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Shorts
Hitting the Pavement
By ellipinnock
01 May 2007
I'm not entirely sure this is the way I want to tackle this but, for now, here it is.

Monday

She opens the front door and stands for a second, framed against her battered door in the morning light. She swings her satchel over her shoulder, left to right; pats her pockets, once, twice: phone, keys and wallet I assume. She steps neatly over the sill, left foot first, then right and pulls the door closed behind her, hard as she can, white-knuckled. She leans slowly back, pushes her palms against the door to check the lock, then straightens. Her fingers drag through her still-damp hair, snagging errant knots that have escaped the nagging of her brush.

She takes the steps down from her door two at a time and stops to jump two footed from the lowest step, flexing her knees and arching her spine as she straightens, yawning into the chill morning. A spark of green catches in her eye, she pivots and bends, one-legged, to tease the tiny sprouting leaves out of a crack in her steps. They come out cleanly, soil clinging to bone white roots. She shrugs and lifts the bin lid, tosses it in and drops the lid, wincing at the thud that echoes out, reflected off lonely terraced bricks.

She hits the pavement striding, shoulders back, head held high and pats her pockets once more as she walks. She passes number fourteen, where geraniums protrude from every available patch of ground, pots sprouting from the concrete. Number sixteen she passes without a sideways glance, but she still notices the twitching of the upstairs curtain: does Mr Traymer never sleep? He may just sit by the window all day, dressing-gown clad, waiting to catch a glimpse of her as she walks by.

As she passes number eighteen, she slows her pace and he falls out of the front door, flashing a glimpse of stagnant beer bottles and unwashed laundry. A bachelor pad. He slouches down his steps in low slung jeans, catches her outflung fingers and slides off down the street, planting a peck on her cheek. She digs her heels in and points at his front door, hanging open. He grimaces, shrugs his shoulders and lopes back up the steps. Door closed, another peck, on the lips this time and off they go down the road towards the bus stop, hand in hand.

Tuesday

She opens the front door and stands for a second, arching her spine and stretching, yawning into the damp morning. She leans on the door frame , picking absent mindedly at the peeling paint with one hand and swinging her satchel over her shoulder, left to right. She pats her pockets, once, twice: phone keys and wallet. She peers around the door frame and then steps over the sill, left foot first then right, catching her toes on the doorstep, lips framing curses.

She pulls the door closed behind her, hard as she can, white-knuckled. She leans sharply back, slaps her palms against the door to check the lock, then straightens. Her fingers drag through dry flyaway hair, snagging errant knots that have escaped the constant nagging of her brush. She takes the steps from her door gingerly, one at a time, always left foot first but stops, to jump two-footed from the bottom step, flexing her knees to land, poised. She bends to rub scattered soil back into the cracks between her steps, crouching, brushing loose earth off her fingers.

She hits the pavement softly, shoulders back. Then pivots to trot back up the steps on dainty feet and push the door to check the lock again. This time, she hits the pavement striding, shoulders, back, head held high and pats her pockets once more as she walks. The geraniums of number fourteen seem wrongly bright against the dull sky of an English summer, grey as the curtains that twitch in Mr. Traymer's window, flashing white, aging skin.

She slows, almost to a stop, outside number eighteen and he falls out of the front door, flashing a glimpse of last night's pizza boxes and unwashed laundry. A bachelor pad. He slouches down his steps, black underwear standing out between low slung jeans and too short t-shirt. He slides off down the street, her fingers in his hand. She wriggles free, mouths at him and points to his front door, still hanging open like his jaw. He grimaces, shrugs his shoulders and lopes back up the steps. Door closed, off they go, down the road towards the bus stop, side by side.

Wednesday

She opens the front door and stands for a second, stretching out a palm into the wind and rain. Tongue between her teeth, she counts the raindrops, turns her palm to spread the moisture, sighs and stretches in the doorway. She swings her satchel over her shoulder, left to right and pats her pockets, once, twice: phone, keys and wallet. An umbrella sneaks around the doorway into her hand, she wrestles it up, flimsy metal spines browbeaten in the wind and steps over the sill, left foot first then right, lips framing curses.

Umbrella held in the crook of her arm, she pulls the door closed behind her, hard as she can, white knuckled. She collapses back, pats her palms against the door to check the lock, then levers herself upright again. One hand frets a lock of hair, irretrievably knotted, estranged from her brush for the moment. She takes the steps from her front door slowly, two at a time, left foot first, falling from one to another until, leaden-footed she drops from the bottom step onto the pavement.

She creeps along the pavement, shoulders hunched, head striving to remain level, mocked by the geraniums next door that cackle at a glum face. No curtain twitch this morning, Mr. Traymer's back must be giving him trouble, still in bed he's dreaming of who knows what. Her face? She turns and drags her feet back along the pavement, easing up her steps to push again in vain against the front door. It's locked, the way it always is. She forces her shoulders back, head up and walks off down the street.

She passes number eighteen at a stroll, just as he falls out of the front door, arms full of beer cans and pizza boxes. He flips his bin lid, chucks them and and pulls his front door shut. He wipes his hands on trendy combat trousers, one, then the other and catches her up, on long legs. She crosses her arms, one over the other, umbrella caught between the two, and shivers in the chill of a cold greyEnglish summer morning. They amble along towards the bus stop, side by side, in silence.

Thursday

She opens the front door to punch of muggy heat that leaves her breathless for a second, standing clutching the door frame. Hands on hips, she draws in breath, holds taut stomach muscles as long as she dares and then exhales. Low and long she empties her lungs, breathing by choice, as slow as she can manage. She swings her satchel over her shoulder, left to right and pats her pockets, once, twice: phone, keys and wallet. She wrestles her body out of the doorway, browbeaten by the heat and steps over the sill, left foot first, then right.

She pulls the door closed behind her, hard as she can, white knuckled and stands tall, poking at the door with rigid fingers to check the lock. She drags her fingers through towel-dry hair, searching for the knots her brush has given up on now. She stretches, long and slow, hovering in the doorway as long as she dares. She takes the steps from her front door slowly, one at a time, left foot first, carefully stepping from one to another, jumping on flexed knees onto the pavement from the bottom step.

She paces along the pavement, shoulders back, head held high, ignores the cheerful greetings of the geraniums peering anxiously at her from number fourteen and does not notice the curtain twitching of Mr. Traymer's recovered back. She pauses outside number eighteen. Pizza boxes protrude from the wheelie bin. The windows are dark and silent, curtains drawn.

She climbs the steps, slowly, one at a time. Presses hard against the doorbell. It rings into emptiness. She stands and waits, counting heartbeats. She feels the upstairs curtains twitch but the house remains silent, cold and dark. A handful of scattered heartbeats longer and she trudges back down the steps, one by one, and down the road towards the bus stop. Alone.

Friday

She opens the front door, stands stock still on the door step and breathes in cool fresh air, storm-cleared. She swings her satchel over her shoulder, left to right and pats her pockets once: phone, keys and wallet. She steps over the sill and charges down the steps, two at a time. She hits the ground striding, straight across the road. Towards me.

I see her knock at my door, three times. I answer tentatively and sign that I can read her lips but not her voice and cannot hear my own vocal fumblings. She does not understand but lets me know in no uncertain terms that she has seen me watching her and the geraniums and Mr. Traymer. She does not mind, she says, but thinks that I should introduce myself, it's only polite after all.

I sign away, try to ask her whether she would like a cup of tea. She does not understand, but she comes inside anyway, to talk to me.

Reviews

Written by Asferthecat (841 comments posted) 1st May 2007
Although you've titled it hitting the pavement that phrase bothered me - it was as if she had fallen over. 
I think it is an interesting way of revealing the end of a relationship through mundane daily routine. I thought it would be boring but it isn't. The eye scans the repetative bit, eager for changes. 
I liked the ending, where she confonts the person watching her but would like to know more about the watcher. 
I imagine because she is deaf and offers tea rather than coffee at that hour of the morning that she is an old woman
HI Elli
Written by jean.day (2286 comments posted) 2nd May 2007
This is certainly an interesting way of telling a story but I am not too sure I like it as much as most of your writing. I'll read it again when I get home tonight and see if I can think of anything more helpful to say.

Written by Snodlander (501 comments posted) 2nd May 2007
'soil clinging it bone white roots' should read 'soil clinging to bone-white roots'. 
 
Almost hypnotic in its near repetition. I thought this an unusal and compelling piece. There were some nice metaphores. Liked the different descriptions of the geraniums. 
 
I wasn't sure why the person at the end was deaf. It didn't seem to add to the story. If the person at the end is deaf, how did he hear her knock on the door? I was expecting him to be OCD as well. Expecting something like, 'hearing the knock on the door I counted the 15 steps to the doorway, touching each bannister rail as I did so', showing why he had noticed her compulsive rituals. 
 
Nevertheless, different and interesting

Written by ellipinnock (1753 comments posted) 2nd May 2007
In my mind the watcher is male, young and shy but it doesn't matter much either way. 
 
Him being deaf doesn't add much to the story in a way but, in my head anyway, this is about visuals and about looking at the end of a relationship thorugh the kind of visual manifestations - I thought this was more interesting from the perspective of a person who viewed the world in terms of the visual rather than what he/she could hear. I may be wrong on that. 
 
Thanks for the feedback, I had no idea whether this worked ont he page or not so it's all useful. 
 
As an side, she doesn't have OCD. The other thing I was trying to get across was that many of us have these routines that we indulge in, I know I do anyway, that aren't OCD, but when you put them down on paper they begin to look more obsessive.  
 
I guess I'll probably come back to this and tweak it some more. 
 
Cheers 
 
Elli 
 
ps. Snods, heard should have been seen. Quite embarrassed not t have picked that one up before I posted it! Ta

Written by Snodlander (501 comments posted) 2nd May 2007
Actually, I got all that. I sometimes think my reviews are less positive than I feel about stories. I guessed the watcher was a shy young man, and that this could be the start of the next romance, as the old one dies. But looking at life through the window would all be visual, whether deaf or not. But the deaf thing is no biggie. 
 
And I used OCD as shorthand, but there are degrees. Her ritual was a little more OTT than average, I would suggest, contrasting with her ex, who's ritual was non-existant. A relationship doomed from the start. 
 
I felt that if this guy was obsessively watching her, noting her rituals, then either he was compulsive or that he had noticed her compulsions, either of which could bode better for their relationship.
HI Elli
Written by jean.day (2286 comments posted) 2nd May 2007
On reading this again, and with reading the comments from others I like it a whole lot better. I'm glad I took the time and really enjoyed it.  
 
Lots of nice phrases in it too, like lonely terraced bricks, and metal spines browbeaten in the wind, a handful of scattered heartbeats, etc.

Written by Lizzy (806 comments posted) 2nd May 2007
A very visual piece which is what I think you intended. 
I don't know whether it is my age but I tend to think of schoolgirls carrying satchels. 
On second thoughts it is my age!! 
I liked the subtle changes which made the repetitions so interesting. 
An interesting read. 
Lizzy

Written by Bottleblondesurfer (3369 comments posted) 2nd May 2007
I read this a while ago but time on the computer is limited and I wanted to give a measured response. 
I thought it was a great concept, a quirky and original way to show a relationship ending. Almost like a silent movie,that is how I pictured it; with the camera zooming in on the flowers and the curtains. It was all so visual. I enjoyed the repeated morning ritual which was different but essentially the same and the various visual milestones on the way. I particularly liked it when you referred back to the previous day; as with the weed and the soil. It strengthened the continuity.I was intrigued by the way she was obviously being watched but here I was a bit confused. I thought it must be Traymar but then realised it couldn't be and wondered why she confronted him and not Traymar. Silly things like that bother me, but it didn't detract from the story as a whole 
A compelling and original tale 
Jane

Written by Janie (265 comments posted) 2nd May 2007
i've read this several times now..i liked some of the prose you have in there and the descriptions, also the as someone else said the silent movie quality this piece has. Me too with the satchel...pictured a school girl to begin with...but i'm gonna have to say i didn't like the repetiton, it got me down...the first read early this morning, OCD came to mind, but then after a couple more reads it was apparent that it's a kind of ritual we all go through in one way or another..me? i just swear my head off at anyone who dares to get in my way or cut me up whilst driving to work...then, once there, get a niggly feeling that i may have forgotten to lock the front door. :grin  
 
anyway it could be that i've read this so much and that is why the repetiton did my head in...sorry.

Written by Livinginanattic (456 comments posted) 3rd May 2007
Slightly different from your usual work but this worked very well. I'm not sure why but I assumed the watcher was male, and perhaps older. 
 
I don't see many stories written this way but this is how we experience our lives - with all these little routines which vary subtly each day. 
 
Cheers.

Written by Phil (6738 comments posted) 7th May 2007
Novel and interesting. I got the visual aspect very strongly. Clear cropped images, and no broader view at all- like a highly directed art film - very effective for it. 
 
Some of your phrasing is lovely and I really like the way it ends with another watcher - which for the record, I assumed to be a young (unattached) male. 
 
The deaf thing did throw me a little. It adds unnecessary complexity to a strictly simple piece. 
 
Enjoyed very much.  
 
Phil.

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