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Shorts
Black Velvet
By ellipinnock
23 March 2007
This is, perhaps, the beginning of something. There might be two or three more parts to come. But is it worth it?

Clare was dying. Slowly, there was plenty of time yet but still it was the inescapable conclusion. She could feel it, a lifting at the edges of her mind, something indefinable leaving with the moisture from her skin. When, she wondered, did your skin begin to change? Such an insidious process, creeping up when you least expected it. Years ago she wallowed in the bath for hours, with bubbles and a book in hand, forgetting the world completely for a while. When she emerged it was be in someone else's skin, wrinkled and fragile, needing to be pampered back into youthfulness. Now the bath has no effect, her skin has become submarine in its own right, like a creature left too long in the dark.

She remembers the day her own mother died. A summer day full of damp, dead heat. They had been fractious all day, as children are in the heat, sticky and grumpy, yearning for cold ice-cream and a swimming pool. Instead, they had put on their Sunday best and yawned through a church service that seemed to last forever. A family lunch followed. They bickered through that, the older children vicious, the younger children fragile. Then it was home for tea on the patio and more adult gossip.

Eventually, tired of their squabbling and whinging her mother had given her, the eldest, a little money and sent the whole tribe down the road, chasing after the ice cream van. They ran, helter-skelter, colliding with each other as she chose and paid. Then they wandered back home, quiet now, kicking at stones and dust in the road, absorbed in sweet coolness running down chins and fingers.

The ambulance had arrived by the time they got back. She remembers her mother lying sprawled on the patio, a grotesque, beached whale, thighs lolling, legs open, revealing rolls of fat and hair sprouting where she did not know hair should grow. She asked the ambulance man about that but he just smiled at her, patted her head and closed her mother's legs before covering her.

She heard snatches of conversation, 'Nothing we could do.' said the ambulance man to her father, 'We suspect a heart attack.' Condolences from family and friends, confusion from other children, tears from her father. She did not know why he was crying. She had seen him with her aunt earlier that week, rolling around on his bed (her mother had slept elsewhere for as long as she could remember) so she supposed he would not miss her mother much. She kept sneaking peeks at her aunt, wondering why she did not comfort her father. But her aunt was crying too, red-faced and did not approach her father, did not even catch his eye.

She was allowed to take a week off school afterwards and they went shopping to buy black dresses for her and her sister and black ties for her brothers. For mourning they said. She did not understand that. Why should black be the only colour to be sad in? To her mind grey would have been the saddest colour, a mixture of nothings. She asked her father if she could buy a grey dress instead but he went red in the face, shouted at her and shook her by the shoulders. She supposed that a grey dress must be a bad thing indeed, even suggesting she write a label, so that people knew she was in mourning, did not improve matters. So she let it be.

They were still wearing black dresses when Maureen moved in. Maureen was not at all like their mother. She had darker skin. She had slimmer legs. And she had a bigger ass. That's what their father said anyway but when she told her teacher she was told to be quiet and stop being silly. She did not see what was so silly about having a big ass. In fact she was not sure at that time what an ass was but the way her father said it, it had to be a good thing.

Maureen was kind to the children. Her father said Maureen had come to help out around the house, to do some cleaning and cooking and iron his shirts. He said they weren't to bother her, that she was going to be very busy helping him. Clare wanted to ask him why Maureen slept over and why she sometimes crept down the hall into his room late at night but she didn't dare. She supposed that he had trouble sleeping, missing her mother, and that Maureen was helping him with that as well.

Maureen read the children stories in the afternoon, when she had finished her chores. Sometimes she played games with them and she always let them help her in the kitchen. Clare learnt to cook by watching Maureen and helping from time to time, stirring when she was told to stir, adding what she was told to add, making sure each time that she measured everything exactly. She made their evening meal one day and her father was so proud he hugged her. He had never done that before, and he never did again, but she remembered.

She was sixteen when her father died. Old enough to understand Maureen's terrible grief. And her anger. Clare had just discovered boys. Or, to be more accurate, boys had just discovered Clare. One of them had taken her to the cinema. He tried to feel her up on the back row but she wasn't really interested. She liked being taken out though so she hinted that he might get lucky another time. So they went out again, got drunk and danced and danced. She left him puking in the club at two and caught a taxi home.

She tripped over the cat on the way in and fell on the stairs and that's where her father found her, sprawled half-conscious and smelling of whisky and cigarettes. She had never seen him turn purple before. Maureen stood at the top of the stairs and watched him rant himself hoarse. When the world stopped spinning Clare crawled upstairs to bed, not caring what colour her father was. Clinging onto the bed she heard him shouting at Maureen and a series of thuds, then silence.

The next morning Maureen woke up next to a corpse, with bruises darkening her face. She blamed Clare, dragged her out of bed, shoving her face at the dead man, frantic with grief. Clare left that day. She still slept in that house, where else did she have to go? But she never spoke another word inside its walls.

She began to drink for a while, carrying around a hip flask, and the world seemed better.

She got married when she was eighteen. To a boy named John. She did not love him. He did not love her. But she was carrying his baby.

Two years later she left him and left her baby.

Clare doesn't want to remember that time. They say that, when you die, the whole of your life flashes before your eyes. She does not want that, when the time comes she wants only edited highlights. She thinks that maybe if she practices, rehearses over and over in her head the things she wishes to remember, maybe she can block out the rest and not need to revisit the past.

She had always dreamed of marrying a rich man. In those dreams the glass slipper fitted onto her dainty foot and she was transported into a world of leisure and luxury. In the real world, glass slippers do not come big enough for her size 9 feet. She found her rich man, more than she deserved Maureen would have said. But Maureen had vanished from her life long ago. Nobody told her that Prince Charming came with a price tag. Nobody told her that, having bought her, he would feel entitled to buy others as well. For a while she played the dutiful wife, shopped and spent his money, trotted out on his arm when required, entertained his girlfriends when he desired. Then she divorced him. Used his money for lawyers and fleeced him. No more men for Clare.

The divorce settlement more than paid for a round-the-world ticket. A blur of countries, people, restaurants; a steady flow of cash streamed from her. It was not until she got to India that she stopped. Laid low by the heat and tainted water she stopped. A fortnight went by in a haze of humid illness, leaving her weak as a newborn. She recovered quickly enough. Whilst not young anymore she was still strong. But still she stayed in India. Drawn onto the streets of the cities and into the mountains, she stayed.

One evening she sat alone in the hotel garden, eyes half closed against the heat, cat-napping in solitude. Slipping out of sleep she heard bells and opened her eyes to find a woman sat opposite her. Clothed from head to toe in ochre robes covered in tiny bells and ribbons the woman was simply staring at her. Clare stared back, taking in deeply creased skin, black wiry hair beginning to thin and brown eyes. They sat in silence, neither willing to speak first or break eye contact.

As the sun set the woman nodded at Clare and stood, slowly. Reaching into her sleeve she drew out an object and placed it on the table. Looking Clare up and down one last time she said, 'Look after it.' and she turned and walked away. Clare picked the box up. It was about the size of a fist and heavy. Covered in black velvet, peeling away at one corner to reveal turquoise underlay. She turned it around and around but could see no way of opening it so she packed it away and forgot about it. Not long after that she left India to travel to Europe.

Reviews

Written by rui (150 comments posted) 23rd March 2007
Aw, I was just getting into that when it finished! More, please :D

Written by candyfluff85 (16 comments posted) 23rd March 2007
I agree, i want to know more hehe!! a nice piece i think, really has potential, I like the short sharp sentences and the way the history unfolds itself.
A solid piece
Written by Katsinella (28 comments posted) 23rd March 2007
Is it worht it? Yes... 
The first part takes on a gentle pace filled with details (asses, and hair in the wrong places). The second half (after father's death) is alot faster, as if you've lost interest and want to get to a certain point. Which you do, and which is am interesting one I'm left with allsorts of enticing questions like what has Claire become (given a dramatic life), what is in the box, what is she dying of, how will she choose to spend her last months? 
 
Give us the next installment soon! 
:grin

Written by Anyanka (33 comments posted) 23rd March 2007
Good writing, drew me in and kept me going. But: 
 
For a short story, it covers too many different places. If it's the beginning of a longer piece, then perhaps slow down a little? I really enjoyed the first half - until the father's death - but then the story starts leaping, skipping and jumping!  
 
I'd suggest to either give more details about the years between the father's death and India, or (my preferred option) skip them completely. Just 'twenty years later, after two failed marriages, an abortion and an abandoned child, Claire finds herself in a tent'. For example. 
 
Here's a stupid question: how old is Claire? I assumed that she would be 40+ in which case the mention of leaving a boy in a club rang false. As far as I can remember, we called them 'discos' in the 70s. I've probably got the time & age all wrong, but it did interrupt my suspension of disbelief, which is never a good thing...

Written by Lizzy (793 comments posted) 23rd March 2007
Definitely worth continuing, too many loose ends, that's what makes a good story. I want to know why and what so please keep writing.
Loose ends
Written by ellipinnock (1753 comments posted) 23rd March 2007
There are, I know, a lot of loose ends and inconsistencies in this. Clare has been bumping around in my head - I just wondered whether she was interesting to anyone else apart from me. 
 
As she seems to be it's rewrite and move on time. Bear with me :grin  
 
Elli

Written by anorwegianwood (278 comments posted) 23rd March 2007
If you don't continue this I will be most disappointed. This didn't go at all where I was expecting, and I really want to know what happens next. I also think it moves a bit quickly, but not so much to be disorienting. It's riding right on the edge. 
 
Please continue with this! 
 
~Claire

Written by Witzl (1585 comments posted) 23rd March 2007
I like this a lot, Elli. I found myself wondering what in the world was going to happen, and I enjoyed that. Having 'edited highlights' of one's life instead of the entire show sounds good to me -- who wants to wait that long and die so slowly? Plus, what a bore -- like using the slow option to fast forward through a video.  
 
I'll be waiting for more.

Written by Gill21 (566 comments posted) 23rd March 2007
Fab! And like everyone else and eager to hear more. It felt very much like a prologue to me. The box the catalyst to the rest of Claire's story. You characterised her well and i feel i know a lot about her even from this short piece. The passage about the death of her mother was gripping and horrifying in equal measures. Very descriptive and well written as were her other 'significant' momments/memories.  
The only crit is that 'ass' and possibly 'puking' felt a bit jarring to me in the context of your very articulate and descriptive style. 
 
Gill :)
HI Elli
Written by jean.day (2279 comments posted) 24th March 2007
I like this much better on the second reading - and especially like the first part of it. I think you have packed in too much in one chapter - that you could easily have got 3 or 4 chapters out of this. But as the others, I am hoping for more and want to find out about this mysterious box.
I have a problem
Written by ellipinnock (1753 comments posted) 24th March 2007
in that every time I write a short story at the moment it seems to turn into a potential novella. I cannot cope with the stacked up ideas watching me from under my bed. Soon they will turn on me. 
 
Seriously...well a little anyway, I know this is far too rushed but as I don't want to develop this too much lest it run away from me I've tried to skip over much of Clare's life in an 'edited highlight' kind of way. Some of it I may chop altogether on a rewrite. 
 
Thanks to everyone who took the time to comment - much appreciated and I'm glad you're all interested enough to want to read more. Now, I know what's in that damn box so I suppose I shall have to write the next part :grin  
 
Cheers 
 
Elli

Written by coosh (863 comments posted) 24th March 2007
Maybe, if I understand you correctly, it’s just a case of going with the flow, Elli – simply developing the ideas in accordance with your natural style, with which you are comfortable, and that’s it. At the risk of stating the bleedin’ obvious (and feel free to give me a virtual kick where it hurts if this sounds flippant), too many loose ends means too many threads to begin with (for a shorter story, that is). Perhaps starting with the ending and working backwards would achieve greater conciseness, if that’s what you want, I don’t know. 
 
Having said that, I always enjoy your style, and hope you post more of ‘Road to Tranquillity’ at some point – maybe the pace of the second part of this could have kicked in earlier for me, but it’s fascinating reading the details, particularly second time around – I liked the opening with the “skin”, and by the end was certainly keen to see how it moved on.

Written by Phil (6713 comments posted) 24th March 2007
Definitely two parts to this. The first part considered and developed well, the rest told at a much faster pace and less developed.Until we see the rest of this, it's hard to know if that's appropriate or not. 
 
Thought there were some lovely touches in this. Well worth another instalment. I'll be back for more. 
 
Phil.

Written by Janie (265 comments posted) 25th April 2007
oh no! i was just about to go to bed and now you've done this to me..i shall have to find out more about claire and what's in the black velvet box. 
 
i enjoyed this it drew me straight off..it did whizz a bit in the middle, would've liked a little more elaboration on the baby and marriages...lots of show in this, i liked how you had child's thoughts and words in her earlier years and her not understanding stuff at the time. 
 
reckon ther's a book in this one.

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