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The Dead Procrastinator
By Falken
21 April 2007
Ok, my first post, so be gentle, but be honest! I'm thinking that my title is a little too up-it's-own-a@se and the same for the content, but I suppose I'll have to stop somewhere and set it free!

The Dead Procrastinator

He sits opposite the older man, nervous and shy. The man smiles at him gently, compassionately. He is urged to talk, to give voice to whatever is on his mind. And so he begins, haltingly at first, but soon finding a rhythm.

He’s deeply unhappy - that much is clear to the man – and much of what he talks about is in his past, in his childhood. That he doesn’t want to feel sorry for himself is a moot point; he clearly does. He talks about how his life is passing him by in a blur, even though each day seems to drag as though caught on the undertow of it’s own monotony. His colleagues, his daily experiences, his very existence – all are described by what has passed before. He is, for want of a better description, trapped in time.

The man tries to move him on to other subjects. What of the future? It’s mentioned, but fleetingly. He says he knows that whatever hopes and ambitions he does have are already failed and unrealised, and the man realises that they must seem infected by the cancer of his tainted youth.

So the man presses him; what would he like to happen with his life, regardless of how unrealistic it may seem? Who would he like to be if designing himself from scratch?

The change in him is remarkable. Freed from the bindings of his doubts and fears, he talks animatedly about settling down, having a family, moving back near home and maybe even working for himself one day. Without encouragement, he goes on to describe in detail the house he would live in, the names for his two children, the car he drives, the work he does. It is obvious these are things he has thought about in depth and equally obvious no other ear has received them before. “And why can’t you have all that?” asks the man. He replies that he supposes there’s no reason, but the doubt and fear have returned to their place in his head behind his eyes.

The man closes his book, smiles and lets out a mental sigh. He checks his watch, surprised at how long he’s been. There was a lot more packing to be done before the move to the new house, bought just before their second child was due. And he hadn’t even started on his office yet! He carefully packs the book with the rest of the dusty items and carries the box downstairs to be placed with the rest. Moving may be stressful, he thinks, but you do find things that you’d not seen in years. Like the diary you wrote twenty years and a life ago.

Reviews
Touching
Written by Asferthecat (851 comments posted) 21st April 2007
I like the title. I like the story. The ending is unexpected and rather sweet. I would like to know what led to the young man's lack of confidence but the story works anyway.

Written by Falken (14 comments posted) 21st April 2007
Wow. Thanks. I'm glad the ending was a surprise. Is it obvious that the procrastinator is the young man who is now dead because he's got on with his life?

Written by Bottleblondesurfer (3445 comments posted) 21st April 2007
I have to say you are right about the title, it doesn't do the story any favours. I don't think it suits the style of the story which is simple and heartfelt. 
I liked the concept and the style was simple and unaffected with a strong narrative flow. 
There were areas where it was a bit clumsy and confusing, where you tried to hint at there being two people, you might want to be a bit more vague about that to make the end work.  
I thought you packed a lot into a very short story and it's one of those endings that make you go through it again. 
I liked the little hint you gave us at the beginning 
"trapped in time" which we can appreciate at the end, a nice touch. 
But it's a well told tale with a universal theme. 
cheers 
J
Yes
Written by Asferthecat (851 comments posted) 21st April 2007
Yes. It is obvious that the diary was written when the man was young. In a way there were two people - him now and him as a young man. No problem.
Heyy
Written by TwistedTales (548 comments posted) 21st April 2007
Umm, liked the story and the idea very much. Loved the ending. Like Asferthecat, i would liked to have known the reason for the young man's depression and lack of confidence and what bought about the sudden change. Like a little before and after revelation. But a nice little story. Keep it goin. 
 
Regards, 
TT
Sorry...
Written by stevetroster (1588 comments posted) 21st April 2007
..but this didn't work for me at all, as having written about two people throughout most of the story, it is not possible to then accept that the man is in the room on his own. 
In detail: 
Para 1) "He sits opposite the older man, nervous and shy. The man smiles at him gently, compassionately. He is urged to talk". Who is HE? If you lost Paragraph 1, then paragraph 2 would be a fine starting point because it doesn't mention HE. 
Para 3) Would work if you lost the opening line: "The man tries to move him on to other subjects." 
Para 4) Again doesn't work at all: "So the man presses him; what would he like to happen with his life" 
Para 5) Is going well until: "And why can’t you have all that?” asks the man. He replies that he supposes there’s no reason" 
If you get rid of references to HE, and stop the conversations that would be impossible unless the man is schizoid, then this would be a good story. 
I liked the end, but as BBS said, you need to be more vague with it. 
Again, sorry, but welcome to GW anyway. 
Best wishes 
Steve.
Thanks for the critiques
Written by Falken (14 comments posted) 21st April 2007
I wasn't happy with this really, but thought it best to post it anyway as it is my first ever piece of fiction. I was trying to describe an internal monologue the man was having with his younger self as he reads his diary, but kept writing myself into corners. I'm pleased with some of my turns of phrases and the way the piece sounds as a collection of words, but that's all. 
I will try to write something else today, and make sure it's a lighter tone also! 
Thanks again all, and cheers for the warm welcome.

Written by Phil (6836 comments posted) 22nd April 2007
First of all, thi isn't up its own arse. However, in essence, I agree with Snodlander. There's nothing wrong with the idea of an internal dialogue with himself, but for me, that's not what you've written - there are too many references to a definite other person. That said, it was a good adea and as you said - some nice turns of phrase. The first paragraph made me think of the Ancient Mariner. 
 
Phil.

Written by Gill21 (566 comments posted) 22nd April 2007
An almost effortlessly touching story. Similarly i didn't get the internal dialogue reference, and felt it was more a flashback of a conversation with another person. However even if that wasn't your intention, it didn't take away from the essence of the story. The ambiguity of his problems before hand worked for me and i most definitely understood your intentions with the title. I enjoyed it. :)  
Also welcome to GW. 
 
Gill
Thanks again
Written by Falken (14 comments posted) 22nd April 2007
Cheers Gill. :grin When I got the initial idea, it was for the man ro remember his younger self having therapy and, in the man's mind, assuming the therapists role and questions as he reads himself twenty years before. I guess I wasn;t clear enough, but I greatly appreciate your comments. 
8)

Written by Snodlander (507 comments posted) 23rd April 2007
Phil agrees with me. Outstanding, especially as I haven't reviewed this piece yet. Either I am constantly on Phil's mind, a worrying prospect, or we are caught in some time-loop in the continueum where if I say the wrong thing now it will create a paradox that will ultimately kill my grandfather before my father was born. 
 
Clues and surprises. This is something I am having to come to terms with in my writing. If the end is too much of a surprise then the reader feels cheated, like the murderer being a character that had not been mentioned in a whodunnit. Telegraph it too much and the end is an anti-climax. 
 
I felt this strayed to far into the former. You deliberately led us on to believe, nay, actually told us, that there were two people face to face. I think it would work much better if you removed the references to physical presence. E.G. Instead of the older man trying to move the younger on to other subjects, rather tell us that the younger man seemed obsessed with the one subject. Let the reader make the false assumption rather than you do it for them, sort of thing. 
 
Otherwise a good story. Liked it. A reversal of what I suspect is more often the case, ambition dulled by experience.

Written by Phil (6836 comments posted) 23rd April 2007
Buggerit. Sorry - I meant to say - I agree with SteveTroster. Perhaps you are on my mind all the time Snods. Now that is worrying! 
 
Phil.

Written by wltshr (341 comments posted) 23rd April 2007
Hi Falken 
 
I've read this after reading, reviewing, and reading your reaction to my review, on "No Foam". 
 
This is so totally different from "No Foam" that I'm surprised it came from the same writer. 
 
A nice story with a neat twist at the end. 
 
I'm also fairly new to the site and have been, generally, glad of the honest constructive criticism. 
 
This has the potential to be quite a strong short story if you address some of the issues raised above. 
 
Regards 
 
Wltshr
Wow!
Written by swapnet (3 comments posted) 23rd April 2007
It's hard to squeeze in a lifetime in mere five paragraphs. Very well presented. I love the way it unfolds. It's short buts gets the point right through. Yes, your story somehow relates to every man's life. Every successful man must look back at things .. if I've understood your story right. 
 
I read your other story as well. Very short, but effective in fact. Tell me when you publish your next work.

Written by anorwegianwood (278 comments posted) 25th April 2007
This is your first ever piece of fiction? Wow, it doesn't read like it. 
 
I thought this a touching story with a very interesting concept, but I agree that the beginning needs to be more vague to the reference of the "two" men. It might be hard to strike just the right balance, but I think it would be worth the effort as this is such an interesting idea. 
 
~Claire

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