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WARMER
By pbwriter
15 July 2005

This is one of the first pieces I wrote, last November. It was written for a writing prompt at another writing group. (EDITOR SPITS AT MY FEET!) I kind of like the feel of it but I know it's not quite right. Again the POV is the experiment. I just want to push it a little. Does it work?

All comments are appreciated


WARMER

Don't come in here. This is a bad place where the air is meant to be sterile but instead it's just stale, and where the dust on your feet are the bones of people dead, from yesterday and long ago, taken from happy lives just like mine. I've left Lizzy at the door, she's gone outside to play on the swings. She's never coming in here. Ever. Over my dead body she's coming in here.

Yesterday at the breakfast table right?, as Auntie Ruby drank her Nescafe, black-no sugar, and Uncle Frank ate his prunes, black-no sugar, I was sick, black-no sugar. Right there at the table. I didn't even have time to turn my head, it just gushed from my mouth in a hot smelly jet and then ran down over the side and onto my legs. Lizzy just sort of looks up at me half puzzled and half amused and then laughs out loud. I couldn't move because I'd shit my pants too and Auntie Ruby says not to worry and,
"Come on sunshine" as she lifts me out of the mess. I start to cry like some kind of emotional cripple, which I guess is what I am, and then somehow, and I don't know how, I can see me crying from above myself, like I'm looking down on the whole crappy, piece of shit event. I want to stop so bad, I want to stop and open my eyes but it doesn't happen. My eyes are closed but I can see her leading me up the stairs to the bathroom. I'm still crying as she runs me a bath and I'm saying that I wish the water could get inside and wash away all the shit in there.                                 "Hush now Marcus, she'll be fine, you'll see. She'll be home soon, I know it." I had ‘A‘ level tests due at school but I didn‘t go. They had to wait.

It's nurse Dana that leads me to the new ward. She's so hot and sexy, I think I love her but this isn't the time or the place for love. Last week I tried to wank myself over her but it didn't happen. Nothing worked . All the lights were on but no one was home down there. God, d'you know what it‘s like to be fucked up and fifteen? I'm so scared sometimes.

Inside it's warm as usual and everything is new, brand new and my mam is sitting up. Her tired eyes are too big for her now as she holds out her arms and I run to her. She kisses my neck and my hands, my hair, my lips, my cheeks and everything she can kiss she kisses. I know what she's doing though. She's hiding her tears because I feel them on my face. She always does this but I don't mind it one bit.
After she asks where Lizzy is.
"She's outside on the swings"
"Come on then" she says and I wheel her over to the window. Tired eyes aren't tired anymore, frail hands find the strength to wave, brittle hair blows in the breeze, thin skin and nose pipes stretching together with laughter. Happiness has come in through the window.


Yesterday, what I did, right, was I got all my mammys things together in the garden, her handbags and her shoes, her Tampax and her nail varnishes, and doused them in petrol from the mower and flamed them. Whoof. My eyelashes went but it was worth it. Well I can't let Lizzy go through this can I. Everytime we see these things we want the old times back. But what if they're not coming back? So why keep reminding ourselves of them. No, better gone they are. Better by far than making us ill.


My mam turns from the window. She asks me what I think and nods at the room around us. I tell her it's cool.
"So you won't mind Lizzy coming in here then?"
"Yeah she can come in here mam. As long as it stays like this, not like that other room. Lizzy didn‘t like that place, with all those machines tickin‘and bleepin'"        "No. Neither did I Marcus. Neither did I. Now, listen," she says as she leans forwards and takes my hands. And suddenly and only now, for the first time in so long her face lights up like from some long sleep, and her eyes and her cheeks have come back some kind of freaky furlough, and they are saying
"I'm coming home next week. Home for good."
My mams skin, right, it was like the colour of all those chickens you see in the supermarkets, but suddenly it's redder and warmer. And then it happens again, I close my eyes and fuck knows where I am. The kid below me is me, with his warmer mother, an the kid starts to cry as he tells her about the little bonfire he has had but she pats two chicken fingers onto his lips to stop him and she's saying it's okay, it's okay, that she knows all about it, that Aunty Ruby told her and that it doesn't matter. The kid can hardly speak because all the tears have taken his breath away and his words can only fall from his mouth like he's laying fuckin' eggs or something.
"Really...mam...are you...coming home..."
And she grabs me and I know that she can't speak either because again I can feel her tears down my neck and it's a real long time before she sort of spits this word into my hair
"Yessss..."
And her smile bursts through the thinness of her face, hiding but no longer hidden, my ever beautiful mammy.

Reviews
good first effort
Written by kevinrobson73 (371 comments posted) 15th July 2005
I share your doubts 
The germ of it's great but it needs a bit of work 
These are my suggestions 
More dialogue 
Less scenes if you're going to use that number of words 
You've taken the reader to  
breakfast room  
home 
another room 
bathroom 
back on the ward 
up the stairs with a nurse 
looking out of a window 
so you've got so many fragments for the reader to pull into mind to make it coherent 
 
TITLE - is it eye-catching, relevant to story? intriguing -but i'm not sure it's the best - suggest something like BURNING 
BEGINNING - Does it hook you, lead into the story, relevance - good 
VOICE/VIEWPOINT - Does it come across well, show personality, is it right for the story, well handled? too rational for someone that's not -the story is told very factually whereas if someone is acting deranged there's normally some quirky rationale you can inject 
CHARACTERS & DIALOGUE - Do personalities show up; are they stereotypes; are they right for the story? -not extreme enough -only query A levels at 15 not norm till 18 -is he gifted -if so how can you use that  
USE OF ENGLISH/STYLE - Does it read well? Imaginitive use of language/imagery/layout, does it show 'sparkle'? very good writing style 
Are there spelling errors/typos/jarring grammatical errors? proof reading excellent 
DRAMA - Is there good use of action, enough tension/conflict? 
EMOTION - Are we swayed by the narrator and identify our emotions with the narrator? here i think might be the nub-characters are a little bland 
STORYLINE/PLOT - Is it evident? Is there a beginning,middle,end? Interesting/ original? good premise  
THEME - What's the underlying meaning of the story? Was it evident? Understandable? - it was all there  
ENDING - Are loose ends tied up? Are you let down? Was it expected/original? -impact was missing 
 
hope this is helpful
Goooood Feedback!
Written by pbwriter (7 comments posted) 16th July 2005
Thanks for taking the time to read and comment Kevin. You make some good points too! The fragmentation thing was something I had never even considered, so thanks for that! Not sure I agree with you on the balance of dialogue and narration, but I shall give it more thought, so thanks for that too. 
Great feedback Kevin, it is appreciated. 
 
Graham

Written by Clodagh (29 comments posted) 17th July 2005
hey good piece, it is a little shakey but Im sure you'll tweek it into place- i think the style kind of changes a little after the start- it starts off great with the little rambly things about coffee- the swings etc... then you found where you wanted to go and kind of found direction but forgot about the character strange little rants- im just guessing as thats what I do sometimes in workshops lol. The other problem is it reads like you were working on a timescale- it's a big story shoved into a small space- you could make it longer. I would expand it by keeping to the basic structure but adding in a few strange observations by the boy, a few strange rants etc... it is a great piece, you have a brilliant style but I've said that to you already- this piece just needs a little more tweeking than the last- you have the bones of a good story though

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