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Poetry

The Aftermath

Poet and know it? Lay your stanzas gently here.

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Re: The Aftermath

Postby patterjack » Sun May 01, 2011 10:31 am

As I read it , if you push the iambics as - some are wont to do (remember?)- *and * would be stressed, but I do not say it has to be stressed-- I was fiddling around with the comment by Brett about a change of rhythm if *has * were added. The original reads quite well for me .
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Re: The Aftermath

Postby Phil » Sun May 01, 2011 12:04 pm

I found this a bit of a difficult read to start - purely because of when I open a Wendy poem up I have certain expectations of style - and this is so different. Certainly not a crit - just an observation.

As I type this, I can't see the piece anymore. Ah! :cry:

It does build well - interestingly - the style throughout (I felt) was pretty direct - and so the ending fitted well. This may be a reflection of personal development on my part - but there's something almost comic in the word 'pissed' - besides messing up your rhythms, I wonder if it's really needed. It's implicit anyway.

Really like this - and knowing you, it'll be worked on a few times yet.

Phil
Time flies like an arrow; fruit flies like a banana.
Groucho Marx
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Re: The Aftermath

Postby ainsel » Sun May 01, 2011 9:17 pm

I'm intrigued by this one, have read it a few times. It flows very easily, the language is simple and clear, and it expresses the weary resignation of the situation clearly.

The final couplet worries me, there's a hint of exasperation in the last line that I found a little jarring under the circumstances. But that may be just a personal response.

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