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I Believe in Biscuits
By Glossa
16 March 2007
I think this could stand alone as a short story but I'm thinking of including it in an extended work about uneven power in relationships - bullying.  There might be too much dialogue so I'm also toying with trying to write it as a script, something new for me.

I Believe in Biscuits
 

“ I believe in biscuits,” she said.

 

I looked at her blankly.

 

“ I don’t mean that I believe they exist, of course they do.  I just believe you should eat biscuits when you drink your coffee.”

 

“Yes.” I said flatly.

 

“Stefan used to say his drink was too wet without one.  And I agree.”

 

“That was a TV advert. It wasn’t his idea.”

 

“Doesn’t mean it’s not true.”

 

“Like you saying you believe in biscuits.  Trish said that, her first day. At the staff meeting. To break the ice.”

 

“So?”   I wanted to provoke her.  “So you are saying stuff as if it was original. When it isn’t”

 

“So?” she said again, looking at me suspiciously. “Most things people say are things they’ve heard elsewhere. It’s how people talk.  It’s comfortable.”

 

“Like saying something is “existentialist crap”, for instance?”

 

She looked as if I was talking scribble, or as if she’d forgotten that she’d said those very words ten minutes ago when I was talking about a book I was reading that I thought was excellent.

 

“People often say stuff like that.  It’s like spraying toast crumbs over your newspaper and muttering ‘bastards’.”

 

I decided to let it drop.  I wanted her to know I’d felt put down and I think she did, otherwise she wouldn’t have been trying to joke it away so glibly. She’d never have apologised, not Sal.  Besides, I wanted to work out what she meant by existentialist crap, in relation to the book I’d described so enthusiastically.  Then I could find out whether she’d actually read it and have a suitable put down ready for her.  I was glad I hadn’t over reacted straight away.  I was learning.

 

“Your coffee’s getting cold.”

 

“Yeah. Shame we’ve no biscuits.”

 

“It’s a bit wet without them”

 

We laughed.  I thought that both Sal and I hadn’t changed a great deal since we were at school, in the fifth and sixth forms.  Covering up our ignorance with a street-swagger of bravado.  Sneering at the girls who still admitted to being virgins.

 

That reminded me.

 

“How come you call him Stefan. He was Steve when we were at school and the teachers called him Steven.”

 

“I hate the sound of “Steve”.  It sounds like something you say when you are mocking.  Like “Steeeve”.

 

She stretched her mouth sideways and gave a slight ducking nod to emphasise the falling intonation.  Just like my dad would have said it.  I laughed! 

 

“We went to German evening classes a few years ago and had to make our names sound German.  Steve became Stefan and I just kept on using it.  Some of our friends copied me and it kind of stuck.  My mum still calls him Steve though, in that funny way.  She never thought we’d stay together, she didn’t.”

 

“What did they call you?” I asked, “In German.”

 

“Oh, Sara of course. With a hard S and a long aa.”

 

“Sound’s good. Very grown up.”

 

“Which is probably why everyone still calls me Sal!”

 

She stood up and carried her cup out to the draining board.

 

“I gotta go.”

 

“Ok.  Call me soon, or email.  We’ll “do lunch” as they say.”

 

“Great. See you then.”

 

She dashed off quickly.  We hadn’t started hugging and cheek kissing, like a lot of others our age.  We’d only been seeing each other again for a few months and our relationship was still as it had been when we were teenagers, before such continental fashions had caught on.

 

After she’d gone and I was doing a bit of housework, I remembered that I used to say Steve in that mocking way sometimes.  As if I didn’t believe that he was a real boyfriend.  .  Everyone, I believed, invented and conflated anything to do with “Boys”. I did.  We all wanted our friends to think we were “with it” and “doing it”.

 

I remembered a nasty scene in the sixth form loo, where I’d been sharing a fag with Sal and Janie instead of going on prefects’ playground duty.

 

“Haven’t seen much of you lately since you started going out with Steeeve.”


“Don’t you love us any more, Sallie?” Janie pouted.  It was trendy to add “ie” to everyone’s name that term. Except mine, which was Judy. Instead of Judie, I’d become Jude because of the Beatles song. Hey!

 

“Yeah! But I can’t have it off with YOU!” she blurted, just as the door opened and our dear head girl Sandra (Sandie of course) came in.

 

“Ouch!” she said.  Janie and I looked at Sal. She’d sounded bitter rather than joking.  I wonder, if Sandie hadn’t come in, would we have just laughed after a moment?  We bustled around, picking up dog-ends and spraying the air-freshener that we kept in a shoe bag hanging on a spare coat-peg.  Sandie rescued us, taking her coat from its peg.  “She fancies ME really!”

 

We laughed and put the fag ends in Terrie’s pocket.  Teresa was a virgin.


 

 

Reviews

Written by Witzl (1585 comments posted) 16th March 2007
I've got hypergraphia, too. There's no cure, I expect you know; I've learned to live with it. I think it's hardest for our families. You're dealing with it the right way -- by getting out those notebooks and trying to sort everything out. Just keep at it -- that is my advice. 
 
I thought this was a promising piece of work, though it did seem more to me like part of an extended work than a short story in its own right. I did have trouble figuring out what the relationship between these two was, but that may be more to do with my lack of sleep than your failure to explain; I got there eventually. I do like the subtext and the reflections on the backgrounds of the two characters.  
 
Turning this into a script is a very good idea -- you're halfway there already. But I think you need to have a story well established in your mind first, and do your best to keep to it.

Written by alamo (32 comments posted) 16th March 2007
I enjoyed this, especially the way the details were shown through dialogue. I suppose that is how a script works, but Im not sure this necessarily needs to be one.  
 
I also agree with Witzl that it seemed like part of a larger piece, for me there needed to be more context.  
 
I also like the way the virgin had to carry the fag butts, was a good punchline to the earlier comments, and also fits into the uneven power in relationships theme.

Written by Anyanka (33 comments posted) 16th March 2007
The only problem with this story is the absence of an actual story! The writing is wonderful, I love the slightly surreal quality of the dialogue. There's a quirkiness that kept me going. I agree with the two previous posters: it reads like the opening to a novel, or a longer story. 
 
Then again, I quite like it just as it is, a little bit random, just a slice of life.

Written by Bottleblondesurfer (3298 comments posted) 16th March 2007
I have to agree with Anyanka there is no actual story,yet which is a bit unsatisfying. As you suggest it might make a better scripted piece as there is so little narrative it could easily be carried by dialogue and direction. The dialogue was realistic and well paced but script dialogue is not conversation, every word must serve a purpose i.e carry the plot forward or illuminate character. 
Look forward to more 
J

Written by Clifftown (619 comments posted) 17th March 2007
Although I agree in part about the general lack of a story, I really liked how this piece characterises the relationship between the two girls, especially the put-down over the book. And I loved the opening part about believing in biscuits! 
 
Could be a brilliant extended piece.
Hi Glossa
Written by jean.day (2257 comments posted) 18th March 2007
I agree with Nina that this is good even though it doesn't have much of a story line - and hope that you will add to it. Good dialogue.
Thanks
Written by Glossa (18 comments posted) 19th March 2007
Thank you all for the helpful comments. I'll work on the story line before I get carried away with writing any more bits that might not end up fitting together.

Written by rui (150 comments posted) 24th March 2007
Nice little scene, but not a short story, neh? I agree with the other comments that this has to be part of a larger work. 
 
Just stylistically:  
i) flashbacks and brackets have a lot in common - you have to close them before the equation (or story) works. Please wake her up, even if it's right at the end of the story. Once you've dived into the flashback, it needs to end and the character return to normality. Unless, of course, you want to copy Robin Hobb and write epics in flashback with the present being an interlude at the start of the occasional chapter. 
 
ii) "Steeeve" or "Ste-eve?" To me, the latter conveys the tone change. 
 
iii) Pace: "Jude because of the Beatles song. Hey!" or "Jude because of the Beatles song, hey!"? That pun was lost with a full stop. 
 
iv) Stefan/Steve: if you really want to drive home the German pronunciation, consider Stéfan? 
 
duo fu qi!

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