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Drama Scripts
EASTENDERS ; Remember Dirty Den
By Bottleblondesurfer
13 February 2007
When Den returned from the dead the BBC publicised it with a competition to write the scenario for his return. This was my effort. It didn't lead to to untold riches. It was an interesting exercise,though. It's just so dispiriting when your work just vanishes without a trace. I'd rather they told me it was crap. I know it's old hat and out of date now now but I just wonder was it that bad, don't be kind. It's the formatting that makes it so long, sorry
In answer to jean's query; swearing was forbidden in the comp rules


SC1. EXT. street market – DAY
[It’s a busy day.people milling round. A stranger, sergei galash,is pushing his way through the throng, SHORT, STOCKY with a strong russian ACCENT. he is anxiously looking for someone. he slams into jim. [an old local]

jim
Oi steady on, there pal, Where’s the fire?

sergei
Fire? Where is fire?. Why should I know where fire is?

jim 
No, mate I was just saying…You’re not from round here. You lost or something

sergei
Yes, lost. I have lost my friend. Just now. He gets out of car and I loose him. It is urgent I find him.

jim
Oh I see, a foreigner is he then?

sergei
Yes,.. yes a foreigner

jim
You could ask around. Does he have a name?

sergei
He is called Archie Baxter

jim.
Archie Baxter! And he’s foreign?

sergei
Yes, he is from London.

jim
This is bleedin London. He’s not foreign then, he’s English. I’d say you’re the one who’s foreign.

sergei
You waste my time. You are… very stupid man.

jim
Stupid??  At least I know what country I’m in!


SC2. int. laundry .day
[pauline is staring out the shop window in a trance. in comes charlie slater with some washing.tries to get pauline’s attention]

charlie
Pauline, I’m in a bit of a rush. Can I leave this with you… Hello. Hey earth calling Pauline. Anybody there?

[pauline comes to with a visible shudder]

charlie
Had a bit of a turn there? Someone just walked on your grave? I get that sometimes.

pauline
What, sorry Charlie. No.  I’d say it was more a case of someone else has just walked out of theirs. Unless I’m seeing things.

charlie
Blimey, whatever it is I think you need a break.

pauline
Yes …yes you’re right there. That’s exactly what I need to do. You got  to go, now. I’m shutting up for a while. You’ll have to come back later. I need to check something out.

charlie
What…when….Pauline!!

pauline
I don’t know just later, all right! Go on, out.
[pauline bundles charlie out the door locks it and rushes off

charlie
Blimey, what about my washing?
[he picks up his washing and walks away]


SC3. ext. edge of market. day
[sergei is still searching.He recognises archie from the BACK WHO is on his mobile. sergei is flustered and exitable and starts shouting as he catches up]

sergei
Archie, You promised that we stop in London, where is Buckingham Palace, and Big Ben. This is not London. I think we go straight to Southampton, now… Why, you run away?
[he grabs archie’s shoulder.he spins round.  it is den watts who quickly pockets his mobile. he is not happy at being found]

den watts
For God’s sake, Sergei, keep it down. We don’t want an audience. We don’t want to be noticed, do we? You know what they told us.

sergei
But, you said we will stop and see the sights. These sights I don’t like. And we must not be late. They do not like to wait.

den
You’re like an old woman going on. We’ve got time. I just want to look up and old friend, ok?

sergei
You didn’t say this before. You don’t tell me about friend.

den
Well I’m telling you now. Right?  I’ve just got the address so why don’t you just wait in the car and practise your English. I won’t be long.

sergei
Oh, no. The boss told me stick to you with glue till we get to Southampton. I go where you go or I tell the boss.

den
I’ve had you in my ear since we landed. Do me a favour and shut up.
[den turns away and after quickly scanning road names walk smartly away with sergei following]

SC4. int SHARON’S HOUSE . same
[dennis is pacing about. sharon is there too.she is worried about dennis’ behaviour

sharon
I don’t like all this secrecy and who was that on the phone. Just what are you up to

dennis
You’ll know everything soon enough. I wanted to tell you…..warn you in advance but I didn’t know it was going to happen till I got that call. Someone’s coming soon. Someone who.…I don’t know how to put this. I’ve spoken to him a few times and…Well it’s going to be a shock it was a shock to me but it has to be like…

sharon
What are you up to now, if it’s some dodgy deal don’t get me involved.

dennis
You’re not listening, it does involve you, probably more then me. This affects both of us, and Vicki too. It’s a family thing.

sharon
Family? Our family. Who’s coming,  Dennis. Who is it?

dennis
What is it that connects us all. Who are we?

sharon
Dad?
[there is a knock at the door.they both jump and just stare at each other. another urgent knock.dennis answers it]

den
Dennis?…Hello son, I’d recognise you anywhere. You know you’ve got your mothers eyes.
[he walks in sharon stares at him. takes in the sight.she is in shock]

sharon
Dad?
[den’s haunted look changes when he sees sharon.  she still has the power to melt his heart. his face relaxes into a smile]

sharon
Dad!………. This can’t be  happening. Is it really you?

dennis
I was hoping you’d know. I’ve only to him spoken on the phone.

den
Hi, Princess, been a long time.

sharon
Princess??? Oh my god.

den
Not a day has gone by. I haven’t thought about you.
[it’s all too much sharon starts to shake and hyperventilate. She might faint den goes to support her. he holds her]

den
It’s all right, Princess. Come on, don’t go soft on me. That’s not the Sharon I knew
[she stands back touches his face and arms]

den
I’m not a ghost. This is for real.
[he smiles down at her.suddenly from nowhere sharon lands him a hard slap and then 14 years of hurt and desertion come gushing out. she screams in pain and lashes out, slapping,beating, scratching and all the time shouting incoherently]

dennis
Sharon, you’ve crossed a line.
[he goes to pull her away but den waves him off.den offers no resistance.he OWES HER this. Eventually exhausted she falls into a chair]

Den
That’s more like it. That’s my Sharon

dennis
This isn’t how I planned it.

den
Plans? If you want to see God laugh, make plans.
[he turns to sharon]

den
This isn’t how I wanted it. But it’s how it is. We don’t have time for hysterics. I need the tough Sharon now. I’ll make it straight with you, I promise

dennis
OK then, I’ve done what I can but I need to know more if I’m to help you.

deN
 There’s that complication I mentioned, my Russian minder. He’s in the car. He’ll be in a minute. I told him to wait in case it was a trap.

dennis
Oh, thanks, don’t you  trust….

den
I said it to stop him coming in. We need to get rid of him. I can’t do anything with him on my case.

sharon
Russian minder? God almighty. Is that where you’ve been. Russia?

dennis
Not in Russia. He’s with the Russian Mafia. He threw in his lot with them when he knew the firm where going to waste him. That’s right isn’t it, dad.

den
Time for all that later.

sharon
Dennis, tell me, now I want to know. After 14 years I want to know the truth. You owe me that.

den
He’s right. The Russians were looking abroad. Their country was opening up. The Russian outfits starting looking further a-field.

sharon
And they found you!

den
I found them. I was desperate. The firm were out to get me .I knew that.

dennis
What was the deal, then? With the Russians, I mean.

den
The firm kill me. The police get involved and the firm have to go to ground and the Russian outfit move in and get a foothold on some of the business, and I’m officially dead.

[A knock at the door gives them a start. Dennis looks at
den who nods.Dennis goes to answer]

den
That’ll be Sergei. He’s been watching me since we caught the plane.

sharon
All this time and they don’t trust you.

den
I’m not family. I’ll never be one of them. I’m useful, they tolerate me.
[we hear the stident voice of sergei]

sergei
I want to see Archie. He is here, yes?
[he marches in followed by confused dennis]

sergei
It is all safe then, Archie?  Good. These are your friends?

dennis/sharon
Archie??

den
That’s another story.
 
[den gives dennis a look to say can you get rid. Dennis goes up to sergei and shake hands]

dennis
Hello, I’m Dennis. Any friend of ”Archie” is a friend of mine.

sergei
Hello. I am Sergie. We are friends then, good. Archie, we go now

dennis
Before you go you must a drink with us. One for the road. It’s a custom. We’d be insulted if you don’t. There’s pub down the road. I’ll buy you a drink……Don’t worry about,....Archie. He just wants to talk to his friend He’ll follow. We’ll all drink together.

[dennis bundles confused sergie to the door den quietly catches dennis]

den
Nice one,son. Get him legless. He’s like a dog  loyal but dumb.
    [he hands dennis some notes]

   [they go out]

sharon
Minders.. Mafia. You’re in trouble, aren’t you?  Big league trouble.

den
I won’t lie to you. You deserve the truth. I’m out of my depth with these people

sharon
You were always out of your depth, but you, you don’t swim to shore you just keep on going out.

den
I think the Russians were going to hand me back to the firm and you know what that means.

sharon
Oh my God what are you  going to do.


SC5. int. queen vic. later
[sergei and denNIS are in the pub each with a drink]

dennis
One for the road, then.

[while sergie drinks dennis slips  down the room to Patrick nursing an empty glass]

dennis
Looks like you could use a drink.

patrick
Hey , you don’t miss much, my friend

dennis
I’ll get you one , in fact all you want, if you do me a favour

patrick
You have my total attention.

dennis
See the bloke I came in with, keep him company and make sure he gets very, very drunk. I’ll be back

patrick
Is it all right if I get very drunk too?
[dennis just hands him some notes and goes out the back. Patrick saunters over to sergie}

patrick
Hey, your glass is empty, let me buy you another.

sergei
Where is my friend, Dennis?

patrick
He’ll be right back. He told me to buy you a drink

sergie
Another one for the road ,yes?….. It’s a good custom

patrick
That’s right. One for the road
 
 

SC6. int. dennis rickman’s house.later
[den lets dennis in. sharon is nursing a drink, still shaken]

dennis
I’ll give it an hour and go back. He’ll be out of it by then.

den.
We’ll stick him in his car and you can drive him up west and dump it somewhere. He’s no idea where he is.

sharon
Dennis, how much of this did you know?

dennis
I heard whispers, rumours about deals. Then dad tracked me down. We’ve spoken a few times

den
The rumours are true, all right. There is some backsliding going down that leaves me up to my neck in it. I know why they brought me back. They are going to hand me over to the firm.

dennis
You must have really hacked them off.

den
No it’s not personal. It’s business, a good will gesture. They want to make peace with the firm. There is a really big deal happening and the Russians need some home grown talent. It’s politics and business, not personal.

dennis
From where I’m standing it’s about as personal as it comes.

den
That’s why I’m here. I’ve been working on something


SC7. int.queen vic. later
[sergie and patrick are getting drunk.the drunker sergei gets the louder he gets]

sergie
I must find Archie. He should be here. We have to go soon.

patrick
No, no….. here one more for the road.

sergie
All these roads!

patrick
That’s the custom, er…. one for each road, yeh, that’s it. You’re going to Southampton, right? Well, then there’s the M3. We haven’t drunk to that, have we?
[they clink glasses]

patrick
The M3

sergei
One for the road!
[they knock back their drinks. Sergie is getting drunk]

sergie
You are good man, Patrick but I must find Archie.

Patrick
One more drink…. for another road.
[hands him another large vodka]

patrick
There you are Sergie. The M3

sergie
The M3,  we already drunk to...

patrick
It’s a dual carriageway, Drink up


SC8. int dennis rickman’s house later
[Den, dennis and sharon are in the lIving room they are all trying hard to suppress their various emotions and concentrate on the job in hand]

sharon
What about Vicky, she has a right to know her dad is alive after all.

dennis
Not till things are more settled. There’s a lot to get through.

den.
Tell me what is she like

sharon
You!… unfortunately.  She’s a wild one. We should all be in on this, though.

den
Maybe….., It’s all about family. That’s one thing I’ve learned from the Russians. You shout and scream and fight but when it’s down to the wire. It’s family you turn to. It’s family you trust.  And I can’t do this without people I trust.

dennis
We’re   involved. We’re committed. You might as well tell us the rest.

den
The Russians want to betray me to the firm. Well I know a lot about the Russian bunch. Contacts, operations, you name it. I’m betting that the firm won’t be too keen on this little collaboration. So if I offer them what I know. I will be worth more alive than dead.

dennis
That’s a hell of a gamble. I know the firm they’ve got no love for you or me.

den
I also know where there is a quarter of a million the Russians have hidden away. If I offer that as well I should be all right. They won’t turn that down

sharon
You can really get your hands on all that money.

den
With help, yes, you see why I need people I can trust.

[he looks at them both A silent unspoken commitment.Then there is a knock at the door which shakes them]

sharon
Who can that be, that Russian?

dennis
I doubt if he can stand by now.

den
What's this.You been selling tickets?

dennis
I don’t know who it is, no-one’s expected
[he goes to answer the door as the other two back away. Pauline fowler walks in and stares, gobsmacked at the sight. She recognises den.

pauline
I knew I wasn’t going mad. I knew it was you. Den Watts as I live and breathe!

Reviews
HI BBS
Written by jean.day (2190 comments posted) 14th February 2007
Great stuff. You should have won.  
 
I'm not an Eastenders fan so don't know how the winning story line went - but having watched it in the past and on the odd occasion, knew who most of the characters were. 
 
I thought it was very lacking in swear words - but again that probably is part of the BBC policy - as it is before the watershed. Never actually noticed that when I was watching it - but the lack of them stood out in this piece. 
 
I liked the Russian bodyguard who wasn't very effective at his job. 
 
I liked Pauline and the laundry bit.  
 
I liked Sharon hitting him over and over again. Didn't that happen in the version that won too? Not that I watched it.
Thanks,jean
Written by Bottleblondesurfer (3133 comments posted) 14th February 2007
Thanks for taking the time,jean and yes swearing was outlawed if you wanted to be seriously considered, even words like shit and crap were out. If you ever watch an episode you'll see how anodine the language is. 
In the winning episode instead of hitting Den she rushes off to the loo to be sick. 
J

Written by Witzl (1585 comments posted) 14th February 2007
I am at a huge disadvantage here: I have never seen the Eastenders -- not even once. Until I read your play, I just assumed 'East Enders' was two words. And to be honest, I didn't know that it was a TV program, but assumed it was on the radio. Had to ask the husband, who doesn't watch it either. 
 
Still, even though I didn't know the background, I thought this was incredibly natural and believable. And it is hard to do that without having any swearing at all. I sometimes wonder if it wouldn't be better just to put in beats to fill in the blanks for the shit, crap, etc. You can picture them without hearing them that way, and it just sounds as though the BBC has edited them out -- (which I know they do, as I have a friend who does this for a living, for BBC Wales). 
 
I can certainly sympathize with you about wanting feedback and feeling frustrated not to have had some response. Before I found GW, I sent things to competitions and, when things failed even to place, felt as though I'd just sent them out into the ether. You do want some sort of response, even if it is not favorable. Or at least you want it until you actually get it . . .  
 
I did spot one typo: When Den is explaining his involvement with the Russian Mafia to Sharon, he says, 'the Russians -where- looking abroad' instead of 'The Russians were looking. . .' If you want to send something else off, send it to me and I'll comb it for nits. I used to do this for a living and absolutely love it -- just like some people like de-pilling sweaters or cutting off people's split ends. Seriously -- send it to me. And I'll bet Snodlander would be game too . . .

Written by Phil (6383 comments posted) 14th February 2007
'Ello princess.' 
 
God, those were the days when I'd still sit and watch a bit of telly of an evening.  
 
It read like typical Eastenders fare to me. Bad luck on not being selected. On the swearing issue. How can you write a realistic script of this nature without at least a little effing and Geoffing?  
 
Phil.

Written by AtticMan ( comments posted) 17th February 2007
I haven't watched Eastenders for years, but when Den returned from the dead I still watched it occasionally. This is on the right lines but to me it somehow doesn't quite ring true as an Eastenders script. I've got a copy of one of their episodes and it seems to read a bit snappier than this, but I'm not really used to reading scripts so it may just be me. 
 
Hope this helps.
Jane. I hope this helps.
Written by gerardconnolly (1186 comments posted) 18th February 2007
Hello Jane. 
 
My apologies for not commenting on this sooner but I am extremely busy with the film script and rarely visit the site long enough to leave anything worth your attention. 
 
I note what you say and generally concur with some of the comments made above, most notably by Jean who does appear to have a happy knack of getting to the point with little circuitousness. Of course it is competently scripted and the dialogue is, as always, crisp and neatly in sequence. But for me it does lack the sort of dramatic impact that would- as the legendary Brian Millar was fond of saying- 'hook yer balls on the pitchfork'. Indeed. as Jean hints its downfall as far as the BBC would be concerned would be that- putting it at its most perverse- there is nothing wrong with it. Were I still to be in my old chair at Hodder and this landed on my desk I would certainly glance through and remark on its completeness, [ which, incidently, would make it different than 90% of the other scripts we used to get ] but I fear it would go in the Return tray for precisely that reason. 
 
My one piece of advice to you is not to be afraid to send in the most outrageously offensive piece you can pen. Those are the one's that get noticed. Forget silly admonitions about swearing etc, they are immaterial. Profanities will be edited out if unacceptable, and you never know you can sometimes get away with it. I have. Your job is to present your script as it best represents your dramatic intentions. Period. Nothing else matters. Forget the boundaries. Remember. The only crime a comedian can commit is to fail to be funny. 
 
For good examples of what can be done have a listen- if you haven't already- to Whithouse and Higson's 'Down the Line ' on late night Radio 4; or catch Graham Duff's superlative black comedy ' Ideal' on BBC 3 with Johnnie Vegas as the hapless drug dealer, Moss. As soon as I have a moment I will put up something from my own forthcoming project ' Rotweller Radio' [ this time produced for Black Shamrock ]. That might be helpful to you as also Paul, David, Woody,Chris, Phil etc as an example of what I mean. 
 
Keep perfecting your craft. Believe me when I tell you you have got it, girl. You are one of us! And you are doing the right thing circulating repertory. 
 
Slan! 
 
PS I thought of you and Woody as I was in Nottingham last week taking our eldest, Erin, for auditions at the Playhouse. She is a Casting Director at the RSC.

Written by Bottleblondesurfer (3133 comments posted) 18th February 2007
HI and thanks one and all for your comments on this I do appreciate your taking the time to read it. 
Atticman-you have given me some food for thought,perhaps the scenes are too long and static, Ta 
And Gerard,bless you for taking the time from your hectic schedule to comment I have taken it all on board and will keep on trying,I'll do my best to be as offensive as I can if future. 
cheers 
Jane

Written by ellipinnock (1753 comments posted) 19th February 2007
Now I'm biased on the one because I can't stand East, 'everybody's going to die' enders... 
 
And cos I know next to nothing about scripting! 
 
For what it's worth I thought this well paced, it rattled along nicely and I could hear it in my head. It felt smooth and effortless (though I'll bet it was anything bt to write). 
 
However, there wasn't enough of you in it for me - too much eastenders drivel and not enough Jane (I realise that you can't really help that!!!) so possibly not the most helpful piece of criticism I've ever given.  
 
I think the most sensible way I can put it is that normally I can read your stuff blind and guess that you wrote it - I probably couldn't have done that with this, there were flashes of your sharp humour and style but possibly not enough. Mind you it's a damn sight better than I could have done and probably a damn sight better than the shite that actually won. 
 
I'm going to run off quickly now before I betray anymore of my ignorance! 
 
Cheers 
 
Elli

Written by ellipinnock (1753 comments posted) 19th February 2007
ps. I didn't actually intend to refer to your piece as drivel...

Written by coosh (822 comments posted) 22nd February 2007
At a slight disadvantage insofar as my knowledge of soaps is minimal - however, irrespective of any derogatory views (including my own) on soap operas, I suspect writing them has evolved considerably as an art form over the last twenty years.  
 
Although this struck me as well-scripted, plausible, and I could visualise it, I had the impression you were afraid of tampering too much with the beloved characters in order not to offend their 15 million avid followers, and the various love/hate relationships they have with them. Also the Russian was a bit too wimpy/comical for me - a large part of the Russian mafia and their henchmen are more than enough to put the frighteners on most of what the East End can throw up.  
 
However, thoroughly plausible as soap script, in my view - and you got "ello Princess" in, which the bookies stopped taking bets on about 2 weeks before he said it.

Written by brook_rivers (484 comments posted) 8th March 2007
Hi Mrs B,  
 
I did a similar script which i sent in and must agree it is frustrating when you dont hear anything back! 
 
I'd say the opening scene and the one where Sharon is introduced to her dad are not as strong as what actually transpired. For example the Beeb went for a straight 'hell princess' whereas you put in a lot of waffle before that which would have been better coming after! You reveal too much too soon.  
 
As well some of the characters such as Jim, Den and Sharon don't seem quite convincing, i think you pretty much got all the other chaacters dialects spot on and Charlie's dialogue was exact to what you'd expect him to say. 
 
Also more stage direction during the scene, you only put a bit in at the beggining of each scene.  
 
I prefer your comedy writing if im honest but as the others have said there is certainly nothing wrong with this and with a bit more drama you're there! 
 
Best wishes 
 
Brook :)

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