has-left still thinks of her, wonders where it all went wrong. The narrator looks about her and wonders what she is doing with this man -- what she has come there for. That last line -- 'Was it the door?' is a lovely touch. Brilliant, fellpony. |
Written by Talisker (1326 comments posted) 2nd February 2007 |
Hi Sue What an unusual rhythm and metre, the long line, short line (8-5?) gives it a very staccato feel - yet it certainly works. Rhythmic not unlike some clocks. The subject matter is great - could only have been approached like this by someone who had "been there" to some extent. I liked this very much, if not quite as much as Heraldic, which was special. Great work Sue! Oli |
Written by fellpony (1603 comments posted) 2nd February 2007 |
hmmm ... interesting takes. All sound, in their ways. Nobody has thought of it in terms of observation by a daughter of her parents' ex-relationship, in terms of her own newly wedded state. Did I miss saying something important? I know I can get too close to subject matter and not tell the obvious. Sometimes that matters a lot; sometimes it doesn't. Speak; propound; I am all ears.
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... solved Written by fellpony (1603 comments posted) 2nd February 2007 |
It alters the metre of line 10 (from 5 to 6 syllables) but so slightly as not to matter. All I needed was your thoughts, you see. Thanks.
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Written by Phil (6683 comments posted) 2nd February 2007 |
Must confess, I read this as a daughter looking back at her parents relationship and then in that context, maybe doubting her own. I particularly liked the first verse: the stilled clock, the image of the two sat on their respective bed edges looking away from each other. That's an especially strong image. Very, very god. Phil.
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Phil Written by fellpony (1603 comments posted) 2nd February 2007 |
-- did you read that before or after I added "My" at the beginning of line 10? Yes I know that "very god" was just a typo.... |
Written by Phil (6683 comments posted) 2nd February 2007 |
I think before - as I took it from the whole. Anyway, how many bedrooms does a newly wed get into? Didn't think is was too much of a logical leap, even for me. Yes, there's a typo, sorry. An aside to the above - this doesn't feel quite as contected to the ones that have gone before. Am I missing something, or is it not supposed to be? Phil. (Not god) |
Written by Phil (6683 comments posted) 2nd February 2007 |
| Sorry, another typo - connected. |
Written by Witzl (1585 comments posted) 2nd February 2007 |
My God -- was that 'my' in front of 'parents' from the very beginning? If it was, shame on me, and I am going to go and have some gingko biloba this minute; Alzheimer's is on its way. Hang on -- I've just noticed that you added the 'My.' Whew. Now I've just read this again and I see that the 'newly wed' is literal. I agree with Phil that the parents sitting back to back on the bed is a strong image. Personally, I think the staccato beat really works here. And I reckon my interpretation could have been feasible . . . |
Written by ellipinnock (1753 comments posted) 5th February 2007 |
I liked this very much. Didn't comment the first time I read it because I thought it was a daughter talking about her parents but assumed I might be wrong as I was in the minority at the time Now I often get rhythm and metre confused but I liked the way you used whichever one of them I mean! I got a strong sense of the ticking clock all the way through this. I liked the wya the end and the beginning link - for me it gave the piece a circular, almost unfinished feeling that I found very appealing. I found the rhyming a little relentless the first time through but ont he second reading I've changed my mind and think it probably adds to the piece. Enjoyed this. Elli |
Written by ellipinnock (1753 comments posted) 7th February 2007 |
Just noticed you'd edited it - it reads better for sure - especially the structural changes. I like the ending although there are a lot of 'I''s in the last three lines - jarred a little on the second read through and the penultimate line felt a little cumbersome. Something very appealing about this piece - for me, one of your strongest. Elli |
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