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Poetry
Telephone
By Phil
03 June 2007
A piece for 'Lazy Writers.'

I pretty sure this isn't poetry. I've put it here for best fit really. I may move it over to short stories if anyone thinks that's best.

Telephone.


See the desk:
Large, teak and leather covered.
Upon the desk a gun-metal grey phone rings.


Listen to it call,
Insistent.
Ring ring.
‘Answer me.’
Ring ring.
‘Pick up.’
Ring ring.
‘Come on.’


See the picture frame,
Face down against the leather.
Imagine what it holds:
A family snapshot: husband, wife, child, dog?
Lovers at a midnight, candle-lit table?
A child’s drawing of mother and father?


Hear the phone,
Strident now.
Ring ring.
‘Answer me damn you.’
Ring ring.
‘Pick up the bloody phone.’
Ring ring.
‘Come on!’


See the pen
Neatly laid across
A folded sheet of cream paper.
See the single word written
Thoughtfully
Across the middle,
‘Ellen.’


Hear the phone.
Now pleading.
Ring ring.
‘Please answer.’
Ring ring.
‘Please pick up.’
Ring ring.
‘Come on Allan. Allan?’


Look at the chair
On its side behind the desk.
See the suit panted legs
Spread-eagled uncomfortably;
One in the knee-well,
One next to the chair.
Let your eyes travel up the legs,
Stomach,
Chest,
To the head.
Look carefully at the bloodied,
Bone shattered
Exit hole.
Look at the gore splashed
Up the wall.


Hear the phone.
Now resigned.
Ring ri.

Reviews

Written by Janie (265 comments posted) 3rd June 2007
liked how this unfolded, also how the gun-meatl grey phone at the beginning ties in with it...the picture face down shows a possible reason, then phone ringing just too late to stop him..yes good one..also a good idea for a story.

Written by Janie (265 comments posted) 3rd June 2007
ps meatl is an anagram of metal LOL! typing way too fast. :grin

Written by stevetroster (1588 comments posted) 3rd June 2007
Very much enjoyed the structure of this Phil, l thought at one point that 'I' might have written this in another life. 
I too enjoyed the way that it unfolded, as well as the ambiguity of the death. 
Murder, Suicide? No weapon at the scene! 
Couple of minor issues: 
'Telephone. 
See the desk:  
Large, teak and leather covered.  
Upon the desk a gun-metal grey (phone) rings.' 
Having begun with telephone, I think that I would have stuck with it, and it also makes the piece sound more pofessional and business like. 
Also, does it need a comma after teak to show that the table is large, teak, and leather covered, as opposed to large, and covered in leather and teak? 
Or am I barking up the wrong tree? 
 
Ring ri. (nice touch!) 
 
Not the work of somebody even remotely connected with semantic antics. 
 
Best wishes 
Steve. 
 
 
 

Written by wattle (117 comments posted) 3rd June 2007
I like. Phil you are turning dark, very dark. (perhaps you always were). Still they say a tidy desk is the sign of a sick mind, so something bad was sure to happen. -- Thank you

Written by ellyb39 (79 comments posted) 4th June 2007
This could be a film scene, great the way the structure slowly takes you through the questions, to the final answer at the end. Last cut off line, great. elly.

Written by Fledermaus (3448 comments posted) 5th June 2007
I guess it's Ellen calling while the man blew his own brains out... Very clever, especially the 'ring, ring' parts. A nice built up of the tension.

Written by sam_duke (19 comments posted) 5th June 2007
That's quite powerful. I read this with the evening sun still shining down the street, but I wish I'd read it in the middle of a dark night!! The imperatives are really what make it what it is, and the switch between command words like "listen" and "see" from one line to what we might call the descriptions of the scene on the next line - the words pierce deep into the mind. 
 
Strong, jarring stuff.

Written by Phil (6838 comments posted) 5th June 2007
Thanks for reading and commenting. 
 
Phil

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