I wrote this as an exercise to see if setting a story in a different country would add a new dimension to it. I was surprised and pleased with the results, it totally changes it from the english version. Any flaws you may spot in the americanisms or suggestions to improve greatly appreciated. Angel Pie and The Demon
Jimmy's story
I hide in Momma’s closet, watching her through a small crack in the door. She moves around the room like a twister, sending everything crashing to the floor. Her eyes are wild again and I get real scared when she’s like that. She yanks at the drawers of her dresser; dingy laced panties and laddered nylons spill out onto the pink carpet. I can see her face in the mirror. Her mouth is a red gash - a thin, pinched line and she has those bumps in the side of her jaw that kinda throb in and out. That’s when I know to keep out of the way, that’s when I know she’s real crazy. “Jimmy! Where are you? Ya little fuck! You've been in my dresser again! I’m gonna bust ya wide open!”
White foam sprays from her lips, splattering specks onto the mirror when she yells. I feel my knees shaking against my chin when I draw them close to my chest. Curling myself into a tight ball, I hold my breath, feeling sure the thumping of my heart will be heard and she’ll find me in my secret hidey-hole. I still have the purple marks from the last time, but they stopped hurting so bad now. She’s shouting again. I try not to cry, but a sob hic-ups inside my throat, one of them that catches me by surprise. I quickly gulp it down before it escapes and gives me away.
Wriggling backwards, I feel safe wrapped in the musty old coat hanging behind me. It smells of the smoky bar where Momma hangs out when she has money. I look for her there sometimes when I get hungry, knowing she’ll be all happy and maybe give me a few dollars for a take-out from Luigi's diner. "This is Jimmy, my baby angel pie,” she gurgles to her drinking buddies, and makes a real fuss, stroking my blonde curls and pinching my bony cheeks. She gets me a soda sometimes too. I love her when she’s kind. I feel like I’m an average kid, for a while at least. Why does she have to turn into a demon?
I huddle in the comfort coat a little longer, waiting for the eye of the storm to pass. Then, when the time is right, I’ll make a break for it down to Mrs. Cleaver’s a few doors down the block.
Mrs. Cleaver is kind. It’s Thursday, she always bakes cookies on Thursdays. She lets me watch TV, then we play checkers. I feel safe there. Once, I heard her talking on the phone, I think she was talking about me. “He’s a real sweet kid when you consider who the mother is. I could give him all the love and care he needs if only he were to come live with me.” I’d like to live with Mrs. Cleaver, but mostly I wish Momma could be like her.
I listen hard from the closet. It’s gone all quiet; she must have found her white powder.
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Momma's story
People despise me, tell me I’m evil trash. They think I gets into my crazy rages because of the drink and the drugs. If only they knew. The whole reason I takes the drink and drugs is to keep calm, keep myself from thinking, keep myself sane. They help me escape to a better place…for a little while anyways.
My Daddy always said I was a wild one. He liked me that way. He liked me to buck and bite and spit when he climbed on top of me, whispering his sugary words. Then, he’d spill his seed, which, he said, proved he loved his baby girl. Afterward, he’d roll off and look down at me with that smile of his before creeping back to Momma’s bed. I can still see that smile to this day. I want to smash it off his mouth!
I was but a child carrying a child. Momma called me a filthy whore, then a lying filthy whore when I told her the truth. I left and went out to work the streets. But hey! That’s what whores do, right? It was easy money; all I had to do was buck and squeal a little, some even paid the extra to be bitten.
This thing inside me grew big. I hated it. It was spawned from evil but too late to rid myself of it. I’d sit and watch the lump sometimes. It would move, mostly at night. A hand, a foot would rise under my taut skin. Once, I smacked it so hard, it never moved again for a whole day. I was disheartened but at the same time kinda relieved when it finally did move again.
Then the thing was born. Jimmy. He looked like an angel from God. His mass of golden curls sat like a halo around his perfect, tiny face, his clear baby blues shone out with such purity, such innocence. He reminded me of the dolly Momma bought me when I was seven; reminded of the times before Daddy began climbing on top of me.
I liked him fine, this little angel of God; he was mine.
Then he began to grow. He was no bother, a very calm baby. He never hollered too much, even when I left him in his crib to go out to work. He was quiet when I brought the ‘tricks’ back to our room too. It was only when he smiled, that’s when I could see my Daddy’s smile, that’s when I went into one of my white rages, that’s when I needed my fix.
Last week Jimmy hid my stash; told me he wanted me to 'stop with the powdery stuff'. Poor kid. How could he know? How could he ever know that with or without the it, I’ll never be clean as long as I live, not as long as I see that smile… that fucking smile.
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First or third? Written by woody44 (760 comments posted) 16th June 2007 | After have read this Janie I think it would have had more impact and immediacy if it had been told in the third person, giving you the scope to switch between the boy`s thoughts and his mother`s in the main body of the story. This way you could have drip fed the reader with information, building the suspense whilst at the same time taking the reader to a possible thought-provoking denoument. These opinions in no way criticise your style of writing Janie which I enjoy...and it is only my opinion!. Woody | Written by Janie (265 comments posted) 16th June 2007 | thanks woody, yes i see what you mean..kinda..Quote:
told in the third person, giving you the scope to switch between the boy`s thoughts and his mother` i am loathed to do this though, as when writing i tend not use a completely omniscient POV eg whereby the narrator is god and knows all, sees all and feels all...i think one has to be a very skillful writer to be able to pull that off and i am just not experienced enough to do a good job, so i usually go for first person or third person limited omniscient...when i first began writing i had no idea about POVs and my pov jumped around to every character conveying their thoughts and feelings...i was pulled up on it time and time again, i don't think many writers use total omniscient these days, so when people see it they either think you've made a slip or that you don't know much about writing...there's always some arse who will pull you up about switching POVs because the norm seems to be limited omniscient. it would be nice to read a book where the author has used total omniscient and i don't mean when they alternate chapters and change pov each time..i mean where the pov moves around..i mean, do they change pov in the same para? it would be good to see how it's done properly. do you know any authors who write this way so i can see how it's done? the reason i used 2 separate first person pov is because i wanted the reader to see both sides of the story and not have it limited to just one view point..i don't think it would have been effective just form jimmy's or the mum's alone, but your suggestion has given me fod for thought, i just wished i knew how to execute it. thanks for reading | Written by Asferthecat (789 comments posted) 16th June 2007 | I enjoyed this, I thought it was very powerful. By using the first person you limit yourself to a very limited POV. But by using the first person for two different people you solve this problem. However, it makes it very much a two-parter. Does this matter? In some ways it is almost more difficult to write this way than the way Woody was suggesting - doing it as a single piece in the third person. I think you pull it off well.
| Written by woody44 (760 comments posted) 16th June 2007 | I think what I am really trying to say Janie is write the story in the third person but show (as against telling) during the course of the story, why the boy`s mother behaves like she does. This way the story does not become split into, what is in effect two separate stories, which I think makes it lose a lot of impact as a short story. I think it would be better. Maybe something like this: `Jimmy hides in his mother`s closet, watching her through the small crack in the door. She moves round the room like a twister the boy had once seen on Tv, knocking everything in her path crashing to the floor. He noticed her wild eyes, just as they had been when he`d once asked her about his grandpa. `We don`t ever mention his name in this house - you got that boy! Maybe I am altering completely the whole concept of the story as you envisage it Janie - so I think I`ll just shut up now! | Written by Janie (265 comments posted) 16th June 2007 | oh, i see what you mean..write in third person from jimmy's pov..and allow the reader to arrive at what has happened with the mum through his naive observations, their dialogue and through an omniscient narrator. i thought you meant have it switching from jimmy's and the mum's pov throughout. yes, i may well give it go when i get a time to write more...only 4 more weeks then 6 glorious weeks off work. | Written by woody44 (760 comments posted) 16th June 2007 | Well you explained that a lot better than I did Janie! However you handle it I wish you all the best with it. Woody | Written by stevetroster (1398 comments posted) 16th June 2007 | You've already done the POV thing, so I'll talk about something else then. Unusually for you, I found it a bit wordy, perhaps you've been in sixty for too long and felt you needed to write something full of words. I hide in Momma’s closet, watching her through a (small) crack in the door. She moves around the room like a twister (I once saw on TV,) etc, etc. 'White the foam' - is he a relation of Jones the smoke?? 'Last week Jimmy hid my stash; told me he wanted me to stop with the powdery stuff.' "Powdery Stuff" seems a bit forced/faulse. Name your poison. Snow, Coke, Charlie, etc. Needs a bit more of an accent to make it less Brit. 'for a little while anyways.' Anyways, was one of the few times that I felt it had any form of accent. "For a little whiles anyhow" "For a whiles anyhow" 'Daddy' - Pa, Pop, etc. Only my opinion, best wishes Steve.
| Written by Janie (265 comments posted) 17th June 2007 | thanks steve, i've done a quick edit...i shall have to read a yankie book or something to get ideas to improve the voices...or maybe i should watch the waltons. | Written by stevetroster (1398 comments posted) 17th June 2007 | Stop messin wi' that shit, momma bitch! Hush now boy, momma's just powderin her nose. G'nite Janie. | Written by teddy (240 comments posted) 17th June 2007 | Hi Janie, For me the first person POV worked fine in here. I think this is a powerful, very well written piece, somehow disturbing, but touching in places. Really enjoyed it. Teddy
| Written by teddy (240 comments posted) 17th June 2007 | Hi Janie, For me the first person POV worked fine in here. I think this is a powerful, very well written piece, somehow disturbing, but touching in places. Really enjoyed it. Teddy
| Written by Janie (265 comments posted) 17th June 2007 | Quote:
Stop messin wi' that shit, momma bitch! Hush now boy, momma's just powderin her nose. G'nite Janie. LOL! that sounds more like Chicken George in Roots than the Waltons, i was really trying for brooklyn though tbh, but it still needs more work i think..will have to watch a bit of cagney and lacy... thanks anyway. G'nite Steve! thanks teddy, i'm glad it worked for you, although i will re-write this in third person as woody suggested at some stage and see what i can come up with. thanks for reading! | Written by wltshr (300 comments posted) 18th June 2007 | I liked the first person POV. It gave us two sides of the coin nicely and with a very strong ending which may only work well in this form. The only bit which jarred slightly was " It’s good to feel love, if only for an hour or two. Why does she have to change into a demon?". It didn't seem like the kind of thing that a child of Jimmy's age might say. However, powerful stuff. Enjoyed Wltshr
| Written by Fledermaus (3159 comments posted) 18th June 2007 | Powerful indeed, yet I'm not sure how the setting changes the story. The kid indeed sounds American, but somehow I don't think it would be any less dramatic in England. Maybe it'd be harsher if the woman was from a country where 'son of a whore' is a common swearword (Spain?). The POV thing worked well I think. | Written by Phil (6387 comments posted) 18th June 2007 | I thought this was an excellent short. Woody's suggestion might work, might even improve it, but I like this fine as it is. I like the way Jimmy's story is told first so that as a reader, you firmly sympathise with him. When Momma's story comes along, your initial feelings are challenged. In this way, its current form works brilliantly. One of the best shorts I've read here for quite some time. Phil | Written by stevetroster (1398 comments posted) 18th June 2007 | You show they aint got no niggra's in Brooklyn? Love y'all, have a nice day now. | Written by Janie (265 comments posted) 18th June 2007 | hi wilty..will take out that bit you refer to, yes you're right...thanks! hi the mouse! or should i say the bat?..i found out today that's what fledermaus means. no, the location doesn't change the story but it's different somehow, makes it feel like it's written by someone else after you've changed it and read it back...you should have a go it's quite fun...plus trying out new stuff stretches us and we learn. thanks phil, you are too kind. | Written by Janie (265 comments posted) 18th June 2007 | | sorry cat, i missed your comment, thanks! | Written by TwistedTales (448 comments posted) 20th June 2007 | I am kinda with Woody on this one. The split in the story kinda takes out the flow. Its like you build it up nicely and then suddenly there's a break and we have to build the momentum all over again. But this is powerful. You have written this very well. The reader gets confused as to whom to feel sorry for. The boy's life is screwed and but so is the lady's. Past memories haunt her and she can't help it, Love the helplessness of the kid and the lady. When that kid thought of running to Mrs. Cleaver's, i thght that's gonna be more hell for the kid as i was possibly imagining a sexual predator in my head (too bad). But the momma's story evened that out. Loved it Janie...good going... | Past or Present? Written by gwyddyn (28 comments posted) 2nd July 2007 | Loved it. Don't think i would have mentioned 'white powdwer at the end ofJimmy's story though. Keep the reader guessing. Is it drugs, drink or just plain psychosis that invokes the demon? Can see where Woddy is coming from with the POV. Would it work better if you mingled the two stories? This may help with the flow. Kinda: 'Dumb fuckin' kid, hides it the same place every time' 'I listen hard from the closet. It’s gone all quiet.' The thing that i noticed more was the immediacy of Jimmy's story, being in present tense. Mother's story didn't have the same impact for me. I feel the past tense slows it a little too much.
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